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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Foot and Hand
Foot and Hand, Roy Lichtenstein, 1964
Roy Lichtenstein, retratoRoy LichtensteinEstados Unidos, 1923–1997

Foot and Hand

1964 · Print

Pormenores

1964 · aos 41 anos
19231997
Número de inventário
1993.48.1

Entretanto, na vida de Roy Lichtenstein

A vida inteira
  1. 1962

    The Castelli show sells out before it opens

    Lichtenstein’s first one-man show at the Castelli gallery took place in 1962: the entire collection was bought by influential collectors before it even opened. The Leo Castelli Gallery has represented him exclusively since then.

  2. 1963–1964

    Leaves Rutgers and returns to New York

    In September 1963 Lichtenstein took a leave of absence from Douglass College at Rutgers; in 1964 he moved back to New York to be at the centre of the art scene and resigned from Rutgers to concentrate on his painting.

  3. 1964

    The first American to exhibit at the Tate Gallery

    Lichtenstein became the first American to exhibit at the Tate Gallery in London, in the show “’54–’64: Painting and Sculpture of a Decade”.

  4. 1964

    Life magazine asks: “Is He the Worst Artist in the U.S.?”

    When Lichtenstein’s work was first exhibited, many critics challenged its originality and called it vulgar and empty; a Life magazine article of 1964 was headed “Is He the Worst Artist in the U.S.?”. The artist replied that the closer his work is to the original, the more threatening and critical its content.

  5. 1965

    Divorce from Isabel

    The brutal upstate winters, where Lichtenstein had been teaching since 1958, took a toll on him and his wife. They sold the family home in Highland Park, New Jersey, in 1963 and divorced in 1965.

Mais obras de Roy Lichtenstein

Todas as obras

Vizinhas de sala: Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Caricature

Todas as obras sobre o tema

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Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

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CaricatureHandGunFoot

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GravurasImpressão fotomecânicaArte do pós-guerraSéculo XXAmerican

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — © the artist or rights holder
Entablature, Roy Lichtenstein, 1974

Entablature

1974 · Galeria Nacional de Arte

Painting with Statue of Liberty, Roy Lichtenstein, 1983

Painting with Statue of Liberty

1983 · Galeria Nacional de Arte

House I, Roy Lichtenstein, model 1996, fabricated 1998

House I

model 1996, fabricated 1998 · Galeria Nacional de Arte

Руины, Roy Lichtenstein, 1965

Руины

1965 · Museu Russo

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Museu Whitney de Arte Americana

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Museu Whitney de Arte Americana

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Museu Whitney de Arte Americana

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Museu Whitney de Arte Americana

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

CRAK!, Roy Lichtenstein, 1963/1964

Roy Lichtenstein

CRAK!, 1963/1964

Não exposta · Galeria Nacional de Arte

Mao, Roy Lichtenstein, 1971

Roy Lichtenstein

Mao, 1971

Não exposta · Galeria Nacional de Arte

Caricature of J.M. Whistler, Aubrey Beardsley

Aubrey Beardsley

Caricature of J.M. Whistler

Não exposta · Galeria Nacional de Arte

Lawyer, Honoré Daumier

Honoré Daumier

Lawyer

Não exposta · Galeria Nacional de Arte

Nayades de la Seine (Sea Nymphs of the Seine), Honoré Daumier, 1847

Honoré Daumier

Nayades de la Seine (Sea Nymphs of the Seine), 1847

Não exposta · Galeria Nacional de Arte

C'est unique! j'ai pris quatre tailles..., Honoré Daumier, 1840

Honoré Daumier

C'est unique! j'ai pris quatre tailles..., 1840

Não exposta · Galeria Nacional de Arte

Le Ventre Législatif (The Legislative Belly), Honoré Daumier, 1834

Honoré Daumier

Le Ventre Législatif (The Legislative Belly), 1834

Não exposta · Galeria Nacional de Arte

Mr. de Robert Macaire Restaurateur, Honoré Daumier and Edouard Bouvenne, 1836

Honoré Daumier

Mr. de Robert Macaire Restaurateur, 1836

Não exposta · Galeria Nacional de Arte