Italian
Virgin and Child
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Chicago, Estados Unidos
Exposta ao público. Quem o garante vem indicado abaixo.
- Verificado
- Neste estado desde
- Fonte
- O museu
Sobre a escultura
Although frequently described as a humble and austere medium, clay was perennially popular during the Italian Renaissance and could be modeled with notable sophistication. Clay was especially acceptable for finished works of art made in areas where marble or bronze was prohibitively expensive. Once completed, this sculpture was sliced with fine wire into at least four sections, and extremities like the Virgin’s head and hands and the Christ Child were fired separately. After firing, these elements were reassembled and painted. The Virgin and Child appears to be the work of an artist trained in Tuscany with some knowledge of the sculpture of Donatello and his partner Michelozzo.
Art Institute of ChicagoCC BY 4.0
Pormenores
- Número de inventário
- 1933.1303
O que mostra
No catálogo
Fontes
- Art Institute of Chicago
- Imagem: Art Institute of Chicago — CC0
