Fra BartolommeoItália, 1472–1517The Nativity
Será possível contemplá-la?
Sim, recebe visitas
Chicago, Estados Unidos
Exposta ao público.
- Verificado
- Neste estado desde
- Fonte
- O museu
Sobre a pintura
The young Baccio della Porta came under the spell of the charismatic Dominican friar Girolamo Savonarola, joining his monastic order as Fra (Friar) Bartolommeo in 1500 and forsaking his painting career for several years. Returning to painting in 1504, he looked to the most lyrical and harmonious recent works of Leonardo da Vinci, Raphael, and Michelangelo to form his own style, which was characterized by a new, quiet spirituality. The palette of saturated blue, red, and green announces the Holy Family, while the muted tones of the angels’ garments establish an otherworldly presence. Here he treated the Nativity in a traditional, though especially intimate, manner. The Virgin kneels humbly as she gazes at the Christ Child, while Joseph assumes a pose of restrained wonderment, as if suddenly aware of the infant’s divine nature.
Ler mais
The family shelters in a rustic stall erected within the ruins of an edifice understood to be the palace of David at Bethlehem. This juxtaposition of architecture symbolizes Christ’s establishment of his new church on the Old Testament order of the Jews. Reinforcing this device is a young tree springing from a remnant of ancient stones directly above the infant.
Art Institute of ChicagoCC BY 4.0
Pormenores
- Número de inventário
- 2005.49
O que mostra
No catálogo
Fontes
- Art Institute of Chicago
- Imagem: Art Institute of Chicago — CC0
![Two Friars on a Hillside [recto], Fra Bartolommeo](https://api.nga.gov/iiif/d9d6db01-d478-4e41-b976-dc77224a0af4/full/!2400,2400/0/default.jpg)
