Croland introduces Mapplethorpe to John McKendry, curator of photographs and prints at the Metropolitan Museum of Art, who becomes his first significant benefactor: through him Mapplethorpe reaches Henry Geldzahler, who introduces him to David Hockney, and the photographer Francesco Scavullo, and later gains access to the museum’s private photography collection, studying works that had never been publicly exhibited.
autumn 1971
Stays on in Paris
When McKendry returns to New York, Mapplethorpe goes to Paris, stays with the fashion designer Fernando Sanchez and socialises with Loulou de la Falaise and Yves Saint Laurent, who takes an interest in his handmade fetish jewelry and incorporates similar designs into his collections; he spends his 25th birthday in Paris on 4 November 1971 and tells McKendry he will not return until he has taken more photographs.
1972
Meets Sam Wagstaff
Croland introduces Mapplethorpe to the curator and collector Sam Wagstaff, who had grown interested after seeing a Polaroid of him in Croland’s apartment; reserved about the explicit content of the work but impressed by its candour, Wagstaff offers his support, the two become lovers, and Mapplethorpe will later call it love at first sight, after which everything changed for him.
October 1972
A loft at 24 Bond Street
When Patti Smith moves in with her boyfriend, the musician Allen Lanier, Mapplethorpe can no longer afford their apartment, and Wagstaff gives him $15,000 toward a loft at 24 Bond Street, a short distance from his own; a home and studio of his own let him devote himself more fully to his art.
January 1973
First solo exhibition, “Don’t Touch Here”
The first solo exhibition of Mapplethorpe’s work opens at the Light Gallery in New York — Polaroids, the title taken from the protective sleeve of a Polaroid print and alluding to Duchamp’s “Prière de toucher”. It follows his growing focus on Polaroid: Wagstaff had given him a Hasselblad with a Polaroid back (by other accounts, the first exhibition, “Polaroid”, took place only in 1976 at the Metropolitan Museum).
1975
A portrait of Patti Smith on the cover of “Horses”
One of his stark portraits of Patti Smith is used as the cover of her 1975 debut album, “Horses”.
