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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu de Arte Moderna/
  3. Untitled (Champagne bottle)
Untitled (Champagne bottle), Robert Mapplethorpe, 1974
RRobert MapplethorpeEstados Unidos, 1946–1989

Untitled (Champagne bottle)

1974 · Photograph

Será possível contemplá-la?

De momento, não recebe

Museu de Arte Moderna

Nova Iorque, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 9 dias
Fonte
O museu
No mapaPágina do museu

Pormenores

1974 · aos 28 anos
19461989
Número de inventário
37.2015

No catálogo

FotografiasArte do pós-guerraSéculo XX

Fontes

  • Museu de Arte Moderna
  • Imagem: Museu de Arte Moderna — © the artist or rights holder

Entretanto, na vida de Robert Mapplethorpe

A vida inteira
  1. 1972

    Meets Sam Wagstaff

    Croland introduces Mapplethorpe to the curator and collector Sam Wagstaff, who had grown interested after seeing a Polaroid of him in Croland’s apartment; reserved about the explicit content of the work but impressed by its candour, Wagstaff offers his support, the two become lovers, and Mapplethorpe will later call it love at first sight, after which everything changed for him.

  2. April 1972

    McKendry introduces him to Polaroid

    McKendry takes Mapplethorpe to Boston and introduces him to executives at the Polaroid Corporation, whose Artist Support Program provides selected artists with cameras and film.

  3. October 1972

    A loft at 24 Bond Street

    When Patti Smith moves in with her boyfriend, the musician Allen Lanier, Mapplethorpe can no longer afford their apartment, and Wagstaff gives him $15,000 toward a loft at 24 Bond Street, a short distance from his own; a home and studio of his own let him devote himself more fully to his art.

  4. January 1973

    First solo exhibition, “Don’t Touch Here”

    The first solo exhibition of Mapplethorpe’s work opens at the Light Gallery in New York — Polaroids, the title taken from the protective sleeve of a Polaroid print and alluding to Duchamp’s “Prière de toucher”. It follows his growing focus on Polaroid: Wagstaff had given him a Hasselblad with a Polaroid back (by other accounts, the first exhibition, “Polaroid”, took place only in 1976 at the Metropolitan Museum).

  5. 1975

    A portrait of Patti Smith on the cover of “Horses”

    One of his stark portraits of Patti Smith is used as the cover of her 1975 debut album, “Horses”.

  6. late summer 1976

    Holly Solomon starts representing him

    Unimpressed by his erotic photographs but admiring his portraits, Holly Solomon “auditions” Mapplethorpe as she had other artists who made her portrait: he photographs her reclining on her bed and later presents her with a framed triptych. She agrees to represent him, valuing his understanding of contemporary painting, sculpture and photography and swayed by Wagstaff’s endorsement; in November a photograph of a Dalmatian by him is included in the group show “Animals” at her gallery.

Mais obras de Robert Mapplethorpe

Todas as obras
Triptych: Self-Portrait, Robert Mapplethorpe, 1972

Triptych: Self-Portrait

1972 · Não exposta · Museu de Arte Moderna

Untitled, Robert Mapplethorpe, c. 1972

Untitled

c. 1972 · Não exposta · Museu de Arte Moderna

Untitled (Bidet), Robert Mapplethorpe, 1973

Untitled (Bidet)

1973 · Não exposta · Museu de Arte Moderna

Untitled (Vacuum), Robert Mapplethorpe, c. 1973

Untitled (Vacuum)

c. 1973 · Não exposta · Museu de Arte Moderna

Patti Smith, Robert Mapplethorpe, c. 1973

Patti Smith

c. 1973 · Não exposta · Museu de Arte Moderna

Self-Portrait (With Dancer), Robert Mapplethorpe, 1974

Self-Portrait (With Dancer)

1974 · Não exposta · Galeria Nacional de Arte

Untitled (Peter Berlin), Robert Mapplethorpe, c. 1974

Untitled (Peter Berlin)

c. 1974 · Não exposta · Museu de Arte Moderna

Arm (Self-Portrait), Robert Mapplethorpe, 1976

Arm (Self-Portrait)

1976 · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Museu de Arte Moderna

Página do museu
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

A Noite Estrelada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950