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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  2. Instituto de Artes de Minneapolis/
  3. Untitled (Bruno Signs)
Untitled (Bruno Signs), Brode Vosloo, 2010
BBrode VoslooÁfrica do Sul

Untitled (Bruno Signs)

2010 · Print · 34.13 × 22.07 cm

Será possível contemplá-la?

De momento, não recebe

Instituto de Artes de Minneapolis

Minneapolis, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a obra

iJusi is the name of an internationally renowned, experimental South African graphic design magazine edited and published by artist Garth Walker. Roughly translated as “juice” in Zulu, iJusi was first issued in 1995, one year after the end of apartheid in South Africa, as a cultural and artistic response to the country’s newly established democratic state. iJusi has encouraged South African artists to remove themselves from the influence of Western aesthetics and create “a visual language rooted in the African experience.” At its very core, the publication asks the question, “What makes me African?” The iJusi print portofolio features examples of the most iconic images by South African artists who contributed to the magazine during its run, including David Goldblatt, Anton and Mark Kannemeyer, Brandt and Conrad Botes, Brode Vosloo, and Pieter Hugo. Consisting of ten lithographs, yhe portfolio is a survey of iJusi's history as well as a condensed visual documentary of South Africa's artists as they journey through the aftermath of apartheid.

Instituto de Artes de Minneapolis

Pormenores

Número de inventário
2010.21.6

No catálogo

GravurasLitografiaArte contemporâneaSéculo XXIÁfrica do Sul

Fontes

  • Instituto de Artes de Minneapolis
  • Imagem: Instituto de Artes de Minneapolis — © 2010 Brode Vosloo / Ijusi Magazine 1995-2015. All Rights Reserved.

Vizinhas de sala: Instituto de Artes de Minneapolis

Página do museu
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34