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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu de Arte Moderna/
  3. Untitled
Untitled, Alfred Stieglitz, 1886 or 1894
Alfred Stieglitz, retratoAlfred StieglitzEstados Unidos, 1864–1946

Untitled

1886 or 1894 · Photograph

Será possível contemplá-la?

De momento, não recebe

Museu de Arte Moderna

Nova Iorque, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 9 dias
Fonte
O museu
No mapaPágina do museu

Pormenores

1886 or 1894
18641946
Número de inventário
363.1976

No catálogo

FotografiasImpressionismoSéculo XIX

Fontes

  • Museu de Arte Moderna
  • Imagem: Museu de Arte Moderna — © the artist or rights holder

Entretanto, na vida de Alfred Stieglitz

A vida inteira
  1. 1884

    Stays in Germany for photography

    In 1884 his parents returned to America, but the 20-year-old Alfred stayed in Germany: he collected books on photography, bought his first camera, an 8 × 10 plate camera, and travelled through the Netherlands, Italy and Germany, photographing landscapes and country workers. Photography, he later wrote, “fascinated me, first as a toy, then as a passion, then as an obsession.”

  2. 1887

    First prize for “The Last Joke, Bellagio”

    His photograph The Last Joke, Bellagio won first place in the annual photography competition of the British magazine Amateur Photographer.

  3. 1888

    First and second prizes in the same competition

    The following year his works took both first and second places in the same competition. His reputation grew sharply, and British and German magazines began publishing his photographs.

  4. 1890

    His sister Flora dies; he returns to New York

    In 1890 his sister Flora died in childbirth, and Stieglitz returned to New York. Considering himself an artist, he refused to sell his photographs, so his father bought him a small photography business, the Photochrome Engraving Company, which rarely made a profit because of his demand for quality and the high wages he paid.

  5. spring 1893

    Co-editor of The American Amateur Photographer

    In the spring of 1893 Stieglitz became co-editor of The American Amateur Photographer but refused a salary: his Photochrome company was now printing the magazine's photogravures, and he wanted to avoid any appearance of bias.

  6. c. 16.11.1893

    Married: Emmeline Stieglitz

Mais obras de Alfred Stieglitz

Todas as obras
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · Museu de Arte Moderna

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · Museu de Arte Moderna

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · Museu de Arte Moderna

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · Art Institute of Chicago

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · Não exposta · Galeria Nacional de Arte

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · Não exposta · Galeria Nacional de Arte

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · Não exposta · Galeria Nacional de Arte

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · Não exposta · Galeria Nacional de Arte

Vizinhas de sala: Museu de Arte Moderna

Página do museu
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

A Noite Estrelada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950