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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. The New One
The New One, John B. Flannagan, 1935
John B. Flannagan, retratoJohn B. FlannaganEstados Unidos, 1895–1942

The New One

1935 · Sculpture · 15.9 × 29.2 cm

Será possível contemplá-la?

De momento, não recebe

Instituto de Artes de Minneapolis

Minneapolis, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a escultura

The figure of an embryo shortly before birth or a newborn baby incised in a large bluestone is a perfect example of the technique of 'direct carving'. Instead of transferring a preconceived image developed in clay, wood, or drawings into the stone, the artistic process instead is seen as a dialogue between the sculptor and the stone, as a respectful interaction between the artist and nature. Metaphorically, the sculptor acts as a midwife who liberates the image enclosed in the stone, following hints of its shape, structure, color and texture. John Bernard Flannagan, who was born and raised in Fargo, North Dakota, studied at the Minneapolis Institute of Art from 1916-1919. Later living in New York and Ireland, Flannagan became a champion of direct carving, a principle adopted by many modernist sculptors of the first half of the 20th century, especially in England. Other protagonists of this technique were Jacob Epstein and Henry Moore.

Instituto de Artes de Minneapolis

Pormenores

1935 · aos 40 anos
18951942
Número de inventário
51.21

No catálogo

EsculturaModernismoSéculo XXEstados Unidos

Fontes

  • Instituto de Artes de Minneapolis
  • Imagem: Instituto de Artes de Minneapolis — © Minneapolis Institute of Art

Mais obras de John B. Flannagan

Todas as obras
Christ, John B. Flannagan, 1925

Christ

1925 · Galeria Nacional de Arte

Seated Nude Girl, John B. Flannagan, n.d.

Seated Nude Girl

n.d. · Museu Smithsoniano de Arte Americana

Donkey, John B. Flannagan, ca. 1930-1931

Donkey

ca. 1930-1931 · Museu Smithsoniano de Arte Americana

Nude Female Torsos, John B. Flannagan, c. 1925

Nude Female Torsos

c. 1925 · Não exposta · Galeria Nacional de Arte

Untitled (Landscape With Goat), John B. Flannagan, c. 1930-1933

Untitled (Landscape With Goat)

c. 1930-1933 · Não exposta · Galeria Nacional de Arte

Untitled (Two Horses in a Hilly Landscape, Ireland), John B. Flannagan, c. 1930

Untitled (Two Horses in a Hilly Landscape, Ireland)

c. 1930 · Não exposta · Galeria Nacional de Arte

Untitled (Scottie and Cow Near Cottage in Hilly Landscape, Ireland), John B. Flannagan, c. 1930

Untitled (Scottie and Cow Near Cottage in Hilly Landscape, Ireland)

c. 1930 · Não exposta · Galeria Nacional de Arte

Triumph of the Egg, I, John Flannagan, 1937

Triumph of the Egg, I

1937 · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Instituto de Artes de Minneapolis

Página do museu
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34