
Thomas EakinsEstados Unidos, 1844–1916The Biglin Brothers Turning the Stake
Posso vê-la?
Não exposta de momento
Onde está «The Biglin Brothers Turning the Stake» hoje? Coleção: Museu de Arte de Cleveland, Cleveland. Não exposta de momento. Verificado 29 de setembro de 2026.
Cleveland, Estados Unidos
Pertence à coleção, mas de momento não está exposta.
- Verificado
- Neste estado desde
- Fonte
- O museu
Sobre a obra
Before beginning a large-scale painting such as The Biglin Brothers Turning the Stake, Eakins began a series of specialized studies. He outlined the space of the composition with perspective drawings, such as this sketch in graphite. Eakins also used figure studies when rendering a work, as well as landscape and architectural drawings and his own photographs (examples of which are elsewhere in the exhibition). The practice of using perspective drawings to work out the space of a painting dates back to the Renaissance, revealing Eakins’s academic training.
Museu de Arte de Cleveland
Pormenores
- Número de inventário
- 1942.1066
No catálogo
Fontes
- Museu de Arte de Cleveland
- Imagem: Museu de Arte de Cleveland — Museum open access
Na vida de Thomas Eakins
A vida inteira1870–1916 · Local de trabalho
Philadelphia
1874
Engaged to Kathrin Crowell
Eakins became engaged to Kathrin Crowell, the sitter of his first large portrait; the engagement lasted five years, until her death.
1875
Meets Susan Macdowell
At the Hazeltine Gallery, where “The Gross Clinic” was on show, Eakins met the 25-year-old Susan Macdowell, daughter of a Philadelphia engraver. Unlike many, she was impressed by the painting and went to study with him at the Academy for six years, winning the Mary Smith Prize for the best painting by a woman student.














