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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
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  3. Sunrise: Separation Drawing for Red
Sunrise: Separation Drawing for Red, Roy Lichtenstein, 1965

Sunrise: Separation Drawing for Red

1965 · Drawing

Pormenores

1965 · aos 42 anos
19231997
Número de inventário
1999.11.5

Entretanto, na vida de Roy Lichtenstein

A vida inteira
  1. 1963–1964

    Leaves Rutgers and returns to New York

    In September 1963 Lichtenstein took a leave of absence from Douglass College at Rutgers; in 1964 he moved back to New York to be at the centre of the art scene and resigned from Rutgers to concentrate on his painting.

  2. 1964

    The first American to exhibit at the Tate Gallery

    Lichtenstein became the first American to exhibit at the Tate Gallery in London, in the show “’54–’64: Painting and Sculpture of a Decade”.

  3. 1964

    Life magazine asks: “Is He the Worst Artist in the U.S.?”

    When Lichtenstein’s work was first exhibited, many critics challenged its originality and called it vulgar and empty; a Life magazine article of 1964 was headed “Is He the Worst Artist in the U.S.?”. The artist replied that the closer his work is to the original, the more threatening and critical its content.

  4. 1965

    Divorce from Isabel

    The brutal upstate winters, where Lichtenstein had been teaching since 1958, took a toll on him and his wife. They sold the family home in Highland Park, New Jersey, in 1963 and divorced in 1965.

  5. 1967

    First museum retrospective in Pasadena

    In 1967 the Pasadena Art Museum in California held Lichtenstein’s first museum retrospective.

Mais obras de Roy Lichtenstein

Todas as obras

Vizinhas de sala: Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Sunrise

Todas as obras sobre o tema

1967

First solo exhibitions in Europe

In the same year, 1967, Lichtenstein’s first solo exhibition in Europe was held at museums in Amsterdam, London, Bern and Hannover.

Roy Lichtenstein, retratoRoy LichtensteinEstados Unidos, 1923–1997

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
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O que mostra

SunriseGeometric

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Desenhos e aguarelasPenaArte do pós-guerraSéculo XXAmerican

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — © the artist or rights holder
Entablature, Roy Lichtenstein, 1974

Entablature

1974 · Galeria Nacional de Arte

Painting with Statue of Liberty, Roy Lichtenstein, 1983

Painting with Statue of Liberty

1983 · Galeria Nacional de Arte

House I, Roy Lichtenstein, model 1996, fabricated 1998

House I

model 1996, fabricated 1998 · Galeria Nacional de Arte

Руины, Roy Lichtenstein, 1965

Руины

1965 · Museu Russo

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Museu Whitney de Arte Americana

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Museu Whitney de Arte Americana

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Museu Whitney de Arte Americana

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Museu Whitney de Arte Americana

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sunrise: Separation Drawing for Yellow, Roy Lichtenstein, 1965

Roy Lichtenstein

Sunrise: Separation Drawing for Yellow, 1965

Não exposta · Galeria Nacional de Arte

Sunrise: Separation Drawing for Blue, Roy Lichtenstein, 1965

Roy Lichtenstein

Sunrise: Separation Drawing for Blue, 1965

Não exposta · Galeria Nacional de Arte

Ochtendgloren in het Yoshiwara, Utagawa Hiroshige, 1857

Utagawa Hiroshige

Ochtendgloren in het Yoshiwara, 1857

Museu Estatal de Amesterdão

Sunup, Gordon Parks, 1995

Gordon Parks

Sunup, 1995

Não exposta · Galeria Nacional de Arte

Haven met opgaande zon, Claude Lorrain, 1634

Claude Lorrain

Haven met opgaande zon, 1634

Museu Estatal de Amesterdão

Bivouac of a Sioux War Party at Sunrise, George Catlin, 1861/1869

George Catlin

Bivouac of a Sioux War Party at Sunrise, 1861/1869

Não exposta · Galeria Nacional de Arte

Een kreeft kijkt naar de zon, Jacques Callot, 1621 - 1635

Jacques Callot

Een kreeft kijkt naar de zon, 1621 - 1635

Museu Estatal de Amesterdão

Een kreeft kijkt naar de zon, Jacques Callot, 1621 - 1635

Jacques Callot

Een kreeft kijkt naar de zon, 1621 - 1635

Museu Estatal de Amesterdão