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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Sunrise: Separation Drawing for Yellow
Sunrise: Separation Drawing for Yellow, Roy Lichtenstein, 1965
Roy Lichtenstein, retratoRoy LichtensteinEstados Unidos, 1923–1997

Sunrise: Separation Drawing for Yellow

1965 · Drawing

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1965 · aos 42 anos
19231997
Número de inventário
1999.11.6

O que mostra

ObjectSunrise

No catálogo

Desenhos e aguarelasPenaArte do pós-guerraSéculo XXAmerican

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — © the artist or rights holder

Entretanto, na vida de Roy Lichtenstein

A vida inteira
  1. 1963–1964

    Leaves Rutgers and returns to New York

    In September 1963 Lichtenstein took a leave of absence from Douglass College at Rutgers; in 1964 he moved back to New York to be at the centre of the art scene and resigned from Rutgers to concentrate on his painting.

  2. 1964

    The first American to exhibit at the Tate Gallery

    Lichtenstein became the first American to exhibit at the Tate Gallery in London, in the show “’54–’64: Painting and Sculpture of a Decade”.

  3. 1964

    Life magazine asks: “Is He the Worst Artist in the U.S.?”

    When Lichtenstein’s work was first exhibited, many critics challenged its originality and called it vulgar and empty; a Life magazine article of 1964 was headed “Is He the Worst Artist in the U.S.?”. The artist replied that the closer his work is to the original, the more threatening and critical its content.

  4. 1965

    Divorce from Isabel

    The brutal upstate winters, where Lichtenstein had been teaching since 1958, took a toll on him and his wife. They sold the family home in Highland Park, New Jersey, in 1963 and divorced in 1965.

  5. 1967

    First museum retrospective in Pasadena

    In 1967 the Pasadena Art Museum in California held Lichtenstein’s first museum retrospective.

  6. 1967

    First solo exhibitions in Europe

    In the same year, 1967, Lichtenstein’s first solo exhibition in Europe was held at museums in Amsterdam, London, Bern and Hannover.

Mais obras de Roy Lichtenstein

Todas as obras
Entablature, Roy Lichtenstein, 1974

Entablature

1974 · Galeria Nacional de Arte

Painting with Statue of Liberty, Roy Lichtenstein, 1983

Painting with Statue of Liberty

1983 · Galeria Nacional de Arte

House I, Roy Lichtenstein, model 1996, fabricated 1998

House I

model 1996, fabricated 1998 · Galeria Nacional de Arte

Руины, Roy Lichtenstein, 1965

Руины

1965 · Museu Russo

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Museu Whitney de Arte Americana

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Museu Whitney de Arte Americana

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Museu Whitney de Arte Americana

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Museu Whitney de Arte Americana

Vizinhas de sala: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre o mesmo tema · Object

Todas as obras sobre o tema
The White Tombstone, San Francisco, California, Ansel Adams, 1934, printed before 1952

Ansel Adams

The White Tombstone, San Francisco, California, 1934, printed before 1952

Não exposta · Galeria Nacional de Arte

Crabs, Andy Warhol, February 1982

Andy Warhol

Crabs, February 1982

Não exposta · Galeria Nacional de Arte

Candy Box, Andy Warhol, 1981

Andy Warhol

Candy Box, 1981

Não exposta · Galeria Nacional de Arte

Easter Eggs, Andy Warhol, 1982

Andy Warhol

Easter Eggs, 1982

Não exposta · Galeria Nacional de Arte

Shoes, Andy Warhol, 1980

Andy Warhol

Shoes, 1980

Não exposta · Galeria Nacional de Arte

The Pearl Necklace, Timothy Cole after Johannes Vermeer, 1916

Johannes Vermeer

The Pearl Necklace, 1916

Não exposta · Galeria Nacional de Arte

The Pearl Necklace, Timothy Cole after Johannes Vermeer, 1916

Johannes Vermeer

The Pearl Necklace, 1916

Não exposta · Galeria Nacional de Arte

Basket, Paul Cezanne, 1877/1900

Paul Cézanne

Basket, 1877/1900

Não exposta · Galeria Nacional de Arte