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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Study of cows at Hampstead
Study of cows at Hampstead, John Constable, April 1834

Study of cows at Hampstead

April 1834 · Watercolour · 6.2 × 9 cm

Pormenores

April 1834 · aos 58 anos
17761837
Número de inventário
219-1888

Entretanto, na vida de John Constable

A vida inteira
  1. 1828–1837

    A widower with seven children

    For the rest of his life Constable dressed in black and brought up his seven children alone; according to Leslie he was “a prey to melancholy and anxious thoughts”. Several of the children also painted, notably Lionel.

  2. 1835

    A last lecture to the Academy’s students

    In 1835 Constable gave his last lecture to the students of the Royal Academy, praising Raphael and calling the Academy the “cradle of British art”; it was cheered most heartily.

  3. 1836

    Lectures at the Royal Institution: three theses

    In a series of lectures at the Royal Institution in 1836 Constable proposed three theses: landscape painting is scientific as well as poetic; imagination alone never can produce art that bears comparison with reality; and no great painter was ever self-taught.

Mais obras de John Constable

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Cows

Todas as obras sobre o tema
John Constable, retratoJohn ConstableReino Unido, 1776–1837

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

CowsHampstead

No catálogo

Desenhos e aguarelasGrafiteRomantismoSéculo XIXBritish SchoolInglaterra

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Museu Metropolitano de Arte

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · Galeria Nacional de Arte

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · Galeria Nacional de Arte

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Museu do Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · Galeria Nacional de Arte

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Museu do Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Museu do Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Museu Metropolitano de Arte

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Young Ladies of the Village, Gustave Courbet, 1851–52

Gustave Courbet

Young Ladies of the Village, 1851–52

Museu Metropolitano de Arte

Woman with Cow, and Goose; Counterproof [verso], Paul Gauguin, 1884-1888

Paul Gauguin

Woman with Cow, and Goose; Counterproof [verso], 1884-1888

Não exposta · Galeria Nacional de Arte

Tahitian Carrying Bananas (Le porteur de fei), Paul Gauguin, in or after 1895

Paul Gauguin

Tahitian Carrying Bananas (Le porteur de fei), in or after 1895

Não exposta · Galeria Nacional de Arte

The Adoration of the Magi, Hieronymus Bosch, ca. 1475

Hieronymus Bosch

Adoração dos Magos, ca. 1475

Museu Metropolitano de Arte

The Adoration of the Shepherds, El Greco, ca. 1605–10

El Greco

The Adoration of the Shepherds, ca. 1605–10

Museu Metropolitano de Arte

American Landscape, Edward Hopper, 1920

Edward Hopper

American Landscape, 1920

Não exposta · Galeria Nacional de Arte

Studies of Cattle, John Singer Sargent, c. 1872

John Singer Sargent

Studies of Cattle, c. 1872

Não exposta · Galeria Nacional de Arte

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

John Constable

Salisbury Cathedral from the Bishop's Grounds, ca. 1825

Museu Metropolitano de Arte