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Onde está a obra-prima, e a que horas se abre a porta.

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  2. Instituto de Artes de Minneapolis/
  3. Study for The Lapland Witch
Study for The Lapland Witch, George Romney, c. 1775–77
George Romney, retratoGeorge RomneyInglaterra, 1734–1802

Study for The Lapland Witch

c. 1775–77 · Drawing · 49.85 × 30 cm

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De momento, não recebe

Instituto de Artes de Minneapolis

Minneapolis, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

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Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a obra

George Romney embraced the “sublime, ” the flip side of the Age of Enlightenment. He was obsessed with the passions, the power of nature, the supernatural—those forces beyond human comprehension and control. In the popular imagination of the 18th century, Lapland was home to witches capable of raising storms and causing shipwrecks, and Romney wanted to capture their magic. His efforts began with fiery sketches like this one.

In 1778, Romney’s friend and biographer William Hayley wrote a verse on the artist’s conjuring of a Lapland witch. Note his comment that the freedom of the artist’s drawing would need to be tempered when it came time to execute the painting.

Round fancy’s circle when thy Pencil flies, With what terrific pomp thy Spectres rise!

What lust of mischief marks thy Witch’s form, While on the Lapland Rock she swells the storm!

Continuar a ler

Tho’ led by Fancy, thro’ her boundless reign, Well dost thou know to quit her wild domain, When History bids thee paint, severely chaste

Her simpler scene, with uncorrupted taste.

Instituto de Artes de Minneapolis

Pormenores

c. 1775–77
17341802
Número de inventário
68.51

No catálogo

Desenhos e aguarelasPenaRococóNeoclassicismoSéculo XVIIIInglaterra

Fontes

  • Instituto de Artes de Minneapolis
  • Imagem: Instituto de Artes de Minneapolis — public domain

Entretanto, na vida de George Romney

A vida inteira
  1. c. 1775

    Commissions from the Duke of Richmond and his circle

    Charles Lennox, 3rd Duke of Richmond, and his circle of friends offer Romney commissions, which turn the tide of the artist’s fortunes permanently in his favour.

  2. 1775

    Settles in Cavendish Square

    On his return he takes a house in Cavendish Square, formerly owned by the noted portraitist Francis Cotes, but remains considerably in debt, both his own and that of his brother Peter, an artistic but dissolute man.

  3. July 1775

    Returns from Italy to London

    After an absence of over two years he returns to London by way of Florence, Bologna, Venice, Parma and Turin.

  4. 1776–1777

    Friendship with the writer William Hayley

    In 1776–1777 Romney makes the acquaintance of William Hayley and strikes up a lasting friendship with the writer, painting portraits for him.

Mais obras de George Romney

Todas as obras
Lady Elizabeth Stanley (1753–1797), Countess of Derby, George Romney, 1776–78

Lady Elizabeth Stanley (1753–1797), Countess of Derby

1776–78 · Museu Metropolitano de Arte

Miss Juliana Willoughby, George Romney, 1781-1783

Miss Juliana Willoughby

1781-1783 · Galeria Nacional de Arte

Portrait of Mrs Harrit Greer, George Romney, 1781

Portrait of Mrs Harrit Greer

1781 · Hermitage

Mrs. Davies Davenport, George Romney, 1782-1784

Mrs. Davies Davenport

1782-1784 · Galeria Nacional de Arte

Study for "The Deluge", George Romney, 1790s

Study for "The Deluge"

1790s · Não exposta · Galeria Nacional de Arte

Troilus and Cressida, Act IV, Scene V: The Fight Between Hector and Ajax II, George Romney, late 1780s/early 1790s

Troilus and Cressida, Act IV, Scene V: The Fight Between Hector and Ajax II

late 1780s/early 1790s · Não exposta · Galeria Nacional de Arte

An Elegant Lady in Classical Dress [recto], George Romney, 1780s

An Elegant Lady in Classical Dress [recto]

1780s · Não exposta · Galeria Nacional de Arte

Figure Studies [verso], George Romney, 1780s

Figure Studies [verso]

1780s · Não exposta · Galeria Nacional de Arte

Vizinhas de sala: Instituto de Artes de Minneapolis

Página do museu
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34