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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Stoke-by-Neyland
Stoke-by-Neyland, David Lucas after John Constable, in or after 1829
John Constable, retratoJohn ConstableReino Unido, 1776–1837

Stoke-by-Neyland

in or after 1829 · Print

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

in or after 1829
17761837
Número de inventário
1975.46.8

O que mostra

LandscapePlantasChurchÁrvoreFigures

No catálogo

GravurasMezzotintaNeoclassicismoRomantismoSéculo XIXBritish

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access

Entretanto, na vida de John Constable

A vida inteira
  1. 1824–1828

    The family in Brighton for Maria’s health

    When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

  2. after 1828

    Mezzotints for “English Landscape” with David Lucas

    Maria’s father, who died shortly before her, left her £20,000, and Constable spent it disastrously on mezzotints after his landscapes for a planned publication. With the engraver David Lucas he made forty prints, one going through thirteen proof stages, but too few subscribers came forward and the venture lost money.

  3. 2 de janeiro de 1828

    Son born: Lionel Bicknell Constable

  4. 23 November 1828

    The death of his wife Maria

    After the birth of their seventh child the family returned to Hampstead, where Maria died of tuberculosis at the age of 41. “Hourly do I feel the loss of my departed Angel,” Constable wrote to his brother.

  5. 1828–1837

    A widower with seven children

    For the rest of his life Constable dressed in black and brought up his seven children alone; according to Leslie he was “a prey to melancholy and anxious thoughts”. Several of the children also painted, notably Lionel.

  6. February 1829

    Elected to the Royal Academy at fifty-two

    In February 1829, three months after his wife’s death, Constable was elected a member of the Royal Academy, at the age of 52.

Mais obras de John Constable

Todas as obras
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Museu Metropolitano de Arte

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · Galeria Nacional de Arte

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · Galeria Nacional de Arte

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Museu do Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · Galeria Nacional de Arte

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Museu do Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Museu do Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Museu Metropolitano de Arte

Vizinhas de sala: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre o mesmo tema · Landscape

Todas as obras sobre o tema
Wheat Field with Cypresses, Vincent van Gogh, 1889

Vincent van Gogh

Wheat Field with Cypresses, 1889

Museu Metropolitano de Arte

Houses on the Achterzaan, Claude Monet, 1871

Claude Monet

Houses on the Achterzaan, 1871

Museu Metropolitano de Arte

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Museu Estatal de Amesterdão

Hiëronymus lezend in een Italiaans landschap, Rembrandt van Rijn, c. 1653

Rembrandt van Rijn

Hiëronymus lezend in een Italiaans landschap, c. 1653

Museu Estatal de Amesterdão

From Glacier Point, Ansel Adams, 1927

Ansel Adams

From Glacier Point, 1927

Não exposta · Galeria Nacional de Arte

Oak Tree, Snowstorm, Yosemite National Park, California, Ansel Adams, 1948, printed 1981

Ansel Adams

Oak Tree, Snowstorm, Yosemite National Park, California, 1948, printed 1981

Não exposta · Galeria Nacional de Arte

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, Ansel Adams, c. 1935, printed 1979

Ansel Adams

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, c. 1935, printed 1979

Não exposta · Galeria Nacional de Arte

Canyon de Chelly National Monument, Arizona, Ansel Adams, 1942, printed 1981

Ansel Adams

Canyon de Chelly National Monument, Arizona, 1942, printed 1981

Não exposta · Galeria Nacional de Arte