1963–1968
Warhol the filmmaker: hundreds of reels
From 1963 to 1968 Warhol shot several hundred reels: 472 four-minute portrait Screen Tests, dozens of short films and more than 150 narrative films, only 60 of which were ever released.
1968
Moderna Museet exhibition and the “Electric Chairs”
By then Warhol had largely stopped painting, but he soon resumed and produced the Big Electric Chair paintings for his 1968 exhibition at the Moderna Museet in Stockholm.
1968
The start of his relationship with Jed Johnson
His assistant Jed Johnson, who was at the Factory during the shooting, visited Warhol in hospital every day, and the two developed an intimate relationship. After Warhol was discharged, Johnson moved in to help him recover and to care for his ailing mother.
3 June 1968
The shooting at the Factory
The writer Valerie Solanas, author of the SCUM Manifesto, who had appeared in his film I, a Man, shot Warhol and the art critic Mario Amaya; Amaya was lightly injured, while Warhol was seriously wounded and spent nearly two months in hospital. Solanas turned herself in to the police a few hours later, saying that Warhol had too much control over her life.
autumn 1969
Founding Interview magazine
Together with the British journalist John Wilcock, Warhol founded Interview magazine, at first published as inter/VIEW: A Monthly Film Journal. It was revamped a few years later and came to reflect Warhol's social life and fascination with celebrity.
1970–1971
The retrospective from Pasadena to the Whitney
In 1970 the Pasadena Art Museum organised a Warhol retrospective that travelled on to Chicago, Eindhoven, Paris, London and, in 1971, the Whitney Museum in New York. At the Whitney the Cow wallpaper (1966) served as the backdrop for the paintings.