ART WIKI33 040 em exposição
MapaColeçãoArtistasMuseusExposiçõesRevista
Entrar

ART WIKI

Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

Secções

  • Mapa
  • Pesquisa
  • Coleção
  • Obras-primas
  • Em exposição agora
  • Artistas

Mais

  • Museus e galerias
  • Exposições
  • Revista
  • De onde vêm os dados
  • Privacidade e cookies
InícioMapaCatálogo
  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Sketch-model
Sketch-model, Alfred George Stevens, ca. 1856
Alfred Stevens, retratoAlfred StevensReino Unido, 1817–1875

Sketch-model

ca. 1856 · Sketch-model · 69 × 26 cm

Sobre a escultura

This is a double pilaster for one of the two mantlepieces designed by Stevens for the Coalbrookdale Company in 1859 (see also: A65-1911, A54-1911 and A73-1911).

A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces.

Continuar a ler

Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.

The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

Museu Vitória e Alberto

Pormenores

ca. 1856
18171875
Número de inventário
A.68-1911

Mais obras de Alfred Stevens

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Foliage

Todas as obras sobre o tema

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 13 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

FoliageFestoons

No catálogo

EsculturaGessoRealismoSéculo XIXInglaterra

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Model for the Wellington Monument in St Paul's Cathedral

1857 · Museu Vitória e Alberto

Valour and Cowardice, Alfred George Stevens, 1866

Valour and Cowardice

1866 · Museu Vitória e Alberto

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Model for Wellington Monument: Truth and Falsehood

1867-8 · Museu Vitória e Alberto

William Blundell Spence, Alfred Stevens, 1851

William Blundell Spence

1851 · National Gallery

Woman with Book (recto); Sketches of Male Figure (verso), Alfred George Stevens, n.d.

Woman with Book (recto); Sketches of Male Figure (verso)

n.d. · Não exposta · Art Institute of Chicago

Decorative Design with Putti and Griffins, Alfred George Stevens, n.d.

Decorative Design with Putti and Griffins

n.d. · Não exposta · Art Institute of Chicago

Drawing, Alfred George Stevens

Drawing

Não exposta · Museu Vitória e Alberto

Drawing, Alfred George Stevens

Drawing

Não exposta · Museu Vitória e Alberto

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

A Nude and Foliage, Paul Cezanne, 1879/1882

Paul Cézanne

A Nude and Foliage, 1879/1882

Não exposta · Galeria Nacional de Arte

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

Art Institute of Chicago

Study for Chinese Summerhall, Robert Rauschenberg, 1983

Robert Rauschenberg

Study for Chinese Summerhall, 1983

Não exposta · Galeria Nacional de Arte

Study for Chinese Summerhall, Robert Rauschenberg, 1983

Robert Rauschenberg

Study for Chinese Summerhall, 1983

Não exposta · Galeria Nacional de Arte

Bathers by a River, Henri Matisse, 1909–10, 1913, and 1916–1917

Henri Matisse

Bathers by a River, 1909–10, 1913, and 1916–1917

Art Institute of Chicago

Studies of Fountain Decorations, Emanuel Gottlieb Leutze, c. 1850s

Emanuel Gottlieb Leutze

Studies of Fountain Decorations, c. 1850s

Não exposta · Galeria Nacional de Arte

Storyville Portrait, E.J. Bellocq, c. 1912, printed c. 1970

Ernest J. Bellocq

Storyville Portrait, c. 1912, printed c. 1970

Não exposta · Galeria Nacional de Arte

Kerria Japonica Shrub, New City, New York, Lee Friedlander, 1974

Ernest J. Bellocq

Kerria Japonica Shrub, New City, New York, 1974

Não exposta · Galeria Nacional de Arte