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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Art Institute of Chicago/
  3. Self-Portrait
Self-Portrait, Thomas Hart Benton, 1907/08
Thomas Hart Benton, retratoThomas Hart BentonEstados Unidos, 1889–1975

Self-Portrait

1907/08 · Drawing and Watercolor

Será possível contemplá-la?

De momento, não recebe

Art Institute of Chicago

Chicago, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1907/08 · aos 18 anos
18891975
Número de inventário
RX18296/12

No catálogo

Desenhos e aguarelasPenaModernismoSéculo XXEstados Unidos

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — © the artist or rights holder

Entretanto, na vida de Thomas Hart Benton

A vida inteira
  1. 1905–1906

    His father sends him to Western Military Academy

    Hoping to shape his son for a political career, his father sends him to Western Military Academy. Having grown up in two different cultures, Benton rebels against his father's plans: he wants to develop his interest in art, and his mother supports him.

  2. 1907

    The School of the Art Institute of Chicago

    With his mother's encouragement he enrolls at the School of the Art Institute of Chicago, choosing art over politics; as a teenager he had worked as a cartoonist for the Joplin American newspaper in Joplin, Missouri. His mother supports him financially and emotionally until he marries at 33.

  3. 1909

    Paris: the Académie Julian and a meeting with Rivera

    Moves to Paris to continue his art education at the Académie Julian. There he meets other North American artists, among them the Mexican Diego Rivera and Stanton Macdonald-Wright, an advocate of Synchromism, under whose influence Benton later adopts a Synchromist style.

Mais obras de Thomas Hart Benton

Todas as obras
Martha's Vineyard, Thomas Hart Benton, c. 1925

Martha's Vineyard

c. 1925 · Galeria Nacional de Arte

Homestead, Thomas Hart Benton, 1938

Homestead

1938 · Museu de Arte Moderna

Cotton Pickers, Thomas Hart Benton, 1945

Cotton Pickers

1945 · Art Institute of Chicago

Study for Homestead, Thomas Hart Benton, 1928-1930

Study for Homestead

1928-1930 · Não exposta · Museu de Arte Moderna

The Station, Thomas Hart Benton, 1929

The Station

1929 · Não exposta · Galeria Nacional de Arte

Plowing it Under, Thomas Hart Benton, 1934

Plowing it Under

1934 · Não exposta · Galeria Nacional de Arte

Going West, Thomas Hart Benton, 1934

Going West

1934 · Não exposta · Galeria Nacional de Arte

Homestead, Thomas Hart Benton, 1934

Homestead

1934 · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942