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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Albertina/
  3. Saturn
Saturn, Parmigianino, 1525–1527
Parmigianino, retratoParmigianinoItália, 1503–1540

Saturn

1525–1527 · Print

Será possível contemplá-la?

Desconhecido

Albertina

Viena, Áustria

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1525–1527
15031540

No catálogo

GravurasRenascimentoSéculo XVI

Fontes

  • Albertina
  • Imagem: Albertina — Public Domain Mark 1.0

Entretanto, na vida de Parmigianino

A vida inteira
  1. summer 1524

    Travels to Rome with his uncles

    According to Vasari, on hearing Raphael and Michelangelo praised, Francesco longed to see Rome; his uncles approved and advised him to take some of his works to open doors to the lords and artists there. They arrived in Rome in the summer of 1524, and Parmigianino presented several paintings to Pope Clement VII, among them the “Self-Portrait in a Convex Mirror” painted on a wooden hemisphere.

  2. 1524–1527

    Joins the circle of Raphael's pupils

    In Rome Parmigianino grew close to Raphael's pupils working in the Vatican — Perino del Vaga, Baldassarre Peruzzi and Polidoro da Caravaggio — as well as Sebastiano del Piombo and Rosso Fiorentino; he copied the frescoes of Raphael's Stanze and the tapestry cartoons made for the Sistine Chapel. Vasari records that in Rome he was celebrated as “a Raphael reborn”.

  3. 1527

    The Sack of Rome finds him at work

    During the Sack of Rome by the landsknechts of Emperor Charles V, soldiers burst into the studio where Parmigianino was painting “The Vision of Saint Jerome” but harmed neither the pictures nor the artist. Soon, however, he had to abandon his lodgings and Rome, and he left the altarpiece with the church of Santa Maria della Pace.

  4. 1527

    Flees ravaged Rome for Bologna

    After the Sack of Rome Parmigianino moved to Bologna, where he spent four years by some accounts, nearly three by others. His first Bolognese work was “Saint Roch with a Donor” for the basilica of San Petronio, and here his palette grew cooler.

Mais obras de Parmigianino

Todas as obras
Le Mariage mystique de sainte Catherine, Parmesan, XVIe siècle (1500 - 1600)

Le Mariage mystique de sainte Catherine

XVIe siècle (1500 - 1600) · Museu do Louvre

Portræt af Lorenzo Cybo, Parmigianino, 1523

Portræt af Lorenzo Cybo

1523 · Museu Nacional de Arte da Dinamarca

The Entombment (copy), Parmigianino, c. 1523

The Entombment (copy)

c. 1523 · Hermitage

The Boy and Two Old Men, Parmigianino

The Boy and Two Old Men

Não exposta · Galeria Nacional de Arte

Saint Simon, Antonio da Trento after Parmigianino

Saint Simon

Não exposta · Galeria Nacional de Arte

Saint Simon, Master F.P. after Parmigianino

Saint Simon

Não exposta · Galeria Nacional de Arte

Virgin and Child, Parmigianino

Virgin and Child

Não exposta · Galeria Nacional de Arte

The Presentation in the Temple, after Parmigianino after Giuseppe Porta

The Presentation in the Temple

Não exposta · Galeria Nacional de Arte

Da coleção: Albertina

Página do museu
Zwei groteske Köpfe im Profil, Leonardo da Vinci

Leonardo da Vinci

Zwei groteske Köpfe im Profil

Landschaft mit Haus und Bäumen, Vincent van Gogh

Vincent van Gogh

Landschaft mit Haus und Bäumen

Friedhof im Regen, Vincent van Gogh

Vincent van Gogh

Friedhof im Regen

Studien eines erhobenen Armes mit Schultergelenk, Michelangelo

Michelangelo

Studien eines erhobenen Armes mit Schultergelenk

Studien eines weiblichen sitzenden Rückenakts, Michelangelo

Michelangelo

Studien eines weiblichen sitzenden Rückenakts

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien, Michelangelo

Michelangelo

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina"), Michelangelo

Michelangelo

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina")

Beweinung Christi, Michelangelo

Michelangelo

Beweinung Christi