Sansão e Dalila, Peter Paul Rubens, c. 1600s
Peter Paul Rubens, retratoPeter Paul RubensFlandres, 1577–1640

Sansão e Dalila

Samson and Delilah

c. 1600s · Painting · 185 × 205 cm

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National Gallery

Londres, Reino Unido

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Samson and Delilah is a painting long attributed to the Flemish Baroque artist Peter Paul Rubens (1577–1640) in the National Gallery, London. It dates from about 1609 to 1610.

Two preliminary copies of the painting exist today: an ink-and-wash drawing on paper, and an oil sketch on wood panel. The oil sketch is in the Cincinnati Art Museum, while the ink sketch is held by a private collection in Amsterdam.

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NG6461

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Fontes

  • Wikidata
  • Imagem: National Gallery — Peter Paul Rubens · Public domain · Wikimedia Commons

Entretanto, na vida de Peter Paul Rubens

A vida inteira
  1. 1590 – 9 de março de 1600 · Local de trabalho

    Antwerp

  2. 1600

    Entering the Service of the Duke of Mantua

    Almost immediately upon arriving in Italy, the 23-year-old Rubens was presented in Venice to Duke Vincenzo I Gonzaga and entered the service of the Mantuan court, gaining a patron, a salary, and high standing.

  3. 5 March 1603

    Diplomatic Mission to Spain

    On behalf of Duke Gonzaga, Rubens traveled to Spain to deliver gifts to King Philip III; the paintings were damaged by rainstorms en route, and the artist restored them himself in Valladolid. This was the first of his journeys combining art and diplomacy.

  4. 28 October 1608

    Departure from Italy Forever

    Having finished the commission for the Oratorians, Rubens left Rome without permission on 28 October 1608, hurrying to his ailing mother; despite promises to return to Mantua, he never went back to Italy.

  5. 3 de outubro de 1609

    Married: Isabella Brant

  6. 9 January 1610

    Court Painter to the Archducal Couple

    After being presented at court in August 1609, Rubens received his patent as court painter to Archduke Albert and the Infanta Isabella; at the same time he secured the right to remain working in Antwerp rather than Brussels, and to be paid a fee for each painting.

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Da coleção: National Gallery

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