Philippe de ChampaigneFrança, 1602–1674Résurrection de Lazare
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Paris, França
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- Neste estado desde
- Fonte
- O museu
Sobre a pintura
The Raising of Lazarus is a 1633 oil painting on canvas by the French painter Philippe de Champaigne, on long-term loan from the Louvre to the Museum of Grenoble, which also holds that artist's The Assumption, to which it was a pendant.
It was painted to hang in the nave of the church of the Carmel de l'Annonciation on rue Saint-Jacques at Paris. It has been French state property since 1799.
Pormenores
- Número de inventário
- MG 57
No catálogo
Fontes
- Museu do Louvre
- Imagem: Museu do Louvre — © 2007 Musée du Louvre / Département des Peintures
Entretanto, na vida de Philippe de Champaigne
A vida inteira26 de maio de 1602
Born
1621
Moves to Paris
Having turned down the chance to visit Italy and to join Rubens' studio, Champaigne moved to Paris in 1621, where he worked as an independent master from about 1624.
1628
Marries Nicolas Duchesne's daughter
According to Houbraken, Duchesne resented Champaigne's growing popularity at court, so Champaigne went back to Brussels to live with his brother; only on hearing of Duchesne's death did he return to marry his daughter. Succeeding Duchesne, he became the Queen's Painter with a salary of 1,200 livres.
1640
Comes under the influence of Jansenism
From 1640 onward, in the later part of his life, Champaigne came under the influence of Jansenism.
1648
A founder of the Royal Academy
Champaigne was one of the founding members of the Académie royale de peinture et de sculpture, the premier art institution of Ancien Régime France.
12 de agosto de 1674
Died


