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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Art Institute of Chicago/
  3. Mrs. Samuel Hall Williams (Abigail Swing)
Mrs. Samuel Hall Williams (Abigail Swing), Thomas Eakins, 1876
Thomas Eakins, retratoThomas EakinsEstados Unidos, 1844–1916

Mrs. Samuel Hall Williams (Abigail Swing)

1876 · Painting

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De momento, não recebe

Art Institute of Chicago

Chicago, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
28 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1876 · aos 32 anos
18441916
Número de inventário
1985.776

No catálogo

PinturasÓleoPintura norte-americanaRealismoImpressionismoSéculo XIX

Idas e vindas

  1. De momento, não exposta

    Art Institute of Chicago · 28 de set. de 2026 — agora · Verificado

  2. Se está exposta hoje, não se sabe

    Art Institute of Chicago · Não confirmado

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — © the artist or rights holder

Entretanto, na vida de Thomas Eakins

A vida inteira
  1. 1870–1916 · Local de trabalho

    Philadelphia

  2. 1874

    Engaged to Kathrin Crowell

    Eakins became engaged to Kathrin Crowell, the sitter of his first large portrait; the engagement lasted five years, until her death.

  3. 1875

    Meets Susan Macdowell

    At the Hazeltine Gallery, where “The Gross Clinic” was on show, Eakins met the 25-year-old Susan Macdowell, daughter of a Philadelphia engraver. Unlike many, she was impressed by the painting and went to study with him at the Academy for six years, winning the Mary Smith Prize for the best painting by a woman student.

  4. 1876

    Centennial Exhibition: “The Gross Clinic” rejected

    The committee of the Centennial Exhibition rejected “The Gross Clinic” for the Art Gallery — it was shown in an exhibit of a U.S. Army Post Hospital — while “The Chess Players” was accepted, much admired and praised by critics. One reviewer knew of nothing greater ever executed in America, but the blood on the canvas troubled the public, and the college finally bought the picture for just $200.

  5. 1876

    Begins teaching at the Pennsylvania Academy

    After the Academy's new building designed by Frank Furness opened, Eakins returned to teach there, at first as a volunteer; in 1878 he became a salaried professor.

Mais obras de Thomas Eakins

Todas as obras
The Champion Single Sculls (Max Schmitt in a Single Scull), Thomas Eakins, 1871

O campeão de canoa individual (Max Schmitt em uma canoa individual)

1871 · Museu Metropolitano de Arte

Carmelita Requena, Thomas Eakins, 1869

Carmelita Requena

1869 · Museu Metropolitano de Arte

A Street Scene in Seville, Thomas Eakins, 1870

A Street Scene in Seville

1870 · Museu Metropolitano de Arte

The Biglin Brothers Racing, Thomas Eakins, 1872

The Biglin Brothers Racing

1872 · Galeria Nacional de Arte

Pushing for Rail, Thomas Eakins, 1874

Pushing for Rail

1874 · Museu Metropolitano de Arte

The Chess Players, Thomas Eakins, 1876

The Chess Players

1876 · Museu Metropolitano de Arte

Singing a Pathetic Song, Thomas Eakins, 1881

Singing a Pathetic Song

1881 · Galeria Nacional de Arte

The Writing Master, Thomas Eakins, 1882

The Writing Master

1882 · Museu Metropolitano de Arte

Vizinhas de sala: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942