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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Landscape with Two Poplars
Landscape with Two Poplars, Vasily Kandinsky, 1912

Landscape with Two Poplars

1912 · Painting

Pormenores

1912 · aos 46 anos
18661944
Número de inventário
1931.508

Entretanto, na vida de Vasily Kandinsky

A vida inteira
  1. 1910

    London: the Allied Artists' Exhibition

    Kandinsky took part in Frank Rutter's Allied Artists' Exhibition at the Royal Albert Hall in London; the artist Spencer Frederick Gore singled out his work for praise in a review in The Art News.

  2. 1910–1911

    The treatise “Concerning the Spiritual in Art”

    The treatise defended and promoted abstract art and affirmed that all forms of art are equally capable of reaching spirituality; colour in a painting can be autonomous, apart from the depiction of an object. Kandinsky distinguished three kinds of painting: impressions, improvisations and compositions.

  3. 1910–1912

    The Izdebsky Salons and the Knave of Diamonds

    With the Neue Künstlervereinigung Kandinsky took part in two international Izdebsky Salons in Russian cities, from December 1910 to May 1911; in 1910 and 1912 he also exhibited with the Knave of Diamonds.

  4. 1911

    The birth of the Blue Rider

    After the earlier association dissolved Kandinsky formed the Blue Rider with August Macke, Franz Marc, Albert Bloch and Gabriele Münter. The group issued an almanac and held two exhibitions; the war ended further plans.

  5. 1911

    His first solo exhibition

    His first solo exhibition took place in the same years, when the Blue Rider was being born.

Mais obras de Vasily Kandinsky

Todas as obras

Na mesma sala · Gallery 392, Art Institute of Chicago

Página do museu

Sobre o mesmo tema · Century of Progress

Todas as obras sobre o tema
  • 1914

    The war: back to Russia via Switzerland and Sweden

    The outbreak of World War I ended the Blue Rider's plans for further almanacs and exhibitions and sent Kandinsky back to Russia via Switzerland and Sweden; he returned to Moscow in 1914.

  • Vasily Kandinsky, retratoVasily KandinskyFrança, 1866–1944

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    O que mostra

    Century of ProgressHousesWorld's fairsChicago World's FairsMountainsPlantsPoplar treesÁrvore

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    PinturasÓleoPintura russaPintura soviéticaPintura francesaPintura alemãModernismoSéculo XXAlemanha

    Fontes

    • Art Institute of Chicago
    • Imagem: Art Institute of Chicago — CC0
    Study for Improvisation V, Vassily Kandinsky, 1910

    Study for Improvisation V

    1910 · Instituto de Artes de Minneapolis

    Improvisation 27 (Garden of Love II), Vasily Kandinsky, 1912

    Improvisation 27 (Garden of Love II)

    1912 · Museu Metropolitano de Arte

    Nymphenburg, Vassily Kandinsky, 1904

    Nymphenburg

    1904 · Instituto de Artes de Minneapolis

    Импровизация 11, Vasily Kandinsky, 1910

    Импровизация 11

    1910 · Museu Russo

    Improvisation 31 (Sea Battle), Wassily Kandinsky, 1913

    Improvisation 31 (Sea Battle)

    1913 · Galeria Nacional de Arte

    Синий гребень, Vasily Kandinsky, 1917

    Синий гребень

    1917 · Museu Russo

    Два овала, Vasily Kandinsky, 1919

    Два овала

    1919 · Museu Russo

    Improvisation No. 30 (Cannons), Vasily Kandinsky, 1913

    Improvisation No. 30 (Cannons)

    1913 · Art Institute of Chicago

    Improvisation No. 30 (Cannons), Vasily Kandinsky, 1913

    Vasily Kandinsky

    Improvisation No. 30 (Cannons), 1913

    Painting with Green Center, Vasily Kandinsky, 1913

    Vasily Kandinsky

    Painting with Green Center, 1913

    Painting with Troika, Vasily Kandinsky, January 18, 1911

    Vasily Kandinsky

    Painting with Troika, January 18, 1911

    Self-Portrait, Max Beckmann, 1937

    Max Beckmann

    Self-Portrait, 1937

    Small Town by Day (Badische Kleinstadt bei Tage), Georg Scholz, 1922–23

    Georg Scholz

    Small Town by Day (Badische Kleinstadt bei Tage), 1922–23

    Movements, Marsden Hartley, 1913

    Marsden Hartley

    Movements, 1913

    Champs de Mars: The Red Tower, Robert Delaunay, 1911/23

    Robert Delaunay

    Champs de Mars: The Red Tower, 1911/23

    Carnival in Arcueil, Lyonel Feininger, 1911

    Lyonel Feininger

    Carnival in Arcueil, 1911

    American Gothic, Grant Wood, 1930

    Grant Wood

    Gótico Americano, 1930

    Art Institute of Chicago

    A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

    Georges Seurat

    Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

    Art Institute of Chicago

    The Old Guitarist, Pablo Picasso, late 1903–early 1904

    Pablo Picasso

    Vieux guitariste aveugle, late 1903–early 1904

    Não exposta · Art Institute of Chicago

    At the Moulin Rouge, Henri de Toulouse-Lautrec, 1892/95

    Henri de Toulouse-Lautrec

    At the Moulin Rouge, 1892/95

    Art Institute of Chicago

    Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

    Pierre-Auguste Renoir

    As Duas Irmãs, 1881

    Art Institute of Chicago

    The Basket of Apples, Paul Cézanne, c. 1893

    Paul Cézanne

    A Cesta de Maçãs, c. 1893

    Art Institute of Chicago

    The Assumption of the Virgin, Domenico Theotokópoulos, called El Greco, 1577–79

    Domenico Theotokópoulos, called El Greco

    The Assumption of the Virgin, 1577–79

    Art Institute of Chicago

    The Beach at Sainte-Adresse, Claude Monet, 1867

    Claude Monet

    The Beach at Sainte-Adresse, 1867

    Art Institute of Chicago