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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Herzog Anton Ulrich-Museum/
  3. Karikatur eines Malers
Karikatur eines Malers, William Hogarth, 1717–1764
William Hogarth, retratoWilliam HogarthInglaterra, 1697–1764

Karikatur eines Malers

1717–1764 · Drawing

Será possível contemplá-la?

Desconhecido

Herzog Anton Ulrich-Museum

Brunsvique, Alemanha

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1717–1764
16971764

No catálogo

Desenhos e aguarelasBarrocoSéculo XVIII

Fontes

  • Herzog Anton Ulrich-Museum
  • Imagem: Herzog Anton Ulrich-Museum — CC BY-NC-SA 4.0

Entretanto, na vida de William Hogarth

A vida inteira
  1. 23 March 1729

    A secret wedding to Jane Thornhill

    Not hoping for Sir James’s consent — he saw the match as unequal, Hogarth being a rather obscure artist then — William and Jane married in secret at Paddington Church. Jane and her mother helped to reconcile him with his father-in-law: they hung the first paintings of “A Harlot’s Progress” in his house, and on learning the artist’s name Sir James admitted that a man who could produce such pictures could also keep a wife without a dowry.

  2. 1735

    Founds the St Martin’s Lane Academy

    In 1735 Hogarth founded the St Martin’s Lane Academy in London — in essence a drawing studio that grew out of a circle of painters, draughtsmen and engravers who met at Slaughter’s coffee house on St Martin’s Lane. It became a forerunner of the Royal Academy of Arts and spread new artistic ideas in England.

  3. 25 June 1735

    “Hogarth’s Act”: copyright for engravings

    When the success of the two series produced numerous pirated copies, Hogarth lobbied Parliament for a law protecting engravers: the Engravers’ Copyright Act, known as “Hogarth’s Act”, became law on 25 June 1735 — the first copyright law to cover visual works and to recognise the authorial rights of an individual artist.

  4. 1753

    The treatise “The Analysis of Beauty”

    In 1753 Hogarth published the treatise “The Analysis of Beauty”, in which he declared the S-shaped “line of beauty” — a serpentine line that conveys life and movement — the basis of harmony, and made it his emblem. His adherents praised the book as a fine statement on aesthetics, while enemies and rivals such as Paul Sandby mocked its obscurities and minor errors in endless caricatures.

  5. 1757

    Serjeant Painter to the King

    In 1757 George II appointed Hogarth Serjeant Painter to the King, successor to James Thornhill, who had held the post before him.

  6. 26 de outubro de 1764

    Died

Mais obras de William Hogarth

Todas as obras
The Sleeping Congregation, William Hogarth, 1728

The Sleeping Congregation

1728 · Instituto de Artes de Minneapolis

The Wedding of Stephen Beckingham and Mary Cox, William Hogarth, 1729

The Wedding of Stephen Beckingham and Mary Cox

1729 · Museu Metropolitano de Arte

Before, William Hogarth, 1730–1731

Before

1730–1731 · Museu J. Paul Getty

After, William Hogarth, 1730–1731

After

1730–1731 · Museu J. Paul Getty

William Hogarth's Business Card, Samuel Ireland after William Hogarth

William Hogarth's Business Card

Não exposta · Galeria Nacional de Arte

Taste in high life, William Hogarth

Taste in high life

Albertina

Lavinia Fenton, Duchess of Bolton, William Hogarth, 18th century

Lavinia Fenton, Duchess of Bolton

18th century · National Gallery

Hogarth's Servants, William Hogarth, 1750s

Hogarth's Servants

1750s · National Gallery

Da coleção: Herzog Anton Ulrich-Museum

Página do museu
Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771