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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. In the Spring
In the Spring, Grant Wood, 1939
Grant Wood, retratoGrant WoodEstados Unidos, 1891–1942

In the Spring

1939 · Print · 22.86 × 30.48 cm

Será possível contemplá-la?

De momento, não recebe

Instituto de Artes de Minneapolis

Minneapolis, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 9 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a obra

A pioneer of American Regionalism, Grant Wood was a figurative painter best known for his perceptive interpretations of life in rural and small town America. Though he created only a small number of editioned prints during his career, Wood was a masterful draftsman, whose refined drawings were effectively translated through the medium of lithography. In this image of an idealized Iowa farmstead, Wood presents a romanticized portrayal of the American farmer, independent and self-assured, as he surveys his rural domain with pride.

Instituto de Artes de Minneapolis

Pormenores

1939 · aos 48 anos
18911942
Número de inventário
P.84.43

No catálogo

GravurasLitografiaModernismoSéculo XXEstados Unidos

Fontes

  • Instituto de Artes de Minneapolis
  • Imagem: Instituto de Artes de Minneapolis — © Minneapolis Institute of Art

Entretanto, na vida de Grant Wood

A vida inteira
  1. 1930s

    Helps Curry and Benton return to the Midwest

    John Steuart Curry and Thomas Hart Benton, who with Wood are the artists most associated with Regionalism, returned to the Midwest thanks to his encouragement; he helped them find teaching positions at colleges, Curry in Wisconsin and Benton in Missouri.

  2. 1934–1941

    A colleague, Lester Longman, tries to get Wood fired

    Wood was a closeted homosexual, and a colleague at the university, Lester Longman, made an unsuccessful attempt to have him fired on explicit moral grounds and for his advocacy of regionalism. The university administration dismissed the allegations.

  3. 1934–1941

    Mentor to students, among them Elizabeth Catlett

    At the university Wood supervised mural-painting projects, mentored students including Elizabeth Catlett, produced works of his own and became a key part of the university’s cultural community.

  4. 1935–1938

    Marriage to Sara Sherman Maxon

    From 1935 to 1938 Wood was married to Sara Sherman Maxon; friends considered the marriage a mistake for him.

  5. 1940

    Hired to depict the filming of “The Long Voyage Home”

    In 1940 Wood and eight other prominent American artists were hired to document and interpret dramatic scenes and characters during the production of “The Long Voyage Home”, a film adaptation of Eugene O’Neill’s plays.

  6. 1941

    Growing health problems; the end of his teaching

    Wood’s teaching at the University of Iowa School of Art ended in 1941; he would have returned as a professor if not for his growing health problems.

Mais obras de Grant Wood

Todas as obras
American Gothic, Grant Wood, 1930

Gótico Americano

1930 · Art Institute of Chicago

The Midnight Ride of Paul Revere, Grant Wood, 1931

The Midnight Ride of Paul Revere

1931 · Museu Metropolitano de Arte

In the Spring, Grant Wood, 1939

In the Spring

1939 · Museu de Arte Moderna

January, Grant Wood, 1940–41

January

1940–41 · Museu de Arte de Cleveland

The Birthplace of Herbert Hoover, West Branch, Iowa, Grant Wood, 1931

The Birthplace of Herbert Hoover, West Branch, Iowa

1931 · Não exposta · Instituto de Artes de Minneapolis

Shriners' Quartet, Grant Wood, 1933

Shriners' Quartet

1933 · Não exposta · Museu de Arte Moderna

Honorary Degree, Grant Wood, 1937

Honorary Degree

1937 · Não exposta · Museu de Arte Moderna

New Road, Grant Wood, 1939

New Road

1939 · Não exposta · Galeria Nacional de Arte

Vizinhas de sala: Instituto de Artes de Minneapolis

Página do museu
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34