Medardo RossoItália, 1859–1928Impression in an Omnibus
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Onde está «Impression in an Omnibus» hoje? Coleção: Instituto de Artes de Minneapolis, Minneapolis. Não exposta de momento. Verificado 29 de setembro de 2026.
Minneapolis, Estados Unidos
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Sobre a escultura
Like his counterparts who were changing the face of late 19th century painting through their experimentation with Impressionism, Medardo Rosso brought a new language to sculpture. His preference was always for soft forms, made out of material that seems perpetually on the verge of dissolution. His most innovative sculptures were made out of wax - reminiscent for Minnesotans of the famous butter sculptures at the State Fair.
In fact, Rosso's sculptures often have an unstable and faintly organic quality. Looking like ghostly apparitions in the process of decay, they have sometimes been referred to as memory sculptures. Illusive, fragile, and seemingly fleeting, their sense of vulnerability evokes a particularly morbid curiosity.
Instituto de Artes de Minneapolis
Pormenores
- Número de inventário
- 70.16
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- Instituto de Artes de Minneapolis
- Imagem: Instituto de Artes de Minneapolis — public domain
Na vida de Medardo Rosso
A vida inteira1884–1886 · Local de trabalho
Paris
1886–1889 · Local de trabalho
Milan
1887 · Local de trabalho
Venice
1888 · Local de trabalho
London
1889–1901 · Local de trabalho
Paris
