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Onde está a obra-prima, e a que horas se abre a porta.

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InícioMapaCatálogo
  1. Coleção/
  2. Herzog Anton Ulrich-Museum/
  3. Hispania
Hispania, Hans von Aachen, 1580–1608
Hans von Aachen, retratoHans von AachenAlemanha, 1552–1615

Hispania

1580–1608 · Print

Será possível contemplá-la?

Desconhecido: o museu guarda silêncio

Herzog Anton Ulrich-Museum

Brunsvique, Alemanha

O dono é conhecido. Se hoje está exposta, o museu não o diz, e adivinhar não é da nossa competência.

Neste estado desde
27 de set. de 2026
Fonte
Os dados da própria coleção do museu
No mapaPágina do museu

Pormenores

1580–1608
15521615

O que mostra

AllegoryLandDie Geschichte des Mars (Ares)Banner, Standarte (als Staatssymbol, etc.)Insignien eines Ritterordens, z.B. Abzeichen, Kette (mit NAMEN des Ordens)Pfau (Attribute der Juno)Geographische Bezeichnungen von Ländern, Regionen, Bergen, Flüssen, etc. (ausgenommen Städte und Dörfer) (SPAIN)Abstrakte Ideen und Konzeptionen (+ allegorische Szene (zwei oder mehr Personifikationen sind in eine Handlung involviert))

No catálogo

GravurasRenascimentoSéculo XVI

Fontes

  • Herzog Anton Ulrich-Museum: os dados abertos do museu · obtido há 8 dias
  • Imagem: Herzog Anton Ulrich-Museum — CC BY-NC-SA 4.0

Entretanto, na vida de Hans von Aachen

A vida inteira
  1. 1587

    Return to Germany

    After long years in Italy he returns to his homeland, first to Augsburg, where he paints portraits for the wealthy Fugger family; he also works in Munich, where he is commissioned to paint two altarpieces for the church of St Michael (other accounts date his return to about 1588).

  2. 1589

    Chooses Munich as his residence

    After visiting his native Cologne and making another trip to Venice, he chooses Munich as his residence and paints several works for Duke William V of Bavaria. Under the influence of the strictly Catholic court he develops an iconography strongly shaped by Counter-Reformation ideas.

  3. 1594

    Raised to the nobility

    Emperor Rudolf II, who had appointed him court painter two years earlier, raises the artist to the nobility.

  4. 1596

    Move to Prague

    Having married Regina, daughter of the court composer Orlando di Lasso, in Munich, he moves with her to Prague, where he stays for the rest of his life (other accounts date the move to 1597 or even 1601); the family had five children. He had been court painter since 1592 but was not obliged to live at court and had previously worked from Munich.

  5. 1596–1615 · Local de trabalho

    Prague

  6. 1603–1605

    Court visits: portraits of the emperor's prospective brides

    He travels to Innsbruck, Venice, Turin, Mantua and Modena, partly to portray potential future consorts of the emperor; under this pretext he was also to learn the terms of a marriage and the likely dowry.

Mais obras de Hans von Aachen

Todas as obras
Venus and Adonis, Hans von Aachen, c. 1574-1588

Venus and Adonis

c. 1574-1588 · Harvard Art Museums

Judith and Holofernes, Hans von Aachen

Judith and Holofernes

Não exposta · Galeria Nacional de Arte

Venus te midden van kunsten en wetenschap, Hans von Aachen, 1562 - 1615

Venus te midden van kunsten en wetenschap

1562 - 1615 · Museu Estatal de Amesterdão

Allegorische voorstelling, Hans von Aachen, 1562 - 1616

Allegorische voorstelling

1562 - 1616 · Museu Estatal de Amesterdão

The Holy Family, Hans von Aachen, 16th century

The Holy Family

16th century · Não exposta · Hermitage

Portrait of Emperor Rudolf II Hapsburg, Hans von Aachen, 17th century

Portrait of Emperor Rudolf II Hapsburg

17th century · Não exposta · Hermitage

Die Heilige Familie auf der Flucht nach Ägypten, Hans von Aachen

Die Heilige Familie auf der Flucht nach Ägypten

Kupferstichkabinett Dresden

Judith mit dem Haupt des Holofernes, Hans von Aachen

Judith mit dem Haupt des Holofernes

Kupferstichkabinett Dresden