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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Hell's Kitchen with Sebastopol
Hell's Kitchen with Sebastopol, Jacob A. Riis, c. 1890
Jacob August Riis, retratoJacob August RiisEstados Unidos, 1849–1914

Hell's Kitchen with Sebastopol

c. 1890 · Photograph · 9.21 × 11.59 cm

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Instituto de Artes de Minneapolis

Minneapolis, Estados Unidos

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Verificado
há 3 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

c. 1890
18491914
Número de inventário
98.262

No catálogo

FotografiasProva em albuminaImpressionismoSéculo XIXEstados Unidos

Fontes

  • Instituto de Artes de Minneapolis
  • Imagem: Instituto de Artes de Minneapolis — public domain

Entretanto, na vida de Jacob August Riis

A vida inteira
  1. 1870–1914 · Local de trabalho

    New York City

  2. January 1888

    Buys his own camera

    The first team soon tires of the late hours, and Riis's assistants prove lazy, one of them dishonest. On Nagle's advice Riis pays $25 for a 4×5 box camera, plate holders, a tripod and developing and printing equipment, and tries them out at the potter's field cemetery on Hart Island: two exposures, badly overexposed but successful.

  3. 12 February 1888

    First report on his night photographs in the Sun

    The Sun publishes Riis's unsigned article on pictures of the city's crime and misery by night and day, illustrated with twelve line drawings after the photographs. It presents the material as the foundation of a lecture, “The Other Half: How It Lives and Dies in New York”, to be given at church and Sunday school exhibitions.

  4. 1888–1889

    Lantern-slide lectures and new acquaintances

    An editor at Harper's New Monthly Magazine says he likes the photographs but not the writing, and Riis decides to speak to the public directly: Adolph Schauffler and Josiah Strong arrange a lecture at the Broadway Tabernacle, and a Health Department clerk, W. L. Craig, becomes his partner. The lantern-slide lectures make little money but bring Riis together with Charles Henry Parkhurst and an editor of Scribner's Magazine, who invites him to submit an illustrated article.

  5. Christmas 1889

    The article “How the Other Half Lives” in Scribner's Magazine

    An eighteen-page article by Riis, illustrated with line drawings made from his photographs, appears in the Christmas 1889 issue of the magazine. Its publication brings an invitation to expand the material into an entire book.

  6. 1890

    The book “How the Other Half Lives” is published

    He writes “How the Other Half Lives: Studies Among the Tenements of New York” at night, reporting for the New York Sun by day and lecturing in the evenings. It reuses the line drawings from the magazine article and adds seventeen halftone reproductions of photographs — the first extensive use of halftones in a book; it sells well, though some reviewers fault the author for oversimplifying and exaggerating (other accounts give 1891 as the year of publication).

Mais obras de Jacob August Riis

Todas as obras
Bandits' Roost, 59 1/2 Mulberry Street, Jacob August Riis, 1888

Bandits' Roost, 59 1/2 Mulberry Street

1888 · Não exposta · Museu de Arte Moderna

Sabbath Eve in a Coal Celler, Ludlow Street, Jacob August Riis, 1888-1895

Sabbath Eve in a Coal Celler, Ludlow Street

1888-1895 · Não exposta · Museu de Arte Moderna

Blind Beggar, Jacob August Riis, 1888

Blind Beggar

1888 · Não exposta · Museu de Arte Moderna

Shoemaker, Broome Street, Jacob August Riis, 1888-1895

Shoemaker, Broome Street

1888-1895 · Não exposta · Museu de Arte Moderna

The Street, their Playground, Jacob August Riis, 1888-1895

The Street, their Playground

1888-1895 · Não exposta · Museu de Arte Moderna

Reporter Office at 301 Mulberry Street, Jacob August Riis, 1888

Reporter Office at 301 Mulberry Street

1888 · Não exposta · Museu de Arte Moderna

East Side Public School. A Class in the Condemned Essex Market School. Gas burning by day, Jacob August Riis, 1888-95

East Side Public School. A Class in the Condemned Essex Market School. Gas burning by day

1888-95 · Não exposta · Museu de Arte Moderna

Police Station Lodgers in Elizabeth Street Station, Jacob August Riis, 1888-95

Police Station Lodgers in Elizabeth Street Station

1888-95 · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Instituto de Artes de Minneapolis

Página do museu
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34