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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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Hefa, Oskar Kokoschka, 1922
Oskar Kokoschka, retratoOskar KokoschkaÁustria, 1886–1980

Hefa

1922 · Print · 48.26 × 43.82 cm

Será possível contemplá-la?

De momento, não recebe

Instituto de Artes de Minneapolis

Minneapolis, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1922 · aos 36 anos
18861980
Número de inventário
P.74.66

No catálogo

GravurasLitografiaModernismoSéculo XXÁustria

Fontes

  • Instituto de Artes de Minneapolis
  • Imagem: Instituto de Artes de Minneapolis — © Minneapolis Institute of Art

Entretanto, na vida de Oskar Kokoschka

A vida inteira
  1. 1919–1924

    Professor at the Dresden Academy of Fine Arts

    From 1919 Kokoschka was a professor at the Dresden Academy of Fine Arts.

  2. 1920

    An open letter to Dresden and the “Kunstlump” debate

    After a bullet damaged Rubens’s “Bathsheba at the Fountain” on 15 March 1920, Kokoschka wrote an open letter to the people of Dresden arguing that the battles of the revolutionary parties should be moved outside the city to protect its art. The Communist artists George Grosz and John Heartfield attacked him in what became known as the “Kunstlump” (“Art Scoundrel”) debate, but many other artists continued to support him.

  3. May 1922

    The International Congress of Progressive Artists

    In May 1922 Kokoschka attended the International Congress of Progressive Artists and signed the founding proclamation of the Union of Progressive International Artists.

Mais obras de Oskar Kokoschka

Todas as obras
Sleeping Woman (Schlafende Frau)(title page) from Die träumenden Knaben (The Dreaming Boys), Oskar Kokoschka, 1917 (executed 1907-08)

Sleeping Woman (Schlafende Frau)(title page) from Die träumenden Knaben (The Dreaming Boys)

1917 (executed 1907-08) · Não exposta · Museu de Arte Moderna

Rider and Sailboat (Reiter und Segelschiff) (postcard), Oskar Kokoschka, 1907

Rider and Sailboat (Reiter und Segelschiff) (postcard)

1907 · Não exposta · Museu de Arte Moderna

Flower Garden (Blumengarten), Oskar Kokoschka, 1907

Flower Garden (Blumengarten)

1907 · Não exposta · Museu de Arte Moderna

Girl with a Sheep in the Mountain Meadow (Mädchen mit Schaf auf Bergwiese) (postcard), Oskar Kokoschka, 1907

Girl with a Sheep in the Mountain Meadow (Mädchen mit Schaf auf Bergwiese) (postcard)

1907 · Não exposta · Museu de Arte Moderna

Shepherd, Stag and Fox (Hirt, Hirsch und Fuchs). Illustration for the shadow play The Speckled Egg (Das getupfte Ei) (plate 1) from the First Theater Program of Kabarett Fledermaus (Cabaret Fledermaus), Oskar Kokoschka, 1907

Shepherd, Stag and Fox (Hirt, Hirsch und Fuchs). Illustration for the shadow play The Speckled Egg (Das getupfte Ei) (plate 1) from the First Theater Program of Kabarett Fledermaus (Cabaret Fledermaus)

1907 · Não exposta · Museu de Arte Moderna

Die träumenden Knaben (The Dreaming Boys), Oskar Kokoschka, 1907–08, published 1917

Die träumenden Knaben (The Dreaming Boys)

1907–08, published 1917 · Não exposta · Museu de Arte Moderna

The Sailors Are Calling (Die Schiffer rufen)(in-text plate, folio 5) from Die träumenden Knaben (The Dreaming Boys), Oskar Kokoschka, 1917 (executed 1907-08)

The Sailors Are Calling (Die Schiffer rufen)(in-text plate, folio 5) from Die träumenden Knaben (The Dreaming Boys)

1917 (executed 1907-08) · Não exposta · Museu de Arte Moderna

The Sailboat (Das Segelschiff)(in-text plate, folio 4) from Die träumenden Knaben (The Dreaming Boys), Oskar Kokoschka, 1917 (executed 1907-08)

The Sailboat (Das Segelschiff)(in-text plate, folio 4) from Die träumenden Knaben (The Dreaming Boys)

1917 (executed 1907-08) · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Instituto de Artes de Minneapolis

Página do museu
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34