Gevangenneming

1509 · Print

Será possível contemplá-la?

Desconhecido: o museu guarda silêncio

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O dono é conhecido. Se hoje está exposta, o museu não o diz, e adivinhar não é da nossa competência.

Fonte: Os dados da própria coleção do museu

No mapa Página do museu

Sobre a obra

In the museum's own words — the original

Christus wordt door Judas met een kus verraden en door soldaten gevangen genomen. Deze prent is onderdeel van de prentserie 'De kleine Passie', bestaande uit een titelprent en 36 bijbelse scènes (voornamelijk uit het Lijdensverhaal).

Museu Estatal de Amesterdão

Pormenores

Número de inventário: RP-P-OB-1331

What it shows

The kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ

No catálogo

Gravuras Renascimento Século XVI

Fontes

Museu Estatal de Amesterdão: the museum's own open data · obtido há 6 dias
Imagem: Museu Estatal de Amesterdão — public domain

Entretanto, na vida de Albrecht Dürer

A vida inteira

1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.
1505–1507 · Local de trabalho
Venice
1507
Leaving Venice: “Here I am a gentleman”
Dürer left Italy, apparently reluctantly: in one of his last letters to Pirckheimer he remarked, “Here I am a gentleman, while at home I am only a parasite.”
1507–1528 · Local de trabalho
Nuremberg
1511
Publishes the Great Passion and the Life of the Virgin
Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.