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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Fittleworth Mill, Sussex
Fittleworth Mill, Sussex, John Constable, 23 September, 1834

Fittleworth Mill, Sussex

23 September, 1834 · Watercolour · 20.6 × 27.2 cm

Pormenores

23 September, 1834 · aos 58 anos
17761837
Número de inventário
215-1888

Entretanto, na vida de John Constable

A vida inteira
  1. 1828–1837

    A widower with seven children

    For the rest of his life Constable dressed in black and brought up his seven children alone; according to Leslie he was “a prey to melancholy and anxious thoughts”. Several of the children also painted, notably Lionel.

  2. 1835

    A last lecture to the Academy’s students

    In 1835 Constable gave his last lecture to the students of the Royal Academy, praising Raphael and calling the Academy the “cradle of British art”; it was cheered most heartily.

  3. 1836

    Lectures at the Royal Institution: three theses

    In a series of lectures at the Royal Institution in 1836 Constable proposed three theses: landscape painting is scientific as well as poetic; imagination alone never can produce art that bears comparison with reality; and no great painter was ever self-taught.

Mais obras de John Constable

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Sussex

Todas as obras sobre o tema
John Constable, retratoJohn ConstableReino Unido, 1776–1837

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

Sussex

No catálogo

Desenhos e aguarelasGrafiteRomantismoSéculo XIXBritish SchoolInglaterra

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Museu Metropolitano de Arte

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · Galeria Nacional de Arte

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · Galeria Nacional de Arte

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Museu do Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · Galeria Nacional de Arte

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Museu do Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Museu do Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Museu Metropolitano de Arte

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Golf at Canter, Sussex, Sir Muirhead Bone

Muirhead Bone

Golf at Canter, Sussex

Não exposta · Galeria Nacional de Arte

Squirrel Lane, near Magham Down, Sussex, Roberto Angelo Kittermaster Marshall

Roberto Angelo Kittermaster Marshall

Squirrel Lane, near Magham Down, Sussex

Não exposta · Galeria Nacional de Arte

St. Martins Lane, Lewes, Charles Knight, 1940

Charles Knight

St. Martins Lane, Lewes, 1940

Não exposta · Museu Vitória e Alberto

Laughton Place, Lewes, Hilder, ca. 1940

Hilder

Laughton Place, Lewes, ca. 1940

Não exposta · Museu Vitória e Alberto

The Old Cottage, Pulborough, Hilder, ca. 1940

Hilder

The Old Cottage, Pulborough, ca. 1940

Não exposta · Museu Vitória e Alberto

West Wittering, Hill, ca. 1940

Hill

West Wittering, ca. 1940

Não exposta · Museu Vitória e Alberto

The Cross Roads, Ditchling, Charles Knight, 1940

Charles Knight

The Cross Roads, Ditchling, 1940

Não exposta · Museu Vitória e Alberto

Old Fernhurst Church, Hill, ca. 1940

Hill

Old Fernhurst Church, ca. 1940

Não exposta · Museu Vitória e Alberto