Gino SeveriniItália, 1883–1966Festival in Montmartre
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Gino Severini was a member of the Futurists, a group of Italian artists that announced its existence with a manifesto published in 1909 on the front page of Le Figaro. The Futurists urged others to ignore the past and focus on the aesthetic power of modern life. Their paintings celebrate modernity—the speed, thrill, and especially the danger of factories, airplanes, automobiles, locomotives, and steamships. Their style blended Divisionism and Cubism to render “dynamic sensation” and the interpenetration of objects and their environment by superimposing different chromatic planes and lines of force.
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Severini’s work focused on Parisian entertainments, nightlife, and street activities. In Festival in Montmartre, he depicted the centrifugal motion of a carousel and the liberating, yet destabilizing, effects of color, speed, and sound. The artist presented this work in his first solo exhibition in 1913, writing in the catalogue, “My object has been to convey the sensation of a body, lighted by electric lamps and gyrating in the darkness of the boulevard. The shapes of the pink pigs and of the women seated on them are subordinate the whole, the rotary movement of which they follow while undergoing displacement from head to foot and vice versa.”
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- Número de inventário
- 2007.281
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- Art Institute of Chicago
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Na vida de Gino Severini
A vida inteira1911
The link between Paris and the Futurists
An important link between artists in France and Italy, he comes into contact with Cubism before his Futurist colleagues; after a visit to Paris in 1911 the Italian Futurists adopt a sort of Cubism, which gives them a means of analysing energy in paintings and expressing dynamism.
1912
First Futurist exhibition outside Italy
He helps to organize the first Futurist exhibition outside Italy, at the Galerie Bernheim-Jeune in Paris, and later takes part in Futurist shows in Europe and the United States. The Futurists were pleased with the response, but, as he later recalled, influential critics, notably Apollinaire, mocked them for their pretensions, their ignorance of the main currents of modern art and their provincialism — and in time Severini came to agree with Apollinaire.
1913
Solo exhibitions in London and Berlin
In 1913 his solo exhibitions are held at the Marlborough Gallery in London (the first of his career) and at Der Sturm in Berlin.
1913
Meets C. R. W. Nevinson
At the London show he meets and befriends the British artist C. R. W. Nevinson, ultimately leading to Nevinson’s decision to become a fellow Futurist.
agosto de 1913
Married: Jeanne Fort
25 de janeiro de 1915
Daughter born: Gina Severini
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