Domine quo vadis?, Annibale Carracci, 1600s
Annibale Carracci, retratoAnnibale CarracciItália, 1560–1609

Domine quo vadis?

1600s · Painting · 77.4 × 56.3 cm

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National Gallery

Londres, Reino Unido

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Domine, quo vadis? is a 1602 painting by the Italian Baroque painter Annibale Carracci (1560–1609), depicting a scene from the apocryphal Acts of Peter. It is housed in the National Gallery, where it is given the title Christ appearing to Saint Peter on the Appian Way. The subject is a rare representation in art of the theme Quo vadis. Annibale Carracci was the founder of the Italian Baroque painting school, called Bolognese School. This painting is one of his best known works. Peter is depicted fleeing Rome to avoid crucifixion and has a vision of meeting Christ bearing his Cross. Peter asks Jesus "Quo vadis?" to which he replies, "Romam vado iterum crucifigi" ("I am going to Rome to be crucified again"). Peter returns to Rome after this vision.

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  • Wikidata
  • Imagem: National Gallery — Annibale Carracci · Public domain · Wikimedia Commons

Entretanto, na vida de Annibale Carracci

A vida inteira
  1. 1595–1609 · Local de trabalho

    Rome

  2. 1602

    A trip to Emilia-Romagna, probably for Agostino’s funeral

    After 1595 Annibale left Rome only twice; the first time was briefly in 1602, to Emilia-Romagna, probably for the funeral of his brother Agostino.

  3. 1602

    The commission for the Herrera Chapel

    In 1602 Annibale received the commission to decorate the Herrera Chapel in the Roman church of San Giacomo degli Spagnoli. The surviving parts of the frescoes were later transferred to the National Art Museum of Catalonia in Barcelona and some to the Prado Museum in Madrid.

  4. c. 1605

    A mental breakdown after a meagre fee

    Carracci was a melancholic, and around 1605 he suffered a mental breakdown which, biographers explain, was caused by the unexpectedly low fee of 500 scudi for the frescoes of the Farnese gallery.

  5. 1605

    Serious illness: rheumatism keeps him from painting

    In March 1605 Annibale fell seriously ill and apparently never recovered enough to resume work. From 1605 severe rheumatic pains deprived him of the ability to paint.

  6. 15 de julho de 1609

    Died

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