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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Design for a Stage Setting
Design for a Stage Setting, Alexandra Exter, ca. 1925
Alexandra Exter, retratoAlexandra ExterPolónia, 1882–1949

Design for a Stage Setting

ca. 1925 · Watercolour · 56 × 62.5 cm

Pormenores

ca. 1925
18821949
Número de inventário
E.792-1963

Entretanto, na vida de Alexandra Exter

A vida inteira
  1. 1921–1923

    Chintz designs, fashion and uniforms for the Red Army

    From 1921 she designs chintz patterns for industrial production and works with the Workshop of Contemporary Costume and then with the Moskvoshvei fashion house, and in 1922–1923 on dress uniforms for the Red Army. Her mass-production designs were wearable, but most of her fashion work was highly decorative and innovative, usually falling under haute couture.

  2. 1921–1924

    Employed by: Vkhutemas

  3. 1924

    Emigrates to France

    She and her husband emigrate to France and settle in Paris; she will never return to Soviet Russia.

  4. spring 1924

    The Soviet pavilion at the Venice Biennale

    In the spring of 1924 she travels to Venice to take part in organising the 14th Venice Biennale and the Soviet pavilion; most of her works are not shown but appear in the catalogue, and for the entrance hall on the pavilion's second floor she creates a special painting inspired by Venice.

  5. 1925–1930

    Teaches at Léger's Académie d'Art Contemporain

    At Fernand Léger's invitation she teaches at the Académie d'Art Contemporain in Paris from 1925 to 1930; other accounts say she first taught at the Académie Moderne and from 1926 to 1930 at Léger's Académie d'Art Contemporain.

  6. 1927

Mais obras de Alexandra Exter

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Theatre design

Todas as obras sobre o tema

First solo exhibition at the Sturm gallery

The Berlin gallery Der Sturm organises her first solo exhibition.

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 13 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

Theatre designBallet

No catálogo

Desenhos e aguarelasGuacheModernismoSéculo XXParis

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Theatrical Composition, Alexandra Exter, c. 1925

Theatrical Composition

c. 1925 · Museu de Arte Moderna

Конструктивный натюрморт, Alexandra Exter, 1920-1921

Конструктивный натюрморт

1920-1921 · Museu Russo

Cubist Nude, Alexandra Exter, c. 1912

Cubist Nude

c. 1912 · Não exposta · Museu de Arte Moderna

Город ночью, Alexandra Exter, 1913

Город ночью

1913 · Museu Russo

Plate (facing page 96) from Futuristy. Pervyi zhurnal' russkikh' futuristov' (Futurists: First Journal of the Russian Futurists) no. 1-2, Alexandra Exter, 1914

Plate (facing page 96) from Futuristy. Pervyi zhurnal' russkikh' futuristov' (Futurists: First Journal of the Russian Futurists) no. 1-2

1914 · Não exposta · Museu de Arte Moderna

Plate (facing page 81) from Futuristy. Pervyi zhurnal' russkikh' futuristov' (Futurists: First Journal of the Russian Futurists) no. 1-2, Alexandra Exter, 1914

Plate (facing page 81) from Futuristy. Pervyi zhurnal' russkikh' futuristov' (Futurists: First Journal of the Russian Futurists) no. 1-2

1914 · Não exposta · Museu de Arte Moderna

Neuvazhitel'nyia osnovaniia (Weak Foundations), Alexandra Exter, 1916

Neuvazhitel'nyia osnovaniia (Weak Foundations)

1916 · Não exposta · Museu de Arte Moderna

Composition, Alexandra Exter, c. 1916

Composition

c. 1916 · Não exposta · Museu de Arte Moderna

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Drawing, Forbes-Robertson, 1901

Forbes-Robertson

Drawing, 1901

Não exposta · Museu Vitória e Alberto

Drawing, Forbes-Robertson, 1902

Forbes-Robertson

Drawing, 1902

Não exposta · Museu Vitória e Alberto

Design for stage Scene: 'The Hour Glass' by W B Yeats., Edward Gordon Craig, 1910

Edward Gordon Craig

Design for stage Scene: 'The Hour Glass' by W B Yeats., 1910

Não exposta · Museu Vitória e Alberto

David Garrick as Don John in his adaptation of 'The Chances' by Beaumont and Fletcher, Act 1, Scene 2, with a view intended to be Naples in the background, Philip James de Loutherbourg, 1774

Philip James de Loutherbourg

David Garrick as Don John in his adaptation of 'The Chances' by Beaumont and Fletcher, Act 1, Scene 2, with a view intended to be Naples in the background, 1774

Não exposta · Museu Vitória e Alberto

Drawing, Forbes-Robertson, 1910

Forbes-Robertson

Drawing, 1910

Não exposta · Museu Vitória e Alberto

Drawing, Forbes-Robertson, 1884

Forbes-Robertson

Drawing, 1884

Não exposta · Museu Vitória e Alberto

Design for stage scene for 'Hamlet', Edward Gordon Craig, 1910

Edward Gordon Craig

Design for stage scene for 'Hamlet', 1910

Não exposta · Museu Vitória e Alberto

Drawing, Glyn Warren Philpot, ca.1930

Glyn Warren Philpot

Drawing, ca.1930

Não exposta · Museu Vitória e Alberto