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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Corbels in Solihull Church
Corbels in Solihull Church, Constable, 1820, September

Corbels in Solihull Church

1820, September · Drawing · 15.8 × 23.3 cm

Pormenores

1820, September · aos 44 anos
17761837
Número de inventário
622-1888

Entretanto, na vida de John Constable

A vida inteira
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1821

    “I should paint my own places best”

    In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.

  3. 1821

    Son born: Charles Golding Constable

  4. 23 October 1821

    To Fisher: “I have done a good deal of skying”

    Constable wrote to Fisher that he had done a good deal of skying and was determined to conquer all the difficulties that remained. He made cloud studies, noting the weather, direction of light and time of day on the back, and held the sky to be the key note of a landscape, drawing on the meteorologist Luke Howard’s classification of clouds.

  5. 1822/1823

    Daughter born: Isabel Constable

Mais obras de John Constable

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Corbel

Todas as obras sobre o tema
John Constable, retratoJohn ConstableReino Unido, 1776–1837

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

CorbelSolihull

No catálogo

Desenhos e aguarelasGrafiteNeoclassicismoRomantismoSéculo XIXWarwickshire

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Museu Metropolitano de Arte

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · Galeria Nacional de Arte

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · Galeria Nacional de Arte

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Museu do Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · Galeria Nacional de Arte

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Museu do Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Museu do Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Museu Metropolitano de Arte

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Corbel with Animal Mask with Protruding Tongue from the Monastery Church of Notre-Dame-de-la-Grande-Sauve, French, 1150/1200

French

Corbel with Animal Mask with Protruding Tongue from the Monastery Church of Notre-Dame-de-la-Grande-Sauve, 1150/1200

Art Institute of Chicago

Corbel with Animal Mask with Whisker-like Foliate from the Monastery Church of Notre-Dame-de-la-Grande-Sauve, French, 1150/1200

French

Corbel with Animal Mask with Whisker-like Foliate from the Monastery Church of Notre-Dame-de-la-Grande-Sauve, 1150/1200

Art Institute of Chicago

Corbel with Animal Mask Sprouting Leaves from the Monastery Church of Notre-Dame-de-la-Grande-Sauve, French, 1150/1200

French

Corbel with Animal Mask Sprouting Leaves from the Monastery Church of Notre-Dame-de-la-Grande-Sauve, 1150/1200

Art Institute of Chicago

Corbel with Two Animal Masks from the Monastery Church of Notre-Dame-de-la-Grande-Sauve, French, 1150/1200

French

Corbel with Two Animal Masks from the Monastery Church of Notre-Dame-de-la-Grande-Sauve, 1150/1200

Art Institute of Chicago

Corbel with Animal Mask with Teeth Fastened on Human Leg from the Monastery Church of Notre-Dame-de-la-Grande-Sauve, French, 1150/1200

French

Corbel with Animal Mask with Teeth Fastened on Human Leg from the Monastery Church of Notre-Dame-de-la-Grande-Sauve, 1150/1200

Art Institute of Chicago

Corbel, Edith Towner, 1939

Edith Towner

Corbel, 1939

Não exposta · Galeria Nacional de Arte

Corbel, Harry Mann Waddell, 1939

Harry Mann Waddell

Corbel, 1939

Não exposta · Galeria Nacional de Arte

Corbel and Ceiling Beam, Cornelius Christoffels, 1940

Cornelius Christoffels

Corbel and Ceiling Beam, 1940

Não exposta · Galeria Nacional de Arte