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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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Boat, Shinoda Tōkō, c. 1962
Toko Shinoda, retratoToko ShinodaJapão, 1913–2021

Boat

c. 1962 · Painting

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De momento, não recebe

Instituto de Artes de Minneapolis

Minneapolis, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a pintura

105-year-old Shinoda Tōkō started practicing calligraphy 100 years ago, when she began studying with her father. Beginning in the late 1940s, she began merging traditional Chinese and Japanese calligraphic traditions with Abstract Expressionism (AbEx), an artistic movement focused on expressing emotion through abstract art. Her work developed further in this direction when she studied the works of Jackson Pollock (1912–1956) an AbEx artist known for “drip” paintings. She studied his work over several years in the United States in the late 1950s, though she has never fully abandoned calligraphy.

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Her abstract forms, which exhibit an unmistakable calligraphic sensibility, are intended to suggest the vitality of the natural world. In addition to her unwavering interest in calligraphy, Shinoda has also maintained an interest in traditional materials used in Japan for centuries: ink, metallic pigments, and metal leaf on Japanese paper. This hinged screen is an example of a traditional furosaki, a small barrier used during a Japanese tea ceremony.

Instituto de Artes de Minneapolis

Pormenores

c. 1962
19132021
Número de inventário
2015.79.200

No catálogo

PinturasPintura japonesaArte do pós-guerraSéculo XXJapão

Fontes

  • Instituto de Artes de Minneapolis
  • Imagem: Instituto de Artes de Minneapolis — © Shinoda Tōkō

Mais obras de Toko Shinoda

Todas as obras
Untitled, Shinoda Toko, 1965

Untitled

1965 · Art Institute of Chicago

Bamboo Trunk, Toko Shinoda

Bamboo Trunk

Não exposta · Galeria Nacional de Arte

Leaves, Toko Shinoda

Leaves

Não exposta · Galeria Nacional de Arte

A Grove, Shinoda Toko, 20th century

A Grove

20th century · Não exposta · Art Institute of Chicago

Untitled, Shinoda Tōkō, second half 20th century

Untitled

second half 20th century · Não exposta · Instituto de Artes de Minneapolis

Source, Shinoda Tōkō, 1980s

Source

1980s · Não exposta · Instituto de Artes de Minneapolis

Sprout D, Shinoda Tōkō, 1980s

Sprout D

1980s · Não exposta · Instituto de Artes de Minneapolis

Blessing C, Shinoda Tōkō, 20th century

Blessing C

20th century · Não exposta · Instituto de Artes de Minneapolis

Vizinhas de sala: Instituto de Artes de Minneapolis

Página do museu
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34