Barking Dog, Seen from Behind, Attributed to Francesco Vanni, 1593–96
Attributed to Francesco VanniItália

Barking Dog, Seen from Behind

1593–96 · Drawing · 10.8 × 13.18 cm

Posso vê-la?

Não exposta de momento

Onde está «Barking Dog, Seen from Behind» hoje? Coleção: Instituto de Artes de Minneapolis, Minneapolis. Não exposta de momento. Verificado 29 de setembro de 2026.

Instituto de Artes de Minneapolis

Minneapolis, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
Neste estado desde
Fonte
O museu

Sobre a obra

While drawing connoisseurship can seem dangerously subjective to the uninitiated, quite often consensus is found among various experts. When this drawing entered the collection, it was miscatalogued as a study by the Dutch artist Cornelis Saftleven. Three drawings connoisseurs independently suggested this fragmentary, quick sketch of a barking dog was executed by a Sienese artist around 1600. It was the scholar John Marciari who identified the artist as Francesco Vanni, recognizing the dog from Vanni's impressive mural Saint Catherine Exorcising a Demon of 1593-96, in the church of San Domenico in Siena, where its appears prominently in the central foreground of the painting. The dog is barking madly at the woman possessed by demons, who flails on a parapet above him to the right.

Ler mais

He is shown from the identical viewpoint, and in the same pose as the drawing, with his muzzle raised, teeth showing, tail upright, front legs crouched, and front paws not visible. In the final painting, the dog's left hindleg is obscured by the forearm of a figure, and the exacting description of the dog's private parts, not suprisingly, is omitted.

Instituto de Artes de Minneapolis

Pormenores

Número de inventário
2009.53.61

No catálogo

Fontes

Todas as obras

No mesmo museu: Instituto de Artes de Minneapolis

Página do museu