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Onde está a obra-prima, e a que horas se abre a porta.

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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. A country road with elm trees
A country road with elm trees, John Constable, ca. 1830-ca. 1836
John Constable, retratoJohn ConstableReino Unido, 1776–1837

A country road with elm trees

ca. 1830-ca. 1836 · Drawing · 8 × 11.2 cm

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a obra

Constable's late wash drawings are notable for their free handling and almost expressionistic quality. This view of a country road is relatively restrained and more highly finished than some of its cousins. However, the rather menacing group of elm trees that blocks the horizon is characteristic of the dark mood common to his last drawings.

Museu Vitória e Alberto

Pormenores

ca. 1830-ca. 1836
17761837
Número de inventário
603-1888

O que mostra

RoadsElm

No catálogo

Desenhos e aguarelasGrafiteRomantismoSéculo XIXBritish SchoolGrã-Bretanha

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London

Entretanto, na vida de John Constable

A vida inteira
  1. 1824–1828

    The family in Brighton for Maria’s health

    When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

  2. 23 November 1828

    The death of his wife Maria

    After the birth of their seventh child the family returned to Hampstead, where Maria died of tuberculosis at the age of 41. “Hourly do I feel the loss of my departed Angel,” Constable wrote to his brother.

  3. 1828–1837

    A widower with seven children

    For the rest of his life Constable dressed in black and brought up his seven children alone; according to Leslie he was “a prey to melancholy and anxious thoughts”. Several of the children also painted, notably Lionel.

  4. February 1829

    Elected to the Royal Academy at fifty-two

    In February 1829, three months after his wife’s death, Constable was elected a member of the Royal Academy, at the age of 52.

  5. 31 March 1837

    Death in the night, probably of heart failure

    Constable died on the night of 31 March 1837, apparently of heart failure (another account names dyspepsia), and was buried beside Maria.

  6. 31 de março de 1837

    Died

Mais obras de John Constable

Todas as obras
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · Museu Metropolitano de Arte

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · Galeria Nacional de Arte

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · Galeria Nacional de Arte

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

1e quart du XIXe siècle (1818 - 1819) · Museu do Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · Galeria Nacional de Arte

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

1e quart du XIXe siècle (1820) · Museu do Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823) · Museu do Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · Museu Metropolitano de Arte

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