Estados Unidos · 1917–2000
Jacob Lawrence
Jacob Armstead Lawrence was an American painter known for his portrayal of African-American historical subjects and contemporary life.
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The Wedding
1948 · Art Institute of Chicago
Fulton and Nostrand
1958 · Museu de Arte de Cleveland
War Series: The Letter
1946 · Museu Whitney de Arte Americana
War Series: Docking - Cigarette, Joe?
1947 · Museu Whitney de Arte Americana
War Series: How Long?
1947 · Museu Whitney de Arte Americana
War Series: Shipping Out
1947 · Museu Whitney de Arte Americana
War Series: Beachhead
1947 · Museu Whitney de Arte Americana
War Series: Victory
1947 · Museu Whitney de Arte Americana
War Series: On Leave
1947 · Museu Whitney de Arte Americana
The railroad stations in the South were crowded with people leaving for the North
1940-41 · Não exposta · Museu de Arte Moderna
The trains were packed continually with migrants
1940-41 · Não exposta · Museu de Arte Moderna
Housing for the Negroes was a very difficult problem
1940-41 · Não exposta · Museu de Arte Moderna
Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation
1940-41 · Não exposta · Museu de Arte Moderna
One of the main forms of social and recreational activities in which the migrants indulged occurred in the church
1940-41 · Não exposta · Museu de Arte Moderna
The Negro press was also influential in urging the people to leave the South
1940-41 · Não exposta · Museu de Arte Moderna
They were very poor
1940-41 · Não exposta · Museu de Arte Moderna
Living conditions were better in the North
1940-41 · Não exposta · Museu de Arte Moderna
The railroad stations were at times so over-packed with people leaving that special guards had to be called in to keep order
1940-41 · Não exposta · Museu de Arte Moderna
In every home people who had not gone North met and tried to decide if they should go North or not
1940-41 · Não exposta · Museu de Arte Moderna
In the North the Negro had better educational facilities
1940-41 · Não exposta · Museu de Arte Moderna
Child labor and a lack of education was one of the other reasons for people wishing to leave their homes
1940-41 · Não exposta · Museu de Arte Moderna
Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous
1940-41 · Não exposta · Museu de Arte Moderna
One of the largest race riots occurred in East St. Louis
1940-41 · Não exposta · Museu de Arte Moderna
Race riots were very numerous all over the North because of the antagonism that was caused between the Negro and white workers. Many of these riots occurred because the Negro was used as a strike breaker in many of the Northern industries
1940-41 · Não exposta · Museu de Arte Moderna
In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement
1940-41 · Não exposta · Museu de Arte Moderna
And people all over the South began to discuss this great movement
1940-41 · Não exposta · Museu de Arte Moderna
The migrants arrived in great numbers
1940-41 · Não exposta · Museu de Arte Moderna
They also made it very difficult for migrants leaving the South. They often went to railroad stations and arrested the Negroes wholesale, which in turn made them miss their train
1940-41 · Não exposta · Museu de Arte Moderna
The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home
1940-41 · Não exposta · Museu de Arte Moderna
They also worked in large numbers on the railroad
1940-41 · Não exposta · Museu de Arte Moderna
And the migrants kept coming
1940-41 · Não exposta · Museu de Arte Moderna
The labor agent who had been sent South by Northern industry was a very familiar person in the Negro counties
1940-41 · Não exposta · Museu de Arte Moderna
Among one of the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living
1940-41 · Não exposta · Museu de Arte Moderna
The Negro was the largest source of labor to be found after all others had been exhausted
1940-41 · Não exposta · Museu de Arte Moderna
The migration gained in momentum
1940-41 · Não exposta · Museu de Arte Moderna
They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they were
1940-41 · Não exposta · Museu de Arte Moderna
They arrived in great numbers into Chicago, the gateway of the West
1940-41 · Não exposta · Museu de Arte Moderna
Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occurred
1940-41 · Não exposta · Museu de Arte Moderna
This Is a Family Living in Harlem
1943 · Não exposta · Museu de Arte Moderna
Sedation
1950 · Não exposta · Museu de Arte Moderna
Still Life With Masks
1959 · Não exposta · Galeria Nacional de Arte
Street Shadows
1959 · Não exposta · Museu de Arte Moderna
Street to Mbari
1964 · Não exposta · Galeria Nacional de Arte
Daybreak - A Time to Rest
1967 · Não exposta · Galeria Nacional de Arte
Olympic Games
1971 · Não exposta · Galeria Nacional de Arte
The 1920's...The Migrants Arrive and Cast Their Ballots
1974 · Não exposta · Galeria Nacional de Arte
The 1920's ... The Migrants Arrive and Cast Their Ballots from Kent Bicentennial Portfolio: Spirit of Independence
1974, published 1975 · Não exposta · Museu de Arte Moderna
Builders No.3
1974 · Não exposta · Museu de Arte Moderna
The Capture
1987 · Não exposta · Galeria Nacional de Arte
To Preserve Their Freedom from the series The Life of Toussaint L'Ouverture
1988 · Não exposta · Museu de Arte Moderna
Revolt on the Amistad
1989 · Não exposta · Galeria Nacional de Arte
Toussaint at Ennery
1989 · Não exposta · Galeria Nacional de Arte
The Coachman
1990 · Não exposta · Galeria Nacional de Arte
Dondon from The Life of Toussaint L’Ouverture
1992 · Não exposta · Galeria Nacional de Arte
The March from the series The Life of Toussaint L'Ouverture
1995 · Não exposta · Museu de Arte Moderna
The Opener from the series The Life of Toussaint L'Ouverture
1997 · Não exposta · Museu de Arte Moderna
New York in Transit I
1998 · Não exposta · Galeria Nacional de Arte
New York in Transit II
1998 · Não exposta · Galeria Nacional de Arte
Creative Therapy
1949 · Não exposta · Museu de Arte de Cleveland
Free Clinic
1937 · Não exposta · Art Institute of Chicago
Virginia Interior
1942 · Não exposta · Art Institute of Chicago
Tombstones
1942 · Não exposta · Museu Whitney de Arte Americana
War Series: Another Patrol
1946 · Não exposta · Museu Whitney de Arte Americana
War Series: Purple Hearts
1947 · Não exposta · Museu Whitney de Arte Americana
War Series: Alert
1947 · Não exposta · Museu Whitney de Arte Americana
War Series: Prayer
1947 · Não exposta · Museu Whitney de Arte Americana
War Series: Reported Missing
1947 · Não exposta · Museu Whitney de Arte Americana
War Series: Going Home
1947 · Não exposta · Museu Whitney de Arte Americana
War Series: Casualty - The Secretary of War Regrets
1947 · Não exposta · Museu Whitney de Arte Americana
Graduation
1948 · Não exposta · Art Institute of Chicago
Depression
1950 · Não exposta · Museu Whitney de Arte Americana
Chess Players
1970 · Não exposta · Harvard Art Museums
The Builders
1974 · Não exposta · Art Institute of Chicago
Harlem Street Scene
1975 · Não exposta · Art Institute of Chicago
Confrontation at the Bridge
1975 · Não exposta · Art Institute of Chicago
Hiroshima
1983 · Não exposta · Instituto de Artes de Minneapolis
The Birth of Toussaint
1986 · Não exposta · Harvard Art Museums