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Kolekcje: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Ermitaż, Galeria Tretiakowska, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Luwr, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, Muzeum Sztuk Pięknych im. Puszkina w Moskwie, Muzeum Wiktorii i Alberta, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Państwowe Muzeum Rosyjskie, Państwowe Muzeum Sztuki w Kopenhadze, Rijksmuseum, Smithsonian American Art Museum and the Renwick Gallery, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Państwowy Katalog Zbiorów Muzealnych Rosji (274 muzea), Europeana (19 muzeów), Wikidata (44 muzea), Paris Musées (12 muzeów), Joconde, baza muzealna francuskiego Ministerstwa Kultury (495 muzeów) i Catalogo generale dei Beni Culturali włoskiego Ministerstwa Kultury (25 muzeów). Prawa do zdjęć należą do ich właścicieli.

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Akwaforta

130 252 dzieła z 146 muzeów133 teraz na wystawieWyczyść wszystko

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The Leap in Height, with & without a Pole, William Blake, 1800William BlakeThe Leap in Height, with & without a Pole1800Yale Center for British Art
Aged Ignorance (Plate 13), William Blake, 1793William BlakeAged Ignorance (Plate 13)1793Yale Center for British Art
II. "Man by his reasoning power can only compare..." (Plate 4), William Blake, ca. 1788William BlakeII. "Man by his reasoning power can only compare..." (Plate 4)ca. 1788Yale Center for British Art
Theocritus, William Blake, 1821William BlakeTheocritus1821Yale Center for British Art
Does Thy God O Priest Take such Vengeance as This? (Plate 14), William Blake, 1793William BlakeDoes Thy God O Priest Take such Vengeance as This? (Plate 14)1793Yale Center for British Art
The Pit of Disease: The Falsifiers (Plate 6), William Blake, 1827William BlakeThe Pit of Disease: The Falsifiers (Plate 6)1827Yale Center for British Art
'We censure nature for a span too short' (Page 23), William Blake, 1797William Blake'We censure nature for a span too short' (Page 23)1797Yale Center for British Art
V. "Mans desires are limited by his perceptions..." (Plate 7), William Blake, ca. 1788William BlakeV. "Mans desires are limited by his perceptions..." (Plate 7)ca. 1788Yale Center for British Art
Water (Plate 4), William Blake, 1826William BlakeWater (Plate 4)1826Yale Center for British Art
Earth (Plate 5), William Blake, 1793William BlakeEarth (Plate 5)1793Yale Center for British Art
Fire (Plate 7), William Blake, 1793William BlakeFire (Plate 7)1793Yale Center for British Art
Psyche Repents, William Blake, 1794William BlakePsyche Repents1794Yale Center for British Art
Beggar's Opera, Act III, William Blake, 1790William BlakeBeggar's Opera, Act III1790Yale Center for British Art
Love Songs, Class II. Headpiece, William Blake, 1783William BlakeLove Songs, Class II. Headpiece1783Yale Center for British Art
The Serpent Attacking Buoso Donati (Plate 5), William Blake, 1827William BlakeThe Serpent Attacking Buoso Donati (Plate 5)1827Yale Center for British Art
"I have said to the Worm: Thou art my mother & my sister" (Plate 18), William Blake, 1826William Blake"I have said to the Worm: Thou art my mother & my sister" (Plate 18)1826Yale Center for British Art
At Length for Hatching Ripe He Breaks the Shell (Plate 8), William Blake, 1793William BlakeAt Length for Hatching Ripe He Breaks the Shell (Plate 8)1793Yale Center for British Art
Beggar's Opera, Act III, William Blake, 1790William BlakeBeggar's Opera, Act III1790Yale Center for British Art
'Trembling each gulp, lest death should snatch the bowl' (Page 57), William Blake, 1797William Blake'Trembling each gulp, lest death should snatch the bowl' (Page 57)1797Yale Center for British Art
'Teaching, we learn; and giving, we retain' (Page 35), William Blake, 1797William Blake'Teaching, we learn; and giving, we retain' (Page 35)1797Yale Center for British Art
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18), William Blake, 1793William BlakeI Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)1793Yale Center for British Art
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq., William Blake, 1804William BlakeA Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.1804Yale Center for British Art
'Emblem of that which shall awake the dead' (Page 19), William Blake, 1797William Blake'Emblem of that which shall awake the dead' (Page 19)1797Yale Center for British Art
Fear & Hope Are -- Vision (Plate 15), William Blake, 1793William BlakeFear & Hope Are -- Vision (Plate 15)1793Yale Center for British Art
William Cowper, William Blake, 1803-1804William BlakeWilliam Cowper1803-1804Yale Center for British Art
Canto I. Verse 29, William Blake, 1803William BlakeCanto I. Verse 291803Yale Center for British Art
Psyche Disobeys, William Blake, 1794William BlakePsyche Disobeys1794Yale Center for British Art
Night the Second. On Time, Death, and Friendship; Title Page (Page 17), William Blake, 1797William BlakeNight the Second. On Time, Death, and Friendship; Title Page (Page 17)1797Yale Center for British Art
Fable XXX. The Setting-dog and the Partridge, William Blake, 1793William BlakeFable XXX. The Setting-dog and the Partridge1793Yale Center for British Art
II. "Reason or the ratio of all we have already known..." (Plate 11), William Blake, ca. 1788William BlakeII. "Reason or the ratio of all we have already known..." (Plate 11)ca. 1788Yale Center for British Art
The Conjugal Union of Cupid, William Blake, 1794William BlakeThe Conjugal Union of Cupid1794Yale Center for British Art
'Swift on his downy pinion flies from woe' (Page 1), William Blake, 1797William Blake'Swift on his downy pinion flies from woe' (Page 1)1797Yale Center for British Art
Alas! (Plate 9), William Blake, 1826William BlakeAlas! (Plate 9)1826Yale Center for British Art
'Till at Death's toll, whose restless iron tongue' (Page 7), William Blake, 1797William Blake'Till at Death's toll, whose restless iron tongue' (Page 7)1797Yale Center for British Art
Trundling a Hoop &c., William Blake, 1800William BlakeTrundling a Hoop &c.1800Yale Center for British Art
Psyche Disobeys, William Blake, 1794William BlakePsyche Disobeys1794Yale Center for British Art
Canto VI. Verse 294, William Blake, 1803William BlakeCanto VI. Verse 2941803Yale Center for British Art
"I found him beneath a Tree" (Plate 3), William Blake, 1826William Blake"I found him beneath a Tree" (Plate 3)1826Yale Center for British Art
'Tis greatly wise to talk with our past hours' (Page 31), William Blake, 1797William Blake'Tis greatly wise to talk with our past hours' (Page 31)1797Yale Center for British Art
Love Songs, Class IV. Headpiece, William Blake, 1783William BlakeLove Songs, Class IV. Headpiece1783Yale Center for British Art
"He meets his Saviour in the Grave..." (Plate 20), William Blake, 1826William Blake"He meets his Saviour in the Grave..." (Plate 20)1826Yale Center for British Art
Fable XVI. The Ravens, the Sexton, and the Earth-Worm, William Blake, 1793William BlakeFable XVI. The Ravens, the Sexton, and the Earth-Worm1793Yale Center for British Art
Fable XVI. The Pin and the Needle, William Blake, 1793William BlakeFable XVI. The Pin and the Needle1793Yale Center for British Art
Air (Plate 6), William Blake, 1793William BlakeAir (Plate 6)1793Yale Center for British Art
For the Sexes: The Gates of Paradise, Title Page (Plate 1), William Blake, 1826William BlakeFor the Sexes: The Gates of Paradise, Title Page (Plate 1)1826Yale Center for British Art
'The goddess bursts in thunder and in flame' (Page 95), William Blake, 1797William Blake'The goddess bursts in thunder and in flame' (Page 95)1797Yale Center for British Art
Preservation of Equilibrium, William Blake, 1800William BlakePreservation of Equilibrium1800Yale Center for British Art
"I want! I want!" (Plate 11), William Blake, 1826William Blake"I want! I want!" (Plate 11)1826Yale Center for British Art
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