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Kolekcje: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Ermitaż, Galeria Tretiakowska, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Luwr, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, Muzeum Sztuk Pięknych im. Puszkina w Moskwie, Muzeum Wiktorii i Alberta, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Państwowe Muzeum Rosyjskie, Państwowe Muzeum Sztuki w Kopenhadze, Rijksmuseum, Smithsonian American Art Museum and the Renwick Gallery, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Państwowy Katalog Zbiorów Muzealnych Rosji (274 muzea), Europeana (19 muzeów), Wikidata (44 muzea), Paris Musées (12 muzeów), Joconde, baza muzealna francuskiego Ministerstwa Kultury (495 muzeów) i Catalogo generale dei Beni Culturali włoskiego Ministerstwa Kultury (25 muzeów). Prawa do zdjęć należą do ich właścicieli.

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130 252 dzieła z 146 muzeów133 teraz na wystawieWyczyść wszystko

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"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66), William Blake, 1804 to 1820William Blake"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)1804 to 1820Yale Center for British Art
'If angels tremble, 'tis at such a sight' (Page 93), William Blake, ca. 1797William Blake'If angels tremble, 'tis at such a sight' (Page 93)ca. 1797Yale Center for British Art
The Lamb (Plate 8), William Blake, 1789William BlakeThe Lamb (Plate 8)1789Yale Center for British Art
Air (Plate 6), William Blake, 1826William BlakeAir (Plate 6)1826Yale Center for British Art
"They saw their Wheels rising up poisonous..." (Plate 43), William Blake, 1804 to 1820William Blake"They saw their Wheels rising up poisonous..." (Plate 43)1804 to 1820Yale Center for British Art
The Lamb (Plate 18), William Blake, 1789William BlakeThe Lamb (Plate 18)1789Yale Center for British Art
'As if the sun could envy, check'd his beam' (Page 49), William Blake, 1797William Blake'As if the sun could envy, check'd his beam' (Page 49)1797Yale Center for British Art
Romeo and Juliet, Act IV, Scene V, William Blake, 1799William BlakeRomeo and Juliet, Act IV, Scene V1799Yale Center for British Art
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul, William Blake, 1789-1794William BlakeSongs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul1789-1794Yale Center for British Art
Miscellaneous Songs, Headpiece, William Blake, 1783William BlakeMiscellaneous Songs, Headpiece1783Yale Center for British Art
Fable XXIV. The Butterfly and the Snail, William Blake, 1793William BlakeFable XXIV. The Butterfly and the Snail1793Yale Center for British Art
Europe. A Prophecy, William Blake, 1793, printed 1795William BlakeEurope. A Prophecy1793, printed 1795Yale Center for British Art
The Little Girl Found (Plate 6), William Blake, 1789William BlakeThe Little Girl Found (Plate 6)1789Yale Center for British Art
"I see thy Form O lovely mild Jerusalem..." (Plate 86), William Blake, 1804 to 1820William Blake"I see thy Form O lovely mild Jerusalem..." (Plate 86)1804 to 1820Yale Center for British Art
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52), William Blake, 1804 to 1820William Blake"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)1804 to 1820Yale Center for British Art
Night the First. On Life, Death, and Immortality; Title Page, William Blake, 1797William BlakeNight the First. On Life, Death, and Immortality; Title Page1797Yale Center for British Art
"Reuben return'd to his place, in vain..." (Plate 36), William Blake, 1804 to 1820William Blake"Reuben return'd to his place, in vain..." (Plate 36)1804 to 1820Yale Center for British Art
"The clouds of Albions Druid Temples..." (Plate 60), William Blake, 1804 to 1820William Blake"The clouds of Albions Druid Temples..." (Plate 60)1804 to 1820Yale Center for British Art
The Book of Thel; Title Page (Plate 2), William Blake, 1789William BlakeThe Book of Thel; Title Page (Plate 2)1789Yale Center for British Art
"Repelling weeping Enion blind & age-bent..." (Plate 87), William Blake, 1804 to 1820William Blake"Repelling weeping Enion blind & age-bent..." (Plate 87)1804 to 1820Yale Center for British Art
Psyche Repents, William Blake, 1794William BlakePsyche Repents1794Yale Center for British Art
'The Sun beheld it – No, the shocking scene' (Page 75), William Blake, 1797William Blake'The Sun beheld it – No, the shocking scene' (Page 75)1797Yale Center for British Art
The Traveller Hasteth in the Evening (Plate 16), William Blake, 1793William BlakeThe Traveller Hasteth in the Evening (Plate 16)1793Yale Center for British Art
The Book of Thel, William Blake, 1789William BlakeThe Book of Thel1789Yale Center for British Art
'One radiant mark, – the death-bed of the just' (Page 41), William Blake, 1797William Blake'One radiant mark, – the death-bed of the just' (Page 41)1797Yale Center for British Art
Songs of Innocence, Frontispiece (Plate 1), William Blake, 1789William BlakeSongs of Innocence, Frontispiece (Plate 1)1789Yale Center for British Art
"With one accord in love sublime..." (Plate 44), William Blake, 1804 to 1820William Blake"With one accord in love sublime..." (Plate 44)1804 to 1820Yale Center for British Art
Love Songs, Class II. Tailpiece, William Blake, 1783William BlakeLove Songs, Class II. Tailpiece1783Yale Center for British Art
"They call'd her Pity, and fled..." (Plate 19), William Blake, 1794William Blake"They call'd her Pity, and fled..." (Plate 19)1794Yale Center for British Art
"Then all the Males conjoined into One Male..." (Plate 69), William Blake, 1804 to 1820William Blake"Then all the Males conjoined into One Male..." (Plate 69)1804 to 1820Yale Center for British Art
'Teaching, we learn; and giving, we retain' (Page 35), William Blake, 1797William Blake'Teaching, we learn; and giving, we retain' (Page 35)1797Yale Center for British Art
"Then the Divine hand found the Two Limits..." (Plate 35), William Blake, 1804 to 1820William Blake"Then the Divine hand found the Two Limits..." (Plate 35)1804 to 1820Yale Center for British Art
The Lion, William Blake, 1805William BlakeThe Lion1805Yale Center for British Art
The Eagle, William Blake, 1805William BlakeThe Eagle1805Yale Center for British Art
Canto II. Verse 471, William Blake, 1803William BlakeCanto II. Verse 4711803Yale Center for British Art
Throwing & Shooting at a Mark, William Blake, 1800William BlakeThrowing & Shooting at a Mark1800Yale Center for British Art
"I have mock'd those who refused cruelty..." (Plate 81), William Blake, 1804 to 1820William Blake"I have mock'd those who refused cruelty..." (Plate 81)1804 to 1820Yale Center for British Art
'Trembling each gulp, lest death should snatch the bowl' (Page 57), William Blake, 1797William Blake'Trembling each gulp, lest death should snatch the bowl' (Page 57)1797Yale Center for British Art
"One hair nor particle of dust..." (Plate 14), William Blake, 1804 to 1820William Blake"One hair nor particle of dust..." (Plate 14)1804 to 1820Yale Center for British Art
For Children. The Gates of Paradise; Title Page (Plate 2), William Blake, 1793William BlakeFor Children. The Gates of Paradise; Title Page (Plate 2)1793Yale Center for British Art
'Its favours here are trials, not rewards' (Page 12), William Blake, 1797William Blake'Its favours here are trials, not rewards' (Page 12)1797Yale Center for British Art
Chapter 4 Frontispiece (Plate 76), William Blake, 1804 to 1820William BlakeChapter 4 Frontispiece (Plate 76)1804 to 1820Yale Center for British Art
Laughing Song (Plate 14), William Blake, 1789William BlakeLaughing Song (Plate 14)1789Yale Center for British Art
From Antique Coins, William Blake, 1821William BlakeFrom Antique Coins1821Yale Center for British Art
Bathing & Swimming, William Blake, 1800William BlakeBathing & Swimming1800Yale Center for British Art
Miscellaneous Songs, Tailpiece, William Blake, 1783William BlakeMiscellaneous Songs, Tailpiece1783Yale Center for British Art
Love Songs, Class I. Tailpiece, William Blake, 1783William BlakeLove Songs, Class I. Tailpiece1783Yale Center for British Art
The Baffled Devils Fighting (Plate 3), William Blake, 1827William BlakeThe Baffled Devils Fighting (Plate 3)1827Yale Center for British Art
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