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Kolekcje: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Ermitaż, Galeria Tretiakowska, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Luwr, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, Muzeum Sztuk Pięknych im. Puszkina w Moskwie, Muzeum Wiktorii i Alberta, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Państwowe Muzeum Rosyjskie, Państwowe Muzeum Sztuki w Kopenhadze, Rijksmuseum, Smithsonian American Art Museum and the Renwick Gallery, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Państwowy Katalog Zbiorów Muzealnych Rosji (274 muzea), Europeana (19 muzeów), Wikidata (44 muzea), Paris Musées (12 muzeów), Joconde, baza muzealna francuskiego Ministerstwa Kultury (495 muzeów) i Catalogo generale dei Beni Culturali włoskiego Ministerstwa Kultury (25 muzeów). Prawa do zdjęć należą do ich właścicieli.

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Europe a Prophecy; Title Page (Plate 2), William Blake, 1794William BlakeEurope a Prophecy; Title Page (Plate 2)1794Yale Center for British Art
Chapter IV, "Ages on ages roll'd over him..." (Plate 13), William Blake, 1794William BlakeChapter IV, "Ages on ages roll'd over him..." (Plate 13)1794Yale Center for British Art
Chapter IV, "Los smitten with astonishment..." (Plate 12), William Blake, 1794William BlakeChapter IV, "Los smitten with astonishment..." (Plate 12)1794Yale Center for British Art
"The Ox in the slaughter house moans..." (Plate 26), William Blake, 1794William Blake"The Ox in the slaughter house moans..." (Plate 26)1794Yale Center for British Art
A Woody Landscape, William Blake, ca. 1801William BlakeA Woody Landscapeca. 1801Yale Center for British Art
"But when they saw Albion fall'n..." (Plate 20), William Blake, 1804 to 1820William Blake"But when they saw Albion fall'n..." (Plate 20)1804 to 1820Yale Center for British Art
An Angel with a Trumpet, William Blake, between 1805 and 1808William BlakeAn Angel with a Trumpetbetween 1805 and 1808Yale Center for British Art
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5), William Blake, between 1797 and 1798William Blake"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)between 1797 and 1798Yale Center for British Art
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14), William Blake, 1794William Blake"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)1794Yale Center for British Art
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38, William Blake, 1819William BlakeSheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 381819Yale Center for British Art
"Albions Angel rose upon the Stone of Night..." (Plate 12), William Blake, 1794William Blake"Albions Angel rose upon the Stone of Night..." (Plate 12)1794Yale Center for British Art
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99), William Blake, between 1797 and 1798William Blake"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)between 1797 and 1798Yale Center for British Art
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113), William Blake, between 1797 and 1798William Blake"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)between 1797 and 1798Yale Center for British Art
Albion's Angel; Frontispiece (Plate 1), William Blake, 1793William BlakeAlbion's Angel; Frontispiece (Plate 1)1793Yale Center for British Art
Laughing Song (Plate 28), William Blake, 1789William BlakeLaughing Song (Plate 28)1789Yale Center for British Art
"At the chapel-door stand sentry... (Design 31), William Blake, between 1797 and 1798William Blake"At the chapel-door stand sentry... (Design 31)between 1797 and 1798Yale Center for British Art
"Silent as despairing love, and strong as jealousy..." (Plate 4), William Blake, 1793William Blake"Silent as despairing love, and strong as jealousy..." (Plate 4)1793Yale Center for British Art
Chapter II, "Muster around the bleak desarts..." (Plate 6), William Blake, 1794William BlakeChapter II, "Muster around the bleak desarts..." (Plate 6)1794Yale Center for British Art
Los Falls through Fire (Plate 21), William Blake, 1794William BlakeLos Falls through Fire (Plate 21)1794Yale Center for British Art
The Little Black Boy (Plate 30), William Blake, 1789William BlakeThe Little Black Boy (Plate 30)1789Yale Center for British Art
"O'er thy country hangs The scourge of Heav'n..." (Design 59), William Blake, between 1797 and 1798William Blake"O'er thy country hangs The scourge of Heav'n..." (Design 59)between 1797 and 1798Yale Center for British Art
The Laocoön, for Rees's Cyclopædia, William Blake, 1815William BlakeThe Laocoön, for Rees's Cyclopædia1815Yale Center for British Art
The Divine Image (Plate 24), William Blake, 1789William BlakeThe Divine Image (Plate 24)1789Yale Center for British Art
Study for a Destroying Deity, William Blake, 1820 to 1825William BlakeStudy for a Destroying Deity1820 to 1825Yale Center for British Art
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10), William Blake, 1793William Blake"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)1793Yale Center for British Art
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43), William Blake, between 1797 and 1798William Blake"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)between 1797 and 1798Yale Center for British Art
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4), William Blake, 1789William BlakeI, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)1789Yale Center for British Art
Praying Child and Howling Dog (Plate 25), William Blake, 1794William BlakePraying Child and Howling Dog (Plate 25)1794Yale Center for British Art
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61), William Blake, between 1797 and 1798William Blake"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)between 1797 and 1798Yale Center for British Art
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8), William Blake, 1789William BlakeIV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)1789Yale Center for British Art
Famine (Plate 8), William Blake, 1794William BlakeFamine (Plate 8)1794Yale Center for British Art
"In living creations appear'd..." (Plate 8), William Blake, 1794William Blake"In living creations appear'd..." (Plate 8)1794Yale Center for British Art
"We the reins to slaughter give..." (Design 73), William Blake, between 1797 and 1798William Blake"We the reins to slaughter give..." (Design 73)between 1797 and 1798Yale Center for British Art
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20), William Blake, 1794William BlakeChapter V, "Thus the Eternal Prophet was divided..." (Plate 20)1794Yale Center for British Art
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107), William Blake, between 1797 and 1798William BlakeThe plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)between 1797 and 1798Yale Center for British Art
Nurse's Song (Plate 22), William Blake, 1789William BlakeNurse's Song (Plate 22)1789Yale Center for British Art
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24), William Blake, 1794William BlakeChapter VIII, "Of life on his forsaken mountains..." (Plate 24)1794Yale Center for British Art
Epitaph on Mrs. Clarke; Title Page, William Blake, between 1797 and 1798William BlakeEpitaph on Mrs. Clarke; Title Pagebetween 1797 and 1798Yale Center for British Art
Songs of Innocence, Frontispiece (Plate 1), William Blake, 1789William BlakeSongs of Innocence, Frontispiece (Plate 1)1789Yale Center for British Art
The Prophetess Rising from Her Grave (Design 81), William Blake, between 1797 and 1798William BlakeThe Prophetess Rising from Her Grave (Design 81)between 1797 and 1798Yale Center for British Art
Urizen Swims through Dark Waters (Plate 7), William Blake, 1794William BlakeUrizen Swims through Dark Waters (Plate 7)1794Yale Center for British Art
Introduction (Plate 34), William Blake, 1794William BlakeIntroduction (Plate 34)1794Yale Center for British Art
"Hie thee hence, and boast at home..." (Design 85), William Blake, between 1797 and 1798William Blake"Hie thee hence, and boast at home..." (Design 85)between 1797 and 1798Yale Center for British Art
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21), William Blake, between 1797 and 1798William Blake"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)between 1797 and 1798Yale Center for British Art
"Cytherea's Day..." (Design 45), William Blake, between 1797 and 1798William Blake"Cytherea's Day..." (Design 45)between 1797 and 1798Yale Center for British Art
Five Visionary Heads of Women, William Blake, 1819 to 1820William BlakeFive Visionary Heads of Women1819 to 1820Yale Center for British Art
Chapter III, "As the stars are apart from the earth..." (Plate 9), William Blake, 1794William BlakeChapter III, "As the stars are apart from the earth..." (Plate 9)1794Yale Center for British Art
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65), William Blake, between 1797 and 1798William Blake"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)between 1797 and 1798Yale Center for British Art
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