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Kolekcje: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Ermitaż, Galeria Tretiakowska, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Luwr, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, Muzeum Sztuk Pięknych im. Puszkina w Moskwie, Muzeum Wiktorii i Alberta, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Państwowe Muzeum Rosyjskie, Państwowe Muzeum Sztuki w Kopenhadze, Rijksmuseum, Smithsonian American Art Museum and the Renwick Gallery, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Państwowy Katalog Zbiorów Muzealnych Rosji (274 muzea), Europeana (19 muzeów), Wikidata (44 muzea), Paris Musées (12 muzeów), Joconde, baza muzealna francuskiego Ministerstwa Kultury (495 muzeów) i Catalogo generale dei Beni Culturali włoskiego Ministerstwa Kultury (25 muzeów). Prawa do zdjęć należą do ich właścicieli.

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The Last Judgment, William Blake, c. 1809William BlakeThe Last Judgmentc. 1809National Gallery of Art
The Descent of Peace [recto], William Blake, c. 1815William BlakeThe Descent of Peace [recto]c. 1815National Gallery of Art
Sketch of a Swordsman Standing Over His Defeated Opponent [verso], William Blake, c. 1780/1785William BlakeSketch of a Swordsman Standing Over His Defeated Opponent [verso]c. 1780/1785National Gallery of Art
A Figure Ascending in a Glory of Clouds (?), William Blake, probably c. 1805William BlakeA Figure Ascending in a Glory of Clouds (?)probably c. 1805National Gallery of Art
Queen Katherine's Dream, William Blake, c. 1825William BlakeQueen Katherine's Dreamc. 1825National Gallery of Art
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5), William Blake, 1793William BlakeA Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)1793Yale Center for British Art
The Bard Singing Owen's Praise (Design 89), William Blake, between 1797 and 1798William BlakeThe Bard Singing Owen's Praise (Design 89)between 1797 and 1798Yale Center for British Art
The First Book of Urizen; Title Page (Plate 1), William Blake, 1794William BlakeThe First Book of Urizen; Title Page (Plate 1)1794Yale Center for British Art
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25), William Blake, between 1797 and 1798William Blake"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)between 1797 and 1798Yale Center for British Art
Elizabeth. "Girt with many a Baron bold..." (Design 63), William Blake, between 1797 and 1798William BlakeElizabeth. "Girt with many a Baron bold..." (Design 63)between 1797 and 1798Yale Center for British Art
"Albion thy fear has made me tremble..." (Plate 22), William Blake, 1804 to 1820William Blake"Albion thy fear has made me tremble..." (Plate 22)1804 to 1820Yale Center for British Art
"From every-one of the Four Regions..." (Plate 18), William Blake, 1804 to 1820William Blake"From every-one of the Four Regions..." (Plate 18)1804 to 1820Yale Center for British Art
Sketch for the Title-Page of the Engraved Illustrations to the Book of Job, William Blake, c. 1823/1826William BlakeSketch for the Title-Page of the Engraved Illustrations to the Book of Jobc. 1823/1826National Gallery of Art
Two Legs, William Blake, probably 1805/1810William BlakeTwo Legsprobably 1805/1810National Gallery of Art
"And Saul Said unto David, Go, and the Lord be with Thee" [recto], William Blake, c. 1780/1785William Blake"And Saul Said unto David, Go, and the Lord be with Thee" [recto]c. 1780/1785National Gallery of Art
Saint Augustine Converting King Ethelbert of Kent, William Blake, probably c. 1793William BlakeSaint Augustine Converting King Ethelbert of Kentprobably c. 1793National Gallery of Art
Wat Tyler's Daughter, William Blake, c. 1819William BlakeWat Tyler's Daughterc. 1819National Gallery of Art
"Appear to the Americans upon the cloudy night..." (Plate 6), William Blake, 1793William Blake"Appear to the Americans upon the cloudy night..." (Plate 6)1793Yale Center for British Art
A Long Story; Title Page, William Blake, between 1797 and 1798William BlakeA Long Story; Title Pagebetween 1797 and 1798Yale Center for British Art
Sealing the Stone and Setting a Watch, William Blake, 1800 to 1803William BlakeSealing the Stone and Setting a Watch1800 to 1803Yale Center for British Art
America, A Prophecy; Title Page (Plate 2), William Blake, 1793William BlakeAmerica, A Prophecy; Title Page (Plate 2)1793Yale Center for British Art
"Him the dog of darkness spied..." (Design 79), William Blake, between 1797 and 1798William Blake"Him the dog of darkness spied..." (Design 79)between 1797 and 1798Yale Center for British Art
"In thoughts perturb'd they rose..." (Plate 11), William Blake, 1794William Blake"In thoughts perturb'd they rose..." (Plate 11)1794Yale Center for British Art
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3), William Blake, 1794William BlakePreludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)1794Yale Center for British Art
The Descent of the Angels to One of the Daughters of Men, William Blake, c. 1824/1827William BlakeThe Descent of the Angels to One of the Daughters of Menc. 1824/1827National Gallery of Art
Group of Men Seated in a Circle [recto], William Blake, c. 1780/1785William BlakeGroup of Men Seated in a Circle [recto]c. 1780/1785National Gallery of Art
The Great Red Dragon and the Woman Clothed with the Sun, William Blake, c. 1805William BlakeThe Great Red Dragon and the Woman Clothed with the Sunc. 1805National Gallery of Art
The Daughter of Men Becomes a Siren, William Blake, c. 1824/1827William BlakeThe Daughter of Men Becomes a Sirenc. 1824/1827National Gallery of Art
King Canute, William Blake, c. 1819/1820William BlakeKing Canutec. 1819/1820National Gallery of Art
The Bard, A Pindaric Ode; Title Page, William Blake, between 1797 and 1798William BlakeThe Bard, A Pindaric Ode; Title Pagebetween 1797 and 1798Yale Center for British Art
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7), William Blake, 1789William BlakeIII, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)1789Yale Center for British Art
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8), William Blake, 1793William Blake"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)1793Yale Center for British Art
"Hurry, hurry, to the field!" Design 75), William Blake, between 1797 and 1798William Blake"Hurry, hurry, to the field!" Design 75)between 1797 and 1798Yale Center for British Art
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5), William Blake, 1794William BlakeChapter I, "Lo, a shadow of horror is risen..." (Plate 5)1794Yale Center for British Art
Ode on a Distant Prospect of Eton College; Title Page, William Blake, between 1797 and 1798William BlakeOde on a Distant Prospect of Eton College; Title Pagebetween 1797 and 1798Yale Center for British Art
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2), William Blake, 1794William BlakePreludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)1794Yale Center for British Art
Lady Torrens and Family, William Blake after John Linnell, c. 1825William BlakeLady Torrens and Familyc. 1825National Gallery of Art
A Crouching Figure Holding a Shield [verso], William Blake, probably c. 1793William BlakeA Crouching Figure Holding a Shield [verso]probably c. 1793National Gallery of Art
The Belvedere Torso [verso], William Blake, probably c. 1779/1780William BlakeThe Belvedere Torso [verso]probably c. 1779/1780National Gallery of Art
Queen Katherine's Dream [recto], William Blake after Henry Fuseli, c. 1804William BlakeQueen Katherine's Dream [recto]c. 1804National Gallery of Art
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4), William Blake, 1794William Blake"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)1794Yale Center for British Art
Thomas Alphonso Hayley, Half-Length Drawing, William Blake, ca. 1800William BlakeThomas Alphonso Hayley, Half-Length Drawingca. 1800Yale Center for British Art
"The red limb'd Angel siez'd in horror and torment..." (Plate 15), William Blake, 1794William Blake"The red limb'd Angel siez'd in horror and torment..." (Plate 15)1794Yale Center for British Art
"Los howld in a dismal stupor..." (Plate 10), William Blake, 1794William Blake"Los howld in a dismal stupor..." (Plate 10)1794Yale Center for British Art
Satan Approaching the Court of Chaos, William Blake, 1784 to 1785William BlakeSatan Approaching the Court of Chaos1784 to 1785Yale Center for British Art
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33), William Blake, between 1797 and 1798William Blake"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)between 1797 and 1798Yale Center for British Art
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6), William Blake, 1789William BlakeIII. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)1789Yale Center for British Art
The Bard Weaving Edwards Fate (Design 55), William Blake, between 1797 and 1798William BlakeThe Bard Weaving Edwards Fate (Design 55)between 1797 and 1798Yale Center for British Art
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