Minerva, Parmigianino, prima metà sec. XVI
Parmigianino, portretParmigianinoWłochy, 1503–1540

Minerva

prima metà sec. XVI · Drawing

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Gdzie jest teraz „Minerva”? Kolekcja: Gallerie dell’Accademia, Wenecja. Nie wiadomo, czy jest dziś na wystawie.

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O dziele

Tekst muzeum, język: włoski

Dal Selvatico (1854) riferito al Tibaldi. Per primo, il Venturi (1910) ha suggerito il nome del Parmigianino. Il Popham 81971) lo considera del secondo periodo parmense dell'attività del Maestro e ricorda altre due repliche con lievi varianti: una a Parigi (Louvre, inv. 6439; Popham 1971, p. 157, n. 477; III, tav. 393) a matita rossa, l'altra a New York (Collezione Krautheimer; cfr. Italian Master Drawings from the Collection og Mrs. Richard Krautheimer, Exhibition catalogue, 1966, n. 4, riprodotto), più vicina alla tecnica del foglio in esame. Una terza replica, con la Dea descritta di profilo rivolta a destra, è agli Uffizi (inv. 13590F; popham 1971, p. 73, n. 104; III, tav. 394)

Gallerie dell’Accademia

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Numer inwentarzowy
502

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  • Gallerie dell’Accademia
  • Zdjęcie: Gallerie dell’Accademia — di Venezia · Beni Culturali Standard (BCS) · Catalogo generale dei Beni Culturali (ICCD – MiC)

Z życia: Parmigianino

Cały życiorys
  1. 11 stycznia 1503

    Born

  2. summer 1524

    Travels to Rome with his uncles

    According to Vasari, on hearing Raphael and Michelangelo praised, Francesco longed to see Rome; his uncles approved and advised him to take some of his works to open doors to the lords and artists there. They arrived in Rome in the summer of 1524, and Parmigianino presented several paintings to Pope Clement VII, among them the “Self-Portrait in a Convex Mirror” painted on a wooden hemisphere.

  3. 1527

    The Sack of Rome finds him at work

    During the Sack of Rome by the landsknechts of Emperor Charles V, soldiers burst into the studio where Parmigianino was painting “The Vision of Saint Jerome” but harmed neither the pictures nor the artist. Soon, however, he had to abandon his lodgings and Rome, and he left the altarpiece with the church of Santa Maria della Pace.

  4. 1531

    Commissioned to decorate Santa Maria della Steccata

    In May 1531 Parmigianino was commissioned to fresco the church of Santa Maria della Steccata in praise of the Virgin, with the Coronation as the main scene, and undertook to finish within eighteen months; the work stalled again and again over irregular supplies and the church administration's dislike of his unusual design. Other accounts say the commission was for two altarpieces, of Saint Joseph and Saint John the Baptist. The confraternity advanced him a salary.

  5. 1539

    Jailed for breach of contract

    Absorbed in alchemy (Vasari says the elegant, handsome man turned into a bearded, unkempt, almost savage recluse), the artist did little work in the church, and the Steccata confraternity, which had paid him in advance, had him imprisoned for two months. Released on his promise to finish the work, he again failed to keep it and fled Parma for the small town of Casalmaggiore.

  6. 24 sierpnia 1540

    Died

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