ART WIKI
Washington Allston — portret

Stany Zjednoczone · 1779–1843

Washington Allston

Washington Allston: gdzie dziś zobaczyć dzieła. Na wystawie: 1, najwięcej w miastach —. Dzieła w katalogu: 292; kolekcje: 8. Sprawdzono 9 listopada 2026.

Painter, poet and novelist, Washington Allston (1779–1843) was born on a rice plantation near Georgetown and studied at Harvard College. In 1818 he came back to the United States and settled in Cambridge, Massachusetts, where he died and was buried. Museums hold close to 290 of his paintings and drawings, the Museum of Fine Arts, Boston, the Smithsonian American Art Museum and Yale first among them. Rising of a Thunderstorm at Sea and Landscape with a Lake both date from 1804. One of them is in a gallery today.

Pytania

Washington Allston: gdzie można dziś zobaczyć dzieła?
Na wystawie: 1 dzieło. Sprawdzono 9 listopada 2026.
Washington Allston: które muzeum ma najwięcej dzieł?
Najwięcej w naszym katalogu ma Harvard Art Museums: 266 dzieł.
Washington Allston: ile dzieł jest w zbiorach muzealnych?
Dzieła w naszym katalogu: 292. Kolekcje muzealne: 8. Kraje: 1.
Washington Allston: lata życia?
Rok urodzenia: 1779. Rok śmierci: 1843. Narodowość: Stany Zjednoczone.
WszystkieNa wystawie · 1W zbiorachNiepewne
Samuel Williams, Washington Allston, c. 1817

Samuel Williams

c. 1817 · Cleveland Museum of Art

The Angel Releasing St. Peter from Prison, Washington Allston

The Angel Releasing St. Peter from Prison

Museum of Fine Arts w Bostonie

Landscape with a Lake, Washington Allston, 1804

Landscape with a Lake

1804 · Museum of Fine Arts w Bostonie

Rising of a Thunderstorm at Sea, Washington Allston, 1804

Rising of a Thunderstorm at Sea

1804 · Museum of Fine Arts w Bostonie

Composition with Four Figures [recto and verso], Attributed to Washington Allston, c. 1805

Composition with Four Figures [recto and verso]

c. 1805 · Poza wystawą · National Gallery of Art

Self Portrait, Washington Allston, 1805

Self Portrait

1805 · Museum of Fine Arts w Bostonie

Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew"), Washington Allston, 1809

Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew")

1809 · Philadelphia Museum of Art

Portrait of a Man, Washington Allston, c. 1810

Portrait of a Man

c. 1810 · Poza wystawą · National Gallery of Art

William Ellery Channing, Washington Allston, 1811

William Ellery Channing

1811 · Museum of Fine Arts w Bostonie

The Poor Author and the Rich Bookseller, Washington Allston, 1811

The Poor Author and the Rich Bookseller

1811 · Museum of Fine Arts w Bostonie

Donna Mencia in the Robber's Cavern, Washington Allston, 1815

Donna Mencia in the Robber's Cavern

1815 · Museum of Fine Arts w Bostonie

Head of a Jew, Washington Allston, 1817

Head of a Jew

1817 · Museum of Fine Arts w Bostonie

Study for Belshazzar's Feast, Washington Allston, 1817

Study for Belshazzar's Feast

1817 · Museum of Fine Arts w Bostonie

Belshazzar's Feast, Washington Allston, 1817

Belshazzar's Feast

1817 · Detroit Institute of Arts

Elijah in the Desert, Washington Allston, 1818

Elijah in the Desert

1818 · Museum of Fine Arts w Bostonie

A Landscape after Sunset, Washington Allston, c. 1819

A Landscape after Sunset

c. 1819 · Poza wystawą · National Gallery of Art

Beatrice, Washington Allston, 1819

Beatrice

1819 · Museum of Fine Arts w Bostonie

Moonlight, Washington Allston, 1819

Moonlight

1819 · Museum of Fine Arts w Bostonie

Flight to Egypt at Night, Washington Allston, ca. 1819–25

Flight to Egypt at Night

ca. 1819–25 · Poza wystawą · Yale University Art Gallery

Italian Shepherd Boy, Washington Allston, 1819

Italian Shepherd Boy

1819 · Detroit Institute of Arts

The Flight of Florimell, Washington Allston, 1819

The Flight of Florimell

1819 · Detroit Institute of Arts

Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe, Washington Allston, 1820

Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe

1820 · Poza wystawą · Yale University Art Gallery

Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe, study, Washington Allston, ca. 1820

Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe, study

ca. 1820 · Poza wystawą · Yale University Art Gallery

Landscape, American Scenery: Time, Afternoon, with a Southwest Haze, Washington Allston, 1835

Landscape, American Scenery: Time, Afternoon, with a Southwest Haze

1835 · Museum of Fine Arts w Bostonie

Ship in a Squall, Seth Wells Cheney and John Cheney after Washington Allston, c. 1840s

Ship in a Squall

c. 1840s · Poza wystawą · National Gallery of Art

The Buck's Progress III: A Midnight Fray with Watchmen, Washington Allston, 1796

The Buck's Progress III: A Midnight Fray with Watchmen

1796 · Poza wystawą · Harvard Art Museums

Mensuration: Drawing to Illustrate a Geometry Problem (IV), Washington Allston, c. 1796-1800

Mensuration: Drawing to Illustrate a Geometry Problem (IV)

c. 1796-1800 · Poza wystawą · Harvard Art Museums

The Buck's Progress II: A Beau in his Dressing Room, Washington Allston, 1796

The Buck's Progress II: A Beau in his Dressing Room

1796 · Poza wystawą · Harvard Art Museums

The Buck's Progress I: The Introduction of a Country Lad to a Club of Town Bucks, Washington Allston, 1796

The Buck's Progress I: The Introduction of a Country Lad to a Club of Town Bucks

1796 · Poza wystawą · Harvard Art Museums

Head in profile and indecipherable marks, Washington Allston, c. 1796-1797

Head in profile and indecipherable marks

c. 1796-1797 · Poza wystawą · Harvard Art Museums

Mensuration, Problem VI, Washington Allston, c. 1797-1799

Mensuration, Problem VI

c. 1797-1799 · Poza wystawą · Harvard Art Museums

Street Fight at Night with Man Holding Candlestick, Washington Allston, 1797 - 1800

Street Fight at Night with Man Holding Candlestick

1797 - 1800 · Poza wystawą · Harvard Art Museums

Self-Portrait, Washington Allston, c. 1798-1800

Self-Portrait

c. 1798-1800 · Poza wystawą · Harvard Art Museums

Sketches of Napoleon, President Willard, and Mrs. Timothy Waterhouse, Washington Allston, 1798 - 1799

Sketches of Napoleon, President Willard, and Mrs. Timothy Waterhouse

1798 - 1799 · Poza wystawą · Harvard Art Museums

Two Riders and Four Men on Foot, Washington Allston, 1798 - 1800

Two Riders and Four Men on Foot

1798 - 1800 · Poza wystawą · Harvard Art Museums

Hero: Male Figure in Costume, illustration for the poem "Modern Sublimity", Washington Allston, 1799

Hero: Male Figure in Costume, illustration for the poem "Modern Sublimity"

1799 · Poza wystawą · Harvard Art Museums

Old Man Resting against a Rock, Washington Allston, c. 1799-1800

Old Man Resting against a Rock

c. 1799-1800 · Poza wystawą · Harvard Art Museums

Trial Strokes, Washington Allston, 19th century

Trial Strokes

19th century · Poza wystawą · Harvard Art Museums

Trial Strokes, Washington Allston, 19th century

Trial Strokes

19th century · Poza wystawą · Harvard Art Museums

Oval Landscape: Trees and Bridge, Washington Allston, c. 1800

Oval Landscape: Trees and Bridge

c. 1800 · Poza wystawą · Harvard Art Museums

Oval Landscape: Hunter with Rifle before a House and Fence, Washington Allston, c. 1800

Oval Landscape: Hunter with Rifle before a House and Fence

c. 1800 · Poza wystawą · Harvard Art Museums

Skeleton; Three Male Heads; verso: Profile Head; Perspective Exercise, Washington Allston, c. 1801-1803

Skeleton; Three Male Heads; verso: Profile Head; Perspective Exercise

c. 1801-1803 · Poza wystawą · Harvard Art Museums

Figures around a Table, for "Falstaff Enlisting..."; Group of Frightened Figures, Washington Allston, 1801 - 1811

Figures around a Table, for "Falstaff Enlisting..."; Group of Frightened Figures

1801 - 1811 · Poza wystawą · Harvard Art Museums

Deathbed Scene: Seven Figures Placed Around a Dead Woman (recto and verso), Washington Allston, 1801 - 1803

Deathbed Scene: Seven Figures Placed Around a Dead Woman (recto and verso)

1801 - 1803 · Poza wystawą · Harvard Art Museums

Study from the Antique Sculpture of "Laocoön", Washington Allston, c. 1801

Study from the Antique Sculpture of "Laocoön"

c. 1801 · Poza wystawą · Harvard Art Museums

Elevation of a façade with double columns (half drawing), Washington Allston, 1803 - 1805?

Elevation of a façade with double columns (half drawing)

1803 - 1805? · Poza wystawą · Harvard Art Museums

Mill on a Rocky Hill with Waterfall and Pool, Washington Allston, c. 1804-1806

Mill on a Rocky Hill with Waterfall and Pool

c. 1804-1806 · Poza wystawą · Harvard Art Museums

Nude Boy Seated on a Block, for "Italian Shepherd Boy", Washington Allston, c. 1804-1808

Nude Boy Seated on a Block, for "Italian Shepherd Boy"

c. 1804-1808 · Poza wystawą · Harvard Art Museums

Tree Beside a Path, Washington Allston, c. 1804

Tree Beside a Path

c. 1804 · Poza wystawą · Harvard Art Museums

Tree and Grass, Washington Allston, 1804 - 1805

Tree and Grass

1804 - 1805 · Poza wystawą · Harvard Art Museums

Fern, Blackberry and Smartweed; verso: Ceiling, for "Belshazzar's Feast", Washington Allston, c. 1804

Fern, Blackberry and Smartweed; verso: Ceiling, for "Belshazzar's Feast"

c. 1804 · Poza wystawą · Harvard Art Museums

Tree with Rocks and Plants in Foreground, Washington Allston, c. 1804

Tree with Rocks and Plants in Foreground

c. 1804 · Poza wystawą · Harvard Art Museums

Landscape with Trees; verso: Woman Seated at the Base of a Tree, for "Una", Washington Allston, 1804 - 1808

Landscape with Trees; verso: Woman Seated at the Base of a Tree, for "Una"

1804 - 1808 · Poza wystawą · Harvard Art Museums

Mount Burgos, Washington Allston, c. 1804

Mount Burgos

c. 1804 · Poza wystawą · Harvard Art Museums

Standing Female Nude with Block, Washington Allston, c. 1804-1808

Standing Female Nude with Block

c. 1804-1808 · Poza wystawą · Harvard Art Museums

Standing Full-Length Female Nude, Washington Allston, c. 1804-1806

Standing Full-Length Female Nude

c. 1804-1806 · Poza wystawą · Harvard Art Museums

Mount Pilat, Switzerland; verso: Mont Blanc, Washington Allston, c. 1804

Mount Pilat, Switzerland; verso: Mont Blanc

c. 1804 · Poza wystawą · Harvard Art Museums

Rocky Cliff with Two Trees, Washington Allston, c. 1804

Rocky Cliff with Two Trees

c. 1804 · Poza wystawą · Harvard Art Museums

Female Nude Leaning on a Block, Washington Allston, c. 1804-1806

Female Nude Leaning on a Block

c. 1804-1806 · Poza wystawą · Harvard Art Museums

Mountain, Washington Allston, 1804

Mountain

1804 · Poza wystawą · Harvard Art Museums

Rear View of a Standing Male Nude Leaning on a Block, Washington Allston, 1805 - 1806

Rear View of a Standing Male Nude Leaning on a Block

1805 - 1806 · Poza wystawą · Harvard Art Museums

Barking Dog; verso: Walking Male Figure Carrying a Flag over his Shoulder, Washington Allston, c. 1805-1808

Barking Dog; verso: Walking Male Figure Carrying a Flag over his Shoulder

c. 1805-1808 · Poza wystawą · Harvard Art Museums

Study of a Seated Female Nude, Washington Allston, 1805 - 1806

Study of a Seated Female Nude

1805 - 1806 · Poza wystawą · Harvard Art Museums

Profile View of a Nude Youth Seated on a Block, Washington Allston, 1805 - 1806

Profile View of a Nude Youth Seated on a Block

1805 - 1806 · Poza wystawą · Harvard Art Museums

Diana on a Chase, Washington Allston, 1805

Diana on a Chase

1805 · Poza wystawą · Harvard Art Museums

Left Arm Study, Washington Allston, 1805 - 1806

Left Arm Study

1805 - 1806 · Poza wystawą · Harvard Art Museums

Samuel Taylor Coleridge (1772 - 1834), Washington Allston, 1805 - 1806

Samuel Taylor Coleridge (1772 - 1834)

1805 - 1806 · Poza wystawą · Harvard Art Museums

Rear View of Half-Length Male Nude, Washington Allston, 1806 - 1807

Rear View of Half-Length Male Nude

1806 - 1807 · Poza wystawą · Harvard Art Museums

Figures in Profile; Male Nude; Two Heads; verso: Flying Figures, Washington Allston, 1806 - 1807

Figures in Profile; Male Nude; Two Heads; verso: Flying Figures

1806 - 1807 · Poza wystawą · Harvard Art Museums

Nude Youth Seated on a Block, for "Italian Shepherd Boy;" verso: Male Nude, Washington Allston, c. 1806

Nude Youth Seated on a Block, for "Italian Shepherd Boy;" verso: Male Nude

c. 1806 · Poza wystawą · Harvard Art Museums

Front View of a Standing Male Nude, Washington Allston, 1806 - 1807

Front View of a Standing Male Nude

1806 - 1807 · Poza wystawą · Harvard Art Museums

Samuel Taylor Coleridge (1772-1834), Washington Allston, 1806

Samuel Taylor Coleridge (1772-1834)

1806 · Poza wystawą · Harvard Art Museums

Chandelier in Plan, Elevation, and Perspective, Washington Allston, c. 1806

Chandelier in Plan, Elevation, and Perspective

c. 1806 · Poza wystawą · Harvard Art Museums

Barking Dog in Profile, study for "Falstaff Enlisting his Ragged Regiment...", Washington Allston, c. 1806

Barking Dog in Profile, study for "Falstaff Enlisting his Ragged Regiment..."

c. 1806 · Poza wystawą · Harvard Art Museums

Studies of Two Male Nudes, Washington Allston, c. 1806

Studies of Two Male Nudes

c. 1806 · Poza wystawą · Harvard Art Museums

Rear View of a Standing Nude Male with Sword and Staff, Washington Allston, 1806 - 1807

Rear View of a Standing Nude Male with Sword and Staff

1806 - 1807 · Poza wystawą · Harvard Art Museums

Studies of Three Women and Two Children, for "Jason Returning...", Washington Allston, c. 1807

Studies of Three Women and Two Children, for "Jason Returning..."

c. 1807 · Poza wystawą · Harvard Art Museums

Study for "Jason Returning to Demand His Father's Kingdom", Washington Allston, c. 1807-1808

Study for "Jason Returning to Demand His Father's Kingdom"

c. 1807-1808 · Poza wystawą · Harvard Art Museums

Bearded Man with a Stick, for "Jason Returning to Demand his Father's Kingdom", Washington Allston, c. 1807

Bearded Man with a Stick, for "Jason Returning to Demand his Father's Kingdom"

c. 1807 · Poza wystawą · Harvard Art Museums

Study of a Man with a Cape, for "Casket Scene;" verso: Pigeon Studies, Washington Allston, c. 1807

Study of a Man with a Cape, for "Casket Scene;" verso: Pigeon Studies

c. 1807 · Poza wystawą · Harvard Art Museums

Three Men Talking, for "Jason Returning...", Washington Allston, c. 1807-1808

Three Men Talking, for "Jason Returning..."

c. 1807-1808 · Poza wystawą · Harvard Art Museums

Seated Woman in Classical Pose, Study for "Jason Returning to Demand His father's Kingdom", Washington Allston, c. 1807

Seated Woman in Classical Pose, Study for "Jason Returning to Demand His father's Kingdom"

c. 1807 · Poza wystawą · Harvard Art Museums

Interior with Columns, Archway and Steps, for "Dido and Anna", Washington Allston, c. 1808

Interior with Columns, Archway and Steps, for "Dido and Anna"

c. 1808 · Poza wystawą · Harvard Art Museums

Two Half-Length Studies of Women; Head in Profile, for "Dido and Anna", Washington Allston, 1808 - 1813

Two Half-Length Studies of Women; Head in Profile, for "Dido and Anna"

1808 - 1813 · Poza wystawą · Harvard Art Museums

Figures for "Dido and Anna;" verso: Sketches for the Queen in "Belshazzar...", Washington Allston, 1808 - 1813

Figures for "Dido and Anna;" verso: Sketches for the Queen in "Belshazzar..."

1808 - 1813 · Poza wystawą · Harvard Art Museums

Head of Dido, for "Dido and Anna", Washington Allston, 1808

Head of Dido, for "Dido and Anna"

1808 · Poza wystawą · Harvard Art Museums

Head of a Woman, for "The Valentine", Washington Allston, 1809 - 1811

Head of a Woman, for "The Valentine"

1809 - 1811 · Poza wystawą · Harvard Art Museums

Two Studies of a Hand Holding a Letter, for "The Valentine", Washington Allston, 1809 - 1811

Two Studies of a Hand Holding a Letter, for "The Valentine"

1809 - 1811 · Poza wystawą · Harvard Art Museums

Ann Channing Allston, for "The Valentine", Washington Allston, 1809 - 1811

Ann Channing Allston, for "The Valentine"

1809 - 1811 · Poza wystawą · Harvard Art Museums

Five Hand Studies, for "Dead Man Revived..."; verso: Striding Male Figure, Washington Allston, 1811 - 1813

Five Hand Studies, for "Dead Man Revived..."; verso: Striding Male Figure

1811 - 1813 · Poza wystawą · Harvard Art Museums

Male Head in Profile; Arm, for "Dead Man Revived..."; verso: Three Heads and Arm, Washington Allston, 1811 - 1813

Male Head in Profile; Arm, for "Dead Man Revived..."; verso: Three Heads and Arm

1811 - 1813 · Poza wystawą · Harvard Art Museums

Head of an Old Man, for "Dead Man Revived..."; verso: Drapery Study, Washington Allston, 1811 - 1813

Head of an Old Man, for "Dead Man Revived..."; verso: Drapery Study

1811 - 1813 · Poza wystawą · Harvard Art Museums

Partial Drapery Study, Washington Allston, 1811 - 1820

Partial Drapery Study

1811 - 1820 · Poza wystawą · Harvard Art Museums

Bent Right Leg, for "Dead Man Revived...", Washington Allston, 1811 - 1813

Bent Right Leg, for "Dead Man Revived..."

1811 - 1813 · Poza wystawą · Harvard Art Museums

Study of a Right Leg; verso: Shoulders, Arm and Hand for "Dead Man Revived", Washington Allston, 1811 - 1813

Study of a Right Leg; verso: Shoulders, Arm and Hand for "Dead Man Revived"

1811 - 1813 · Poza wystawą · Harvard Art Museums

Figures Looking over a Ledge; Heads; Figure Study; verso: Hands, Legs, Figure, Washington Allston, 1811 - 1813

Figures Looking over a Ledge; Heads; Figure Study; verso: Hands, Legs, Figure

1811 - 1813 · Poza wystawą · Harvard Art Museums