Stany Zjednoczone, Wielka Brytania · 1808–1888
John Rogers
John Rogers: gdzie zobaczyć dzieła. Dzieła w katalogu: 40; kolekcje: 7. Żadne nie ma dziś potwierdzonej obecności na wystawie.
John Rogers (1808–1888) was a British printmaker who died in New York. His museum prints include portraits of Hugh Latimer, George III and Cornelis van der Geest. An Old Man with a Letter is dated 1826, while The Immigrant, also titled Die Auswanderer, dates from about 1852.
- 40w katalogu
- 0teraz na wystawie
- 7kolekcji
- 2kraje
Pytania
- John Rogers: które muzeum ma najwięcej dzieł?
- Najwięcej w naszym katalogu ma Smithsonian American Art Museum and the Renwick Gallery: 27 dzieł.
- John Rogers: ile dzieł jest w zbiorach muzealnych?
- Dzieła w naszym katalogu: 40. Kolekcje muzealne: 7. Kraje: 2.
- John Rogers: lata życia?
- Rok urodzenia: 1808. Rok śmierci: 1888. Narodowość: Stany Zjednoczone, Wielka Brytania.

Portret van Hugh Latimer
1818 - 1888 · Rijksmuseum

Portret van Lodewijk Filips I, koning van Frankrijk
1821 - 1877 · Rijksmuseum

Portret van George III
1824 · Rijksmuseum

Oude man met brief
1826 · Rijksmuseum

Portret van Cornelis van der Geest
1830 - 1836 · Rijksmuseum

Die Auswanderer (The Immigrant)
ca. 1852 · Yale University Art Gallery

Entrance to the Archiepiscopal Palace, at Bishopthorpe (published by I. T. Hinton); page 34 (Volume One)
Yale Center for British Art

Heaving up His Majesty's Frigate 'Diana' at Blackburn's Yard, near Plymouth
1813 · Poza wystawą · Yale Center for British Art

Henry Fuseli, Esq. R. A.
1834 · Yale Center for British Art

Alice Carey
about 1850–1871 · Poza wystawą · J. Paul Getty Museum
"Is It So Nominated in the Bond?"
patented 1860 · Smithsonian American Art Museum and the Renwick Gallery
The Picket Guard
1862 · Smithsonian American Art Museum and the Renwick Gallery
The Town Pump
1862 · Smithsonian American Art Museum and the Renwick Gallery
The Wounded Scout, a Friend in the Swamp
patented 1864 · Smithsonian American Art Museum and the Renwick Gallery
Wounded to the Rear, One More Shot
patented 1865 · Smithsonian American Art Museum and the Renwick Gallery
Taking the Oath and Drawing Rations
modeled 1865, patented 1866 · Smithsonian American Art Museum and the Renwick Gallery
Wounded to the Rear/One More Shot
1865 · Smithsonian American Art Museum and the Renwick Gallery

Taking the Oath and Drawing Rations
1865 · Poza wystawą · Harvard Art Museums
Generals Confederate Army No. 1
1866 · National Portrait Gallery
Generals Confederate Army No. 2
1866 · National Portrait Gallery
The Council of War
1868 · Smithsonian American Art Museum and the Renwick Gallery
Coming to the Parson
patented 1870 · Smithsonian American Art Museum and the Renwick Gallery
The Tap on the Window
1870s · Smithsonian American Art Museum and the Renwick Gallery
Rip Van Winkle at Home
1871 · Smithsonian American Art Museum and the Renwick Gallery
Playing Doctor
1872 · Smithsonian American Art Museum and the Renwick Gallery
The Council of War
modeled ca. 1873 · Smithsonian American Art Museum and the Renwick Gallery
Going for the Cows
1873 · Smithsonian American Art Museum and the Renwick Gallery
The Favored Scholar
patented 1873 · Smithsonian American Art Museum and the Renwick Gallery
Checkers up at the Farm
patented 1875 · Smithsonian American Art Museum and the Renwick Gallery
The Elder's Daughter
patented 1877 · Smithsonian American Art Museum and the Renwick Gallery
School Days
1877 · Smithsonian American Art Museum and the Renwick Gallery
The Peddler at the Fair
1878 · Smithsonian American Art Museum and the Renwick Gallery
Private Theatricals/Last Moments behind the Scenes
1878 · Smithsonian American Art Museum and the Renwick Gallery
The Balcony
1879 · Smithsonian American Art Museum and the Renwick Gallery
The Wrestlers
modeled 1881 · Smithsonian American Art Museum and the Renwick Gallery
"Ha! I Like Not That"
patented 1882 · Smithsonian American Art Museum and the Renwick Gallery
Neighboring Pews
1883 · Smithsonian American Art Museum and the Renwick Gallery
Neighboring Pews
1883 · Smithsonian American Art Museum and the Renwick Gallery
A Matter of Opinion
1884 · Smithsonian American Art Museum and the Renwick Gallery
"Why Don't You Speak for Yourself, John?"
patented 1885 · Smithsonian American Art Museum and the Renwick Gallery