Stany Zjednoczone, Wielka Brytania · 1808–1888

John Rogers

John Rogers: gdzie zobaczyć dzieła. Dzieła w katalogu: 40; kolekcje: 7. Żadne nie ma dziś potwierdzonej obecności na wystawie.

John Rogers (1808–1888) was a British printmaker who died in New York. His museum prints include portraits of Hugh Latimer, George III and Cornelis van der Geest. An Old Man with a Letter is dated 1826, while The Immigrant, also titled Die Auswanderer, dates from about 1852.

Pytania

John Rogers: które muzeum ma najwięcej dzieł?
Najwięcej w naszym katalogu ma Smithsonian American Art Museum and the Renwick Gallery: 27 dzieł.
John Rogers: ile dzieł jest w zbiorach muzealnych?
Dzieła w naszym katalogu: 40. Kolekcje muzealne: 7. Kraje: 2.
John Rogers: lata życia?
Rok urodzenia: 1808. Rok śmierci: 1888. Narodowość: Stany Zjednoczone, Wielka Brytania.
Portret van Hugh Latimer, John Rogers, 1818 - 1888

Portret van Hugh Latimer

1818 - 1888 · Rijksmuseum

Portret van Lodewijk Filips I, koning van Frankrijk, John Rogers, 1821 - 1877

Portret van Lodewijk Filips I, koning van Frankrijk

1821 - 1877 · Rijksmuseum

Portret van George III, John Rogers, 1824

Portret van George III

1824 · Rijksmuseum

Oude man met brief, John Rogers, 1826

Oude man met brief

1826 · Rijksmuseum

Portret van Cornelis van der Geest, John Rogers, 1830 - 1836

Portret van Cornelis van der Geest

1830 - 1836 · Rijksmuseum

Die Auswanderer (The Immigrant), John Rogers, ca. 1852

Die Auswanderer (The Immigrant)

ca. 1852 · Yale University Art Gallery

Entrance to the Archiepiscopal Palace, at Bishopthorpe (published by I. T. Hinton); page 34 (Volume One), John Rogers

Entrance to the Archiepiscopal Palace, at Bishopthorpe (published by I. T. Hinton); page 34 (Volume One)

Yale Center for British Art

Heaving up His Majesty's Frigate 'Diana' at Blackburn's Yard, near Plymouth, John Rogers, 1813

Heaving up His Majesty's Frigate 'Diana' at Blackburn's Yard, near Plymouth

1813 · Poza wystawą · Yale Center for British Art

Henry Fuseli, Esq. R. A., John Rogers, 1834

Henry Fuseli, Esq. R. A.

1834 · Yale Center for British Art

Alice Carey, John Rogers, about 1850–1871

Alice Carey

about 1850–1871 · Poza wystawą · J. Paul Getty Museum

"Is It So Nominated in the Bond?", John Rogers, patented 1860

"Is It So Nominated in the Bond?"

patented 1860 · Smithsonian American Art Museum and the Renwick Gallery

The Picket Guard, John Rogers, 1862

The Picket Guard

1862 · Smithsonian American Art Museum and the Renwick Gallery

The Town Pump, John Rogers, 1862

The Town Pump

1862 · Smithsonian American Art Museum and the Renwick Gallery

The Wounded Scout, a Friend in the Swamp, John Rogers, patented 1864

The Wounded Scout, a Friend in the Swamp

patented 1864 · Smithsonian American Art Museum and the Renwick Gallery

Wounded to the Rear, One More Shot, John Rogers, patented 1865

Wounded to the Rear, One More Shot

patented 1865 · Smithsonian American Art Museum and the Renwick Gallery

Taking the Oath and Drawing Rations, John Rogers, modeled 1865, patented 1866

Taking the Oath and Drawing Rations

modeled 1865, patented 1866 · Smithsonian American Art Museum and the Renwick Gallery

Wounded to the Rear/One More Shot, John Rogers, 1865

Wounded to the Rear/One More Shot

1865 · Smithsonian American Art Museum and the Renwick Gallery

Taking the Oath and Drawing Rations, John Rogers, 1865

Taking the Oath and Drawing Rations

1865 · Poza wystawą · Harvard Art Museums

Generals Confederate Army No. 1, John Rogers, 1866

Generals Confederate Army No. 1

1866 · National Portrait Gallery

Generals Confederate Army No. 2, John Rogers, 1866

Generals Confederate Army No. 2

1866 · National Portrait Gallery

The Council of War, John Rogers, 1868

The Council of War

1868 · Smithsonian American Art Museum and the Renwick Gallery

Coming to the Parson, John Rogers, patented 1870

Coming to the Parson

patented 1870 · Smithsonian American Art Museum and the Renwick Gallery

The Tap on the Window, John Rogers, 1870s

The Tap on the Window

1870s · Smithsonian American Art Museum and the Renwick Gallery

Rip Van Winkle at Home, John Rogers, 1871

Rip Van Winkle at Home

1871 · Smithsonian American Art Museum and the Renwick Gallery

Playing Doctor, John Rogers, 1872

Playing Doctor

1872 · Smithsonian American Art Museum and the Renwick Gallery

The Council of War, John Rogers, modeled ca. 1873

The Council of War

modeled ca. 1873 · Smithsonian American Art Museum and the Renwick Gallery

Going for the Cows, John Rogers, 1873

Going for the Cows

1873 · Smithsonian American Art Museum and the Renwick Gallery

The Favored Scholar, John Rogers, patented 1873

The Favored Scholar

patented 1873 · Smithsonian American Art Museum and the Renwick Gallery

Checkers up at the Farm, John Rogers, patented 1875

Checkers up at the Farm

patented 1875 · Smithsonian American Art Museum and the Renwick Gallery

The Elder's Daughter, John Rogers, patented 1877

The Elder's Daughter

patented 1877 · Smithsonian American Art Museum and the Renwick Gallery

School Days, John Rogers, 1877

School Days

1877 · Smithsonian American Art Museum and the Renwick Gallery

The Peddler at the Fair, John Rogers, 1878

The Peddler at the Fair

1878 · Smithsonian American Art Museum and the Renwick Gallery

Private Theatricals/Last Moments behind the Scenes, John Rogers, 1878

Private Theatricals/Last Moments behind the Scenes

1878 · Smithsonian American Art Museum and the Renwick Gallery

The Balcony, John Rogers, 1879

The Balcony

1879 · Smithsonian American Art Museum and the Renwick Gallery

The Wrestlers, John Rogers, modeled 1881

The Wrestlers

modeled 1881 · Smithsonian American Art Museum and the Renwick Gallery

"Ha! I Like Not That", John Rogers, patented 1882

"Ha! I Like Not That"

patented 1882 · Smithsonian American Art Museum and the Renwick Gallery

Neighboring Pews, John Rogers, 1883

Neighboring Pews

1883 · Smithsonian American Art Museum and the Renwick Gallery

Neighboring Pews, John Rogers, 1883

Neighboring Pews

1883 · Smithsonian American Art Museum and the Renwick Gallery

A Matter of Opinion, John Rogers, 1884

A Matter of Opinion

1884 · Smithsonian American Art Museum and the Renwick Gallery

"Why Don't You Speak for Yourself, John?", John Rogers, patented 1885

"Why Don't You Speak for Yourself, John?"

patented 1885 · Smithsonian American Art Museum and the Renwick Gallery