ART WIKI37.788 te zien
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ART WIKI

Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Cooper–Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Yale University Art Gallery, Yale-centrum voor Britse kunst, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (44 musea), Paris Musées (12 musea), Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea) en the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Ets

130.252 werken uit 146 musea133 nu te zienAlles wissen

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Techniek
  • Alle
  • Ets130.252
  • Lithografie89.179
  • Gravure63.364
  • Houtsnede56.703
  • Droge naald9.308
  • Zeefdruk8.459
  • Aquatint7.452
  • Fotomechanische druk6.933
  • Zwartekunst6.751
  • Linoleumsnede2.658
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96), William Blake, 1804 to 1820William Blake"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)1804 to 1820Yale-centrum voor Britse kunst
"Albion cold lays on his Rock..." (Plate 94), William Blake, 1804 to 1820William Blake"Albion cold lays on his Rock..." (Plate 94)1804 to 1820Yale-centrum voor Britse kunst
"They call'd her Pity, and fled..." (Plate 17), William Blake, 1794William Blake"They call'd her Pity, and fled..." (Plate 17)1794Yale-centrum voor Britse kunst
'Behold him, when past by; what then is seen' (Page 25), William Blake, ca. 1797William Blake'Behold him, when past by; what then is seen' (Page 25)ca. 1797Yale-centrum voor Britse kunst
"The Feminine separates from the Masculine..." (Plate 90), William Blake, 1804 to 1820William Blake"The Feminine separates from the Masculine..." (Plate 90)1804 to 1820Yale-centrum voor Britse kunst
"And One stood forth from the Divine Family..." (Plate 37), William Blake, 1804 to 1820William Blake"And One stood forth from the Divine Family..." (Plate 37)1804 to 1820Yale-centrum voor Britse kunst
"Repose on me till the morning of the Grave..." (Plate 62), William Blake, 1804 to 1820William Blake"Repose on me till the morning of the Grave..." (Plate 62)1804 to 1820Yale-centrum voor Britse kunst
"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50), William Blake, 1804 to 1820William Blake"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)1804 to 1820Yale-centrum voor Britse kunst
Spring (Plate 12), William Blake, 1789William BlakeSpring (Plate 12)1789Yale-centrum voor Britse kunst
IV. "None could have other than natural or organic thoughts..." (Plate 6), William Blake, ca. 1788William BlakeIV. "None could have other than natural or organic thoughts..." (Plate 6)ca. 1788Yale-centrum voor Britse kunst
Rev. John Caspar Lavater, William Blake, 1800William BlakeRev. John Caspar Lavater1800Yale-centrum voor Britse kunst
'Angels should paint it, angels ever there' (Page 40), William Blake, ca. 1797William Blake'Angels should paint it, angels ever there' (Page 40)ca. 1797Yale-centrum voor Britse kunst
'Tis greatly wise to talk with our past hours' (Page 31), William Blake, ca. 1797William Blake'Tis greatly wise to talk with our past hours' (Page 31)ca. 1797Yale-centrum voor Britse kunst
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16), William Blake, 1804 to 1820William Blake"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)1804 to 1820Yale-centrum voor Britse kunst
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13), William Blake, 1794William BlakeChapter V, "Thus the Eternal Prophet was divided..." (Plate 13)1794Yale-centrum voor Britse kunst
"In Great Eternity every particular Form..." (Plate 54), William Blake, 1804 to 1820William Blake"In Great Eternity every particular Form..." (Plate 54)1804 to 1820Yale-centrum voor Britse kunst
Cupid & Psyche, William Blake, 1794William BlakeCupid & Psyche1794Yale-centrum voor Britse kunst
Venus Counsels Cupid, William Blake, 1794William BlakeVenus Counsels Cupid1794Yale-centrum voor Britse kunst
Infant Joy (Plate 28), William Blake, 1789William BlakeInfant Joy (Plate 28)1789Yale-centrum voor Britse kunst
"Such are Cathedrons golden Halls..." (Plate 73), William Blake, 1804 to 1820William Blake"Such are Cathedrons golden Halls..." (Plate 73)1804 to 1820Yale-centrum voor Britse kunst
Earth's Answer (Plate 35), William Blake, 1794William BlakeEarth's Answer (Plate 35)1794Yale-centrum voor Britse kunst
'O treacherous conscience! while she seems to sleep" (Page 27), William Blake, 1797William Blake'O treacherous conscience! while she seems to sleep" (Page 27)1797Yale-centrum voor Britse kunst
Fable XIII. The Tame Stag, William Blake, 1793William BlakeFable XIII. The Tame Stag1793Yale-centrum voor Britse kunst
'Disease invades the chastest temperence' (Page 10), William Blake, ca. 1797William Blake'Disease invades the chastest temperence' (Page 10)ca. 1797Yale-centrum voor Britse kunst
"To decide Two Worlds with a great decision..." (Plate 65), William Blake, 1804 to 1820William Blake"To decide Two Worlds with a great decision..." (Plate 65)1804 to 1820Yale-centrum voor Britse kunst
'One radiant mark, – the death-bed of the just' (Page 41), William Blake, 1797William Blake'One radiant mark, – the death-bed of the just' (Page 41)1797Yale-centrum voor Britse kunst
Songs of Innocence, Title Page (Plate 2), William Blake, 1789William BlakeSongs of Innocence, Title Page (Plate 2)1789Yale-centrum voor Britse kunst
Night (Plate 30), William Blake, 1789William BlakeNight (Plate 30)1789Yale-centrum voor Britse kunst
'What, though my soul fantastick measures trod' (Page 4), William Blake, 1797William Blake'What, though my soul fantastick measures trod' (Page 4)1797Yale-centrum voor Britse kunst
The Clod & the Pebble (Plate 36), William Blake, 1794William BlakeThe Clod & the Pebble (Plate 36)1794Yale-centrum voor Britse kunst
'But for the blessing wrestle not with heaven' (Page 88), William Blake, 1797William Blake'But for the blessing wrestle not with heaven' (Page 88)1797Yale-centrum voor Britse kunst
Urizen (Plate 22), William Blake, 1794William BlakeUrizen (Plate 22)1794Yale-centrum voor Britse kunst
Chapter V, "The globe of life blood trembled..." (Plate 15), William Blake, 1794William BlakeChapter V, "The globe of life blood trembled..." (Plate 15)1794Yale-centrum voor Britse kunst
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6), William Blake, 1789William BlakeIII. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)1789Yale-centrum voor Britse kunst
"These were his last words, and the merciful Saviour in his arms..." (Plate 48), William Blake, 1804 to 1820William Blake"These were his last words, and the merciful Saviour in his arms..." (Plate 48)1804 to 1820Yale-centrum voor Britse kunst
'Oft bursts my song beyond the bounds of life' (Page 16), William Blake, 1797William Blake'Oft bursts my song beyond the bounds of life' (Page 16)1797Yale-centrum voor Britse kunst
The Shepherd (Plate 4), William Blake, 1789William BlakeThe Shepherd (Plate 4)1789Yale-centrum voor Britse kunst
Chapter IV, "From the caverns of his jointed spine..." (Plate 10), William Blake, 1794William BlakeChapter IV, "From the caverns of his jointed spine..." (Plate 10)1794Yale-centrum voor Britse kunst
'Time, in advance, behind him hides his wings' (Page 24), William Blake, 1797William Blake'Time, in advance, behind him hides his wings' (Page 24)1797Yale-centrum voor Britse kunst
"Bath who is Legions..." (Plate 41), William Blake, 1804 to 1820William Blake"Bath who is Legions..." (Plate 41)1804 to 1820Yale-centrum voor Britse kunst
I. "Man cannot naturally Percieve..."(Plate 3), William Blake, ca. 1788William BlakeI. "Man cannot naturally Percieve..."(Plate 3)ca. 1788Yale-centrum voor Britse kunst
"Of the Mundane Shell which froze..." (Plate 64), William Blake, 1804 to 1820William Blake"Of the Mundane Shell which froze..." (Plate 64)1804 to 1820Yale-centrum voor Britse kunst
"My tents are fall'n! my pillars are in ruins!..." (Plate 79), William Blake, 1804 to 1820William Blake"My tents are fall'n! my pillars are in ruins!..." (Plate 79)1804 to 1820Yale-centrum voor Britse kunst
"The banks of the Thames are clouded..." (Plate 5), William Blake, 1804 to 1820William Blake"The banks of the Thames are clouded..." (Plate 5)1804 to 1820Yale-centrum voor Britse kunst
"And formed into Four precious stones..." (Plate 59), William Blake, 1804 to 1820William Blake"And formed into Four precious stones..." (Plate 59)1804 to 1820Yale-centrum voor Britse kunst
Songs of Experience, Frontispiece (Plate 32), William Blake, 1794William BlakeSongs of Experience, Frontispiece (Plate 32)1794Yale-centrum voor Britse kunst
The Different Kinds of Wrestling, William Blake, 1800William BlakeThe Different Kinds of Wrestling1800Yale-centrum voor Britse kunst
"O Skofield why art thou cruel?..." (Plate 68), William Blake, 1804 to 1820William Blake"O Skofield why art thou cruel?..." (Plate 68)1804 to 1820Yale-centrum voor Britse kunst
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