ART WIKI37.788 te zien
KaartCollectieKunstenaarsMuseaTentoonstellingenJournal
Inloggen

ART WIKI

Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Cooper–Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Yale University Art Gallery, Yale-centrum voor Britse kunst, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (44 musea), Paris Musées (12 musea), Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea) en the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

Rubrieken

  • Kaart
  • Zoeken
  • Collectie
  • Meesterwerken
  • Gestolen en verloren
  • Werkstatus insluiten
  • Nu te zien
  • Kunstenaars

Meer

  • Musea & galerieën
  • Tentoonstellingen
  • Journal
  • Waar de gegevens vandaan komen
  • Privacy & cookies
  • Over ons
  • Gebruiksvoorwaarden
StartpaginaKaartCatalogus

Catalogus

Ets

130.252 werken uit 146 musea133 nu te zienAlles wissen

/
Techniek
  • Alle
  • Ets130.252
  • Lithografie89.179
  • Gravure63.364
  • Houtsnede56.703
  • Droge naald9.308
  • Zeefdruk8.459
  • Aquatint7.452
  • Fotomechanische druk6.933
  • Zwartekunst6.751
  • Linoleumsnede2.658
A Poison Tree (Plate 41), William Blake, 1794William BlakeA Poison Tree (Plate 41)1794Yale-centrum voor Britse kunst
'Is lost in love! thou great Philanthropist' (Page 87), William Blake, 1797William Blake'Is lost in love! thou great Philanthropist' (Page 87)1797Yale-centrum voor Britse kunst
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4), William Blake, 1789William BlakeI, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)1789Yale-centrum voor Britse kunst
Spring, from Songs of Innocence, William Blake, ca. 1795William BlakeSpring, from Songs of Innocenceca. 1795Yale-centrum voor Britse kunst
'Angels should paint it, angels ever there' (Page 40), William Blake, 1797William Blake'Angels should paint it, angels ever there' (Page 40)1797Yale-centrum voor Britse kunst
'One radiant mark, – the death-bed of the just' (Page 41), William Blake, ca. 1797William Blake'One radiant mark, – the death-bed of the just' (Page 41)ca. 1797Yale-centrum voor Britse kunst
Ancient Ballads, Headpiece, William Blake, 1783William BlakeAncient Ballads, Headpiece1783Yale-centrum voor Britse kunst
The Horse, William Blake, 1805William BlakeThe Horse1805Yale-centrum voor Britse kunst
"Bath, healing City!..." (Plate 45), William Blake, 1804 to 1820William Blake"Bath, healing City!..." (Plate 45)1804 to 1820Yale-centrum voor Britse kunst
Visions of the Daughters of Albion; Title Page (Plate 2), William Blake, 1793William BlakeVisions of the Daughters of Albion; Title Page (Plate 2)1793Yale-centrum voor Britse kunst
"And Hand & Hyle rooted into Jerusalem..." (Plate 15), William Blake, 1804 to 1820William Blake"And Hand & Hyle rooted into Jerusalem..." (Plate 15)1804 to 1820Yale-centrum voor Britse kunst
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25), William Blake, 1804 to 1820William Blake"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)1804 to 1820Yale-centrum voor Britse kunst
'The present moment terminates our sight' (Page 13), William Blake, ca. 1797William Blake'The present moment terminates our sight' (Page 13)ca. 1797Yale-centrum voor Britse kunst
"Help! Help!" (Plate 12), William Blake, 1826William Blake"Help! Help!" (Plate 12)1826Yale-centrum voor Britse kunst
From a Globe of Blood Rises Enitharmon (Plate 16), William Blake, 1794William BlakeFrom a Globe of Blood Rises Enitharmon (Plate 16)1794Yale-centrum voor Britse kunst
'Emblem of that which shall awake the dead' (Page 19), William Blake, 1797William Blake'Emblem of that which shall awake the dead' (Page 19)1797Yale-centrum voor Britse kunst
'Its favours here are trials, not rewards' (Page 12), William Blake, ca. 1797William Blake'Its favours here are trials, not rewards' (Page 12)ca. 1797Yale-centrum voor Britse kunst
'The Sun beheld it – No, the shocking scene' (Page 75), William Blake, 1797William Blake'The Sun beheld it – No, the shocking scene' (Page 75)1797Yale-centrum voor Britse kunst
Love Songs, Class IV. Tailpiece, William Blake, 1783William BlakeLove Songs, Class IV. Tailpiece1783Yale-centrum voor Britse kunst
Urizen (Plate 8), William Blake, 1794William BlakeUrizen (Plate 8)1794Yale-centrum voor Britse kunst
"And the Two that escaped..." (Plate 30), William Blake, 1804 to 1820William Blake"And the Two that escaped..." (Plate 30)1804 to 1820Yale-centrum voor Britse kunst
"To the Jews..." (Plate 27), William Blake, 1804 to 1820William Blake"To the Jews..." (Plate 27)1804 to 1820Yale-centrum voor Britse kunst
'Till at Death's toll, whose restless iron tongue' (Page 7), William Blake, ca. 1797William Blake'Till at Death's toll, whose restless iron tongue' (Page 7)ca. 1797Yale-centrum voor Britse kunst
"Fear & hope are -- Vision" (Plate 15), William Blake, 1826William Blake"Fear & hope are -- Vision" (Plate 15)1826Yale-centrum voor Britse kunst
The Little Girl Found (Plate 22), William Blake, 1789William BlakeThe Little Girl Found (Plate 22)1789Yale-centrum voor Britse kunst
'The goddess bursts in thunder and in flame' (Page 95), William Blake, 1797William Blake'The goddess bursts in thunder and in flame' (Page 95)1797Yale-centrum voor Britse kunst
"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6), William Blake, 1804 to 1820William Blake"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)1804 to 1820Yale-centrum voor Britse kunst
"Highgates heights & Hampsteads..." (Plate 84), William Blake, 1804 to 1820William Blake"Highgates heights & Hampsteads..." (Plate 84)1804 to 1820Yale-centrum voor Britse kunst
'The longest night though longer far, would fail' (Page 15), William Blake, ca. 1797William Blake'The longest night though longer far, would fail' (Page 15)ca. 1797Yale-centrum voor Britse kunst
Fable XLI. The Owl and the Farmer, William Blake, 1793William BlakeFable XLI. The Owl and the Farmer1793Yale-centrum voor Britse kunst
William Cowper, Author of "The Task", William Blake, 1802William BlakeWilliam Cowper, Author of "The Task"1802Yale-centrum voor Britse kunst
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56), William Blake, 1804 to 1820William Blake"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)1804 to 1820Yale-centrum voor Britse kunst
"To the Christians..." (Plate 77), William Blake, 1804 to 1820William Blake"To the Christians..." (Plate 77)1804 to 1820Yale-centrum voor Britse kunst
'Disease invades the chastest temperence' (Page 10), William Blake, 1797William Blake'Disease invades the chastest temperence' (Page 10)1797Yale-centrum voor Britse kunst
'As if the sun could envy, check'd his beam' (Page 49), William Blake, ca. 1797William Blake'As if the sun could envy, check'd his beam' (Page 49)ca. 1797Yale-centrum voor Britse kunst
Mrs Cowper Mother of the Poet, William Blake, 1803-1804William BlakeMrs Cowper Mother of the Poet1803-1804Yale-centrum voor Britse kunst
'Tis greatly wise to talk with our past hours' (Page 31), William Blake, 1797William Blake'Tis greatly wise to talk with our past hours' (Page 31)1797Yale-centrum voor Britse kunst
'Disease invades the chastest temperence' (Page 10), William Blake, 1797William Blake'Disease invades the chastest temperence' (Page 10)1797Yale-centrum voor Britse kunst
"Was living: panting like a frighted wolf..." (Plate 7), William Blake, 1804 to 1820William Blake"Was living: panting like a frighted wolf..." (Plate 7)1804 to 1820Yale-centrum voor Britse kunst
'And vapid; sense and reason shew the door' (Page 72), William Blake, ca. 1797William Blake'And vapid; sense and reason shew the door' (Page 72)ca. 1797Yale-centrum voor Britse kunst
"Bath, mild Physician of Eternity..." (Plate 46), William Blake, 1804 to 1820William Blake"Bath, mild Physician of Eternity..." (Plate 46)1804 to 1820Yale-centrum voor Britse kunst
Thel's Motto (Plate 1), William Blake, 1789William BlakeThel's Motto (Plate 1)1789Yale-centrum voor Britse kunst
Fable VI. The Miser and Plutus, William Blake, 1793William BlakeFable VI. The Miser and Plutus1793Yale-centrum voor Britse kunst
Canto IV. Verse 328, William Blake, 1803William BlakeCanto IV. Verse 3281803Yale-centrum voor Britse kunst
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2), William Blake, 1804 to 1820William BlakeJerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)1804 to 1820Yale-centrum voor Britse kunst
"The Ox in the slaughter house moans..." (Plate 23), William Blake, 1794William Blake"The Ox in the slaughter house moans..." (Plate 23)1794Yale-centrum voor Britse kunst
'Death! great proprietor of all! 'tis thine' (Page 8), William Blake, 1797William Blake'Death! great proprietor of all! 'tis thine' (Page 8)1797Yale-centrum voor Britse kunst
Water (Plate 4), William Blake, 1793William BlakeWater (Plate 4)1793Yale-centrum voor Britse kunst
57