ART WIKI37.788 te zien
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ART WIKI

Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Cooper–Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Yale University Art Gallery, Yale-centrum voor Britse kunst, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (44 musea), Paris Musées (12 musea), Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea) en the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Ets

130.252 werken uit 146 musea133 nu te zienAlles wissen

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Techniek
  • Alle
  • Ets130.252
  • Lithografie89.179
  • Gravure63.364
  • Houtsnede56.703
  • Droge naald9.308
  • Zeefdruk8.459
  • Aquatint7.452
  • Fotomechanische druk6.933
  • Zwartekunst6.751
  • Linoleumsnede2.658
Qué hai que hacer mas? (What More Can Be Done?), pl. 33 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaQué hai que hacer mas? (What More Can Be Done?), pl. 33 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
El embozado (The Cloaked Man), Francisco Goya, mid 19th centuryFrancisco de GoyaEl embozado (The Cloaked Man)mid 19th centuryYale University Art Gallery
Y son fieras (And They Are Like Wild Beasts), pl. 5 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaY son fieras (And They Are Like Wild Beasts), pl. 5 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816, Goya, 1816Francisco de GoyaThe Bullfight, plates 1-33 (La Tauromaquia); First edition, 18161816Metropolitan Museum of Art
The garroted man (El agarrotado), Goya, ca. 1775–78 (published 1868)Francisco de GoyaThe garroted man (El agarrotado)ca. 1775–78 (published 1868)Metropolitan Museum of Art
Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad), Goya, 1810 (published 1863)Francisco de GoyaPlate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)1810 (published 1863)Metropolitan Museum of Art
Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse, Goya, 1816Francisco de GoyaPlate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse1816Metropolitan Museum of Art
Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas), Goya, 1799Francisco de GoyaPlate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas)1799Metropolitan Museum of Art
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio), Goya, 1810 (published 1863)Francisco de GoyaPlate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio)1810 (published 1863)Metropolitan Museum of Art
Isabel de Bourbon on horseback, after Velázquez, Goya, 1778Francisco de GoyaIsabel de Bourbon on horseback, after Velázquez1778Metropolitan Museum of Art
Plate 1 from "Los Caprichos": Self-portrait, Goya, 1799Francisco de GoyaPlate 1 from "Los Caprichos": Self-portrait1799Metropolitan Museum of Art
Plate 8 from "The Disasters of War" (Los Desastres de la Guerra): 'It always happens' (Siempre sucede), Goya, 1810 (published 1863)Francisco de GoyaPlate 8 from "The Disasters of War" (Los Desastres de la Guerra): 'It always happens' (Siempre sucede)1810 (published 1863)Metropolitan Museum of Art
Las camas de la muerte (The Beds of Death), Plate 62 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaLas camas de la muerte (The Beds of Death), Plate 62 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Gatesca pantomima (Feline Pantomime), Plate 73 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaGatesca pantomima (Feline Pantomime), Plate 73 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Si son de otro linage (Perhaps They Are of Another Breed), Plate 61 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaSi son de otro linage (Perhaps They Are of Another Breed), Plate 61 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Los Moros establecidos en España, presciendiendo de las supersticiones de su Alcorán, adopataron esta caza y arte, y lancean un toro en el campo (The Moors settled in Spain, Giving up the Superstitions of the Qur'an, Adopted this Hunt and Art, and Speared a Bull in the Open), Plate 3 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaLos Moros establecidos en España, presciendiendo de las supersticiones de su Alcorán, adopataron esta caza y arte, y lancean un toro en el campo (The Moors settled in Spain, Giving up the Superstitions of the Qur'an, Adopted this Hunt and Art, and Speared a Bull in the Open), Plate 3 from La tauromaquia1876Yale University Art Gallery
Plate 55 from "The Disasters of War" (Los Desastres de la Guerra): 'The worst is to beg' (Lo peor es pedir), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 55 from "The Disasters of War" (Los Desastres de la Guerra): 'The worst is to beg' (Lo peor es pedir)1811–12 (published 1863)Metropolitan Museum of Art
Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor), Goya, 1810 (published 1863)Francisco de GoyaPlate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)1810 (published 1863)Metropolitan Museum of Art
Philip IV on horseback, after Velázquez, Goya, 1778Francisco de GoyaPhilip IV on horseback, after Velázquez1778Metropolitan Museum of Art
Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos), Goya, 1810 (published 1863)Francisco de GoyaPlate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)1810 (published 1863)Metropolitan Museum of Art
Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco), Goya, 1810 (published 1863)Francisco de GoyaPlate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)1810 (published 1863)Metropolitan Museum of Art
Plate 35 from "The Disasters of War" (Los Desastres de La Guerra): 'One Can't Tell Why' (No se puede saber por qué), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 35 from "The Disasters of War" (Los Desastres de La Guerra): 'One Can't Tell Why' (No se puede saber por qué)ca. 1810 (published 1863)Metropolitan Museum of Art
Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar), Goya, 1799Francisco de GoyaPlate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)1799Metropolitan Museum of Art
Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!), Goya, ca. 1810Francisco de GoyaPlate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!)ca. 1810Metropolitan Museum of Art
Yo lo vi. (I Saw It.), pl. 44 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaYo lo vi. (I Saw It.), pl. 44 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia1876Yale University Art Gallery
Siempre sucede. (It Always Happens.), pl. 8 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaSiempre sucede. (It Always Happens.), pl. 8 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Chiton (Hush), pl. 28 from the series Los caprichos, Francisco Goya, 1797–98Francisco de GoyaChiton (Hush), pl. 28 from the series Los caprichos1797–98Yale University Art Gallery
Blind Singer, Goya, Ca. 1824–28 (published second half of the 19th century)Francisco de GoyaBlind SingerCa. 1824–28 (published second half of the 19th century)Metropolitan Museum of Art
Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): Barbarians! (Bárbaros!), Goya, 1810 (published 1863)Francisco de GoyaPlate 38 from "The Disasters of War" (Los Desastres de La Guerra): Barbarians! (Bárbaros!)1810 (published 1863)Metropolitan Museum of Art
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra), Goya, 1810Francisco de GoyaPlate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)1810Metropolitan Museum of Art
Plate 10 from "Los Caprichos": Love and death (El amor y la muerte), Goya, 1799Francisco de GoyaPlate 10 from "Los Caprichos": Love and death (El amor y la muerte)1799Metropolitan Museum of Art
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas, Goya, 1816Francisco de GoyaPlate 7 from "La Tauromaquia": Origin of the harpoon or banderillas1816Metropolitan Museum of Art
'Merry Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Merry Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Philip III, King of Spain on horseback, after Velázquez, Goya, 1778Francisco de GoyaPhilip III, King of Spain on horseback, after Velázquez1778Metropolitan Museum of Art
Plate 55 from "Los Caprichos": Until death (Hasta la muerte), Goya, 1799Francisco de GoyaPlate 55 from "Los Caprichos": Until death (Hasta la muerte)1799Metropolitan Museum of Art
No hay quien los socorra (There is No One to Help Them), Plate 60 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo hay quien los socorra (There is No One to Help Them), Plate 60 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring), Plate 8 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaCogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring), Plate 8 from La tauromaquia1816Yale University Art Gallery
Dos grupos de picadores arrolados de seguida por un solo toro (Two Teams of Picadors Thrown One After the Other by a Single Bull), Plate 32 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaDos grupos de picadores arrolados de seguida por un solo toro (Two Teams of Picadors Thrown One After the Other by a Single Bull), Plate 32 from La tauromaquia1816Yale University Art Gallery
El buitre carnívoro (The Carnivorous Vulture), Plate 76 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEl buitre carnívoro (The Carnivorous Vulture), Plate 76 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Plate 57 from "Los Caprichos": The filiation (La filiacion), Goya, 1799Francisco de GoyaPlate 57 from "Los Caprichos": The filiation (La filiacion)1799Metropolitan Museum of Art
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, Goya, 1816Francisco de GoyaPlate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls1816Metropolitan Museum of Art
Plate 65  from "The Disasters of War" (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?), Goya, 1814–15  (published 1863)Francisco de GoyaPlate 65 from "The Disasters of War" (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?)1814–15 (published 1863)Metropolitan Museum of Art
Plate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?), Goya, 1810 (published 1863)Francisco de GoyaPlate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)1810 (published 1863)Metropolitan Museum of Art
Plate 36 from "Los Caprichos": A bad night (Mala noche), Goya, 1881–86Francisco de GoyaPlate 36 from "Los Caprichos": A bad night (Mala noche)1881–86Metropolitan Museum of Art
Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren), Goya, 1810 (published 1863)Francisco de GoyaPlate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)1810 (published 1863)Metropolitan Museum of Art
Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad), Goya, 1810Francisco de GoyaPlate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)1810Metropolitan Museum of Art
Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez, Goya, 1778Francisco de GoyaGaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez1778Metropolitan Museum of Art
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