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Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Cooper–Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Yale University Art Gallery, Yale-centrum voor Britse kunst, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (44 musea), Paris Musées (12 musea), Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea) en the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Ets

130.252 werken uit 146 musea133 nu te zienAlles wissen

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Techniek
  • Alle
  • Ets130.252
  • Lithografie89.179
  • Gravure63.364
  • Houtsnede56.703
  • Droge naald9.308
  • Zeefdruk8.459
  • Aquatint7.452
  • Fotomechanische druk6.933
  • Zwartekunst6.751
  • Linoleumsnede2.658
Tal para qual (Two of a Kind), pl. 5 from Los caprichos, Francisco Goya, 1797–98Francisco de GoyaTal para qual (Two of a Kind), pl. 5 from Los caprichos1797–98Yale University Art Gallery
Se defiende bien (He Defends Himself Well), Plate 78 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaSe defiende bien (He Defends Himself Well), Plate 78 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
No hay que dar voces (It’s No Use Crying Out), Plate 58 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo hay que dar voces (It’s No Use Crying Out), Plate 58 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Aesopus, Francisco Goya, 1778Francisco de GoyaAesopus1778Yale University Art Gallery
Duro es el paso! (It's a Hard Step!), pl. 14 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaDuro es el paso! (It's a Hard Step!), pl. 14 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
El caballo raptor (The Horse-Abductor), also known as La mujer y el potro, que los dome otro (A Woman and a Horse, Let Someone Else Master Them), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaEl caballo raptor (The Horse-Abductor), also known as La mujer y el potro, que los dome otro (A Woman and a Horse, Let Someone Else Master Them), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery
La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaLa desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from La tauromaquia1876Yale University Art Gallery
Dios la perdone: y era su madre (For Heaven's Sake: and It Was Her Mother), pl. 16 from Los caprichos, Francisco Goya, 1799Francisco de GoyaDios la perdone: y era su madre (For Heaven's Sake: and It Was Her Mother), pl. 16 from Los caprichos1799Yale University Art Gallery
Las mugeres dan valor (The Women Give Courage), pl. 4 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaLas mugeres dan valor (The Women Give Courage), pl. 4 from the series Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery
Valor varonil de la célebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in [the Ring] at Saragossa), Plate 22 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaValor varonil de la célebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in [the Ring] at Saragossa), Plate 22 from La tauromaquia1816Yale University Art Gallery
Duro es el paso! (It's a Hard Step!), pl. 14 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaDuro es el paso! (It's a Hard Step!), pl. 14 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery
Y esto tambien (And This Too), Plate 45 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaY esto tambien (And This Too), Plate 45 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Enterrar y callar (Bury Them and Keep Quiet), Plate 18 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEnterrar y callar (Bury Them and Keep Quiet), Plate 18 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Un enano (A Dwarf), Francisco Goya, 1778Francisco de GoyaUn enano (A Dwarf)1778Yale University Art Gallery
Esto es lo peor! (That Is the Worst of It!), Plate 74 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEsto es lo peor! (That Is the Worst of It!), Plate 74 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
No hay quien los socorra. (There Is No One to Help Them.), pl. 60 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaNo hay quien los socorra. (There Is No One to Help Them.), pl. 60 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
La lealtad (Loyalty), also known as El que no te ama, burlando te difama (He Who Does Not Like Thee Will Defame Thee in Jest), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaLa lealtad (Loyalty), also known as El que no te ama, burlando te difama (He Who Does Not Like Thee Will Defame Thee in Jest), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery
Lo merecia. (He Deserved It.), pl. 29 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaLo merecia. (He Deserved It.), pl. 29 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Maja [with a dark background], Francisco Goya, late 18th–early 19th century, published 1971Francisco de GoyaMaja [with a dark background]late 18th–early 19th century, published 1971Yale University Art Gallery
Disparate furioso (Furious Folly), also known as Hizonos dios y maravillamos nos (It Is Amazing and We Were Made by God, from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaDisparate furioso (Furious Folly), also known as Hizonos dios y maravillamos nos (It Is Amazing and We Were Made by God, from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery
Banderillas de Fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia, Francisco Goya, 1815Francisco de GoyaBanderillas de Fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia1815Yale University Art Gallery
Esto es lo peor! (That Is the Worst of It!), pl. 74 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaEsto es lo peor! (That Is the Worst of It!), pl. 74 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with their Burnous), Plate 6 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaLos Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with their Burnous), Plate 6 from La tauromaquia1876Yale University Art Gallery
Disparate general (General Folly), pl. 9  from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–1823, published 1864Francisco de GoyaDisparate general (General Folly), pl. 9 from the series Los disparates (The Follies/Irrationalities)ca. 1816–1823, published 1864Yale University Art Gallery
Para eso habeis nacido (This Is What You Were Born For), pl. 12 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaPara eso habeis nacido (This Is What You Were Born For), pl. 12 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery
Si resucitará? (Will She Rise Again?), pl. 80 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaSi resucitará? (Will She Rise Again?), pl. 80 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Temeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaTemeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia1876Yale University Art Gallery
Cheval renverse par un taureau (Horse Thrown by a Bull), Plate B from La tauromaquia (third edition), Francisco Goya, 1876Francisco de GoyaCheval renverse par un taureau (Horse Thrown by a Bull), Plate B from La tauromaquia (third edition)1876Yale University Art Gallery
Algun partido saca (He Gets Something Out of It), Plate 40 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaAlgun partido saca (He Gets Something Out of It), Plate 40 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Populacho (Rabble), Plate 28 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaPopulacho (Rabble), Plate 28 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Lo mismo (The Same), pl. 3 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaLo mismo (The Same), pl. 3 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery
Buen viage (Bon Voyage), pl. 64 from the series Los caprichos, Francisco Goya, 1797–1798Francisco de GoyaBuen viage (Bon Voyage), pl. 64 from the series Los caprichos1797–1798Yale University Art Gallery
Por una navaja. (On Account of a Knife.), pl. 34 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaPor una navaja. (On Account of a Knife.), pl. 34 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Bárbaros! (Barbarians!), Plate 38 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaBárbaros! (Barbarians!), Plate 38 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Linda maestra! (Pretty teacher!), pl. 68 from the series Los caprichos, Francisco Goya, 1797–98Francisco de GoyaLinda maestra! (Pretty teacher!), pl. 68 from the series Los caprichos1797–98Yale University Art Gallery
Dios los cria y ellos se juntan (God Creates Them and They Join Up Together), plate18 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864Francisco de GoyaDios los cria y ellos se juntan (God Creates Them and They Join Up Together), plate18 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery
El animoso moro Gazul es el primero que lanceó toros en regla (The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules), Plate 5 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaEl animoso moro Gazul es el primero que lanceó toros en regla (The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules), Plate 5 from La tauromaquia1816Yale University Art Gallery
Cruel lástima! (Cruel Tale of Woe!), Plate 48 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaCruel lástima! (Cruel Tale of Woe!), Plate 48 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Nada. Ello dirá. (Nothing. The Event Will Tell.), pl. 69 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaNada. Ello dirá. (Nothing. The Event Will Tell.), pl. 69 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Amarga presencia (Bitter to Be Present), pl. 13 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaAmarga presencia (Bitter to Be Present), pl. 13 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery
Tampoco (Nor [Do These] Either), pl. 10 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaTampoco (Nor [Do These] Either), pl. 10 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery
Otra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia, Francisco Goya, 1815Francisco de GoyaOtra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia1815Yale University Art Gallery
Origen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaOrigen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia1876Yale University Art Gallery
Disparate ridiculo (Ridiculous Folly), plate 3 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864Francisco de GoyaDisparate ridiculo (Ridiculous Folly), plate 3 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery
Esto es malo. (This Is Bad.), pl. 46 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaEsto es malo. (This Is Bad.), pl. 46 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Qué alboroto es este? (What Is This Hubbub?), Plate 65 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaQué alboroto es este? (What Is This Hubbub?), Plate 65 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaLa desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from La tauromaquia1816Yale University Art Gallery
Aun podrán servir (They Can Still Be of Use), Plate 24 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaAun podrán servir (They Can Still Be of Use), Plate 24 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
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