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ART WIKI

Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Cooper–Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Yale University Art Gallery, Yale-centrum voor Britse kunst, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (44 musea), Paris Musées (12 musea), Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea) en the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (74 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Pen

61.422 werken uit 150 musea48 nu te zienAlles wissen

/
Techniek
  • Alle
  • Potlood139.729
  • Pen61.422
  • Aquarel59.077
  • Inkt52.795
  • Krijt39.883
  • Houtskool9.549
  • Gouache9.482
  • Pastel4.297
  • Olieverf2.442
  • Zilverstift430
  • Gemengde techniek301
Punchinello as Tailor's Assistant, Giovanni Domenico Tiepolo, late 18th–early 19th centuryGiovanni Domenico TiepoloPunchinello as Tailor's Assistantlate 18th–early 19th centuryMetropolitan Museum of Art
Hercules and Antaeus (with a Base Below), Giovanni Domenico Tiepolo, late 18th centuryGiovanni Domenico TiepoloHercules and Antaeus (with a Base Below)late 18th centuryMetropolitan Museum of Art
Cupid Blindfolded, on a  Cloud Supported by Two Attendant Putti, Giovanni Domenico Tiepolo, ca. 1770–90Giovanni Domenico TiepoloCupid Blindfolded, on a Cloud Supported by Two Attendant Puttica. 1770–90Metropolitan Museum of Art
Title Page, Giovanni Domenico Tiepolo, 1727–1804Giovanni Domenico TiepoloTitle Page1727–1804Metropolitan Museum of Art
Rinaldo Persuaded by Ubaldo and Guelfo to Abandon Armida, Giovanni Domenico Tiepolo, mid-18th–late 18th centuryGiovanni Domenico TiepoloRinaldo Persuaded by Ubaldo and Guelfo to Abandon Armidamid-18th–late 18th centuryMetropolitan Museum of Art
Design for Ceiling, Sir William Chambers, ca. 1765William ChambersDesign for Ceilingca. 1765Yale-centrum voor Britse kunst
Title Plans to Headfort House, Sir William Chambers, 1765William ChambersTitle Plans to Headfort House1765Yale-centrum voor Britse kunst
Capitoline, Antique Tripod, Sir William Chambers, ca. 1750–55William ChambersCapitoline, Antique Tripodca. 1750–55Metropolitan Museum of Art
Design for a Chimneypiece, Sir William Chambers, 1740–1800William ChambersDesign for a Chimneypiece1740–1800Metropolitan Museum of Art
Design for a Chimneypiece, Sir William Chambers, 1740–1800William ChambersDesign for a Chimneypiece1740–1800Metropolitan Museum of Art
Design for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags, Sir William Chambers, 1740–96William ChambersDesign for an Oval Mirror, Surmounted by an Urn and Draped with Neoclassic Swags1740–96Metropolitan Museum of Art
Design for a Pier-glass of Oblong Form, the Cresting a Scroll and Urn, Sir William Chambers, 1743–1800William ChambersDesign for a Pier-glass of Oblong Form, the Cresting a Scroll and Urn1743–1800Metropolitan Museum of Art
Head of a Grenadier in Profile, Édouard Detaille, late 19th–early 20th centuryÉdouard DetailleHead of a Grenadier in Profilelate 19th–early 20th centuryYale University Art Gallery
Head of a Man Smoking a Pipe, Édouard Detaille, late 19th–early 20th centuryÉdouard DetailleHead of a Man Smoking a Pipelate 19th–early 20th centuryYale University Art Gallery
Headfort House: Alterations in the Cellar, Sir William Chambers, 1765William ChambersHeadfort House: Alterations in the Cellar1765Yale-centrum voor Britse kunst
Royal Botanic Gardens, Kew: Design for Interior of a Mosque, Sir William Chambers, ca. 1761William ChambersRoyal Botanic Gardens, Kew: Design for Interior of a Mosqueca. 1761Yale-centrum voor Britse kunst
Headfort House: Plan of the Cellar Story, Sir William Chambers, 1765William ChambersHeadfort House: Plan of the Cellar Story1765Yale-centrum voor Britse kunst
An Oriental Horseman, Giovanni Domenico Tiepolo, 1727–1804Giovanni Domenico TiepoloAn Oriental Horseman1727–1804Metropolitan Museum of Art
Satyr Leading a Centaur, Who Carries a Club, Bow and Quiver, Outside the Walls of a City, Giovanni Domenico Tiepolo, ca. 1771–91Giovanni Domenico TiepoloSatyr Leading a Centaur, Who Carries a Club, Bow and Quiver, Outside the Walls of a Cityca. 1771–91Metropolitan Museum of Art
A Sea Horse and a Dolphin, Giovanni Domenico Tiepolo, mid-18th–early 19th centuryGiovanni Domenico TiepoloA Sea Horse and a Dolphinmid-18th–early 19th centuryMetropolitan Museum of Art
A Lion, Lying Toward the Right (on a Base), Giovanni Domenico Tiepolo, mid-18th–early 19th centuryGiovanni Domenico TiepoloA Lion, Lying Toward the Right (on a Base)mid-18th–early 19th centuryMetropolitan Museum of Art
Centaur with Shield and Two Satyresses, Giovanni Domenico Tiepolo, 1727–1804Giovanni Domenico TiepoloCentaur with Shield and Two Satyresses1727–1804Metropolitan Museum of Art
The Three Angels Appearing to Abraham by the Oaks of Mamre, Giovanni Domenico Tiepolo, 1727–1804Giovanni Domenico TiepoloThe Three Angels Appearing to Abraham by the Oaks of Mamre1727–1804Metropolitan Museum of Art
Design for a Chimneypiece, Sir William Chambers, 1740–1800William ChambersDesign for a Chimneypiece1740–1800Metropolitan Museum of Art
Neptune and Amphitrite, Bartholomeus Spranger, mid-16th–early 17th centuryBartholomeus SprangerNeptune and Amphitritemid-16th–early 17th centuryMetropolitan Museum of Art
Headfort House: Alterations in the Ground Floor, Sir William Chambers, 1765William ChambersHeadfort House: Alterations in the Ground Floor1765Yale-centrum voor Britse kunst
Satyr Leading a Centauress Who Holds a Satyr Child, Giovanni Domenico Tiepolo, 1727–1804Giovanni Domenico TiepoloSatyr Leading a Centauress Who Holds a Satyr Child1727–1804Metropolitan Museum of Art
A Stag and Four Hinds on a Grassy Knoll (with Base), Giovanni Domenico Tiepolo, after 1770Giovanni Domenico TiepoloA Stag and Four Hinds on a Grassy Knoll (with Base)after 1770Metropolitan Museum of Art
The Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground), Giovanni Domenico Tiepolo, ca. 1770–90Giovanni Domenico TiepoloThe Baptism of Christ (with Christ Standing at Left Center, His Back Turned, and a Youth Stripping in the Right Foreground)ca. 1770–90Metropolitan Museum of Art
Elephant in a Landscape, Giovanni Domenico Tiepolo, 1727–1804Giovanni Domenico TiepoloElephant in a Landscape1727–1804Metropolitan Museum of Art
Meleager, Turning to the Left, Giovanni Domenico Tiepolo, mid-18th–early 19th centuryGiovanni Domenico TiepoloMeleager, Turning to the Leftmid-18th–early 19th centuryMetropolitan Museum of Art
Centaur Abducting a Satyress, Giovanni Domenico Tiepolo, 1727–1804Giovanni Domenico TiepoloCentaur Abducting a Satyress1727–1804Metropolitan Museum of Art
A Flock of Winged Cherubs in the Sky, One Holding a Martyr's Palm, Giovanni Domenico Tiepolo, ca. 1770–90Giovanni Domenico TiepoloA Flock of Winged Cherubs in the Sky, One Holding a Martyr's Palmca. 1770–90Metropolitan Museum of Art
Caricature of a Gentleman and Other Studies, Giovanni Domenico Tiepolo, 1727–1804Giovanni Domenico TiepoloCaricature of a Gentleman and Other Studies1727–1804Metropolitan Museum of Art
Scene of Contemporary Life: The Acrobats, Giovanni Domenico Tiepolo, 1727–1804Giovanni Domenico TiepoloScene of Contemporary Life: The Acrobats1727–1804Metropolitan Museum of Art
Design for a Chimneypiece with Ionic columns, a Frieze, and Cornice, Sir William Chambers, 1743–96William ChambersDesign for a Chimneypiece with Ionic columns, a Frieze, and Cornice1743–96Metropolitan Museum of Art
Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan, Sir William Chambers, 1765William ChambersHeadfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan1765Yale-centrum voor Britse kunst
The Baptism of Christ (with Christ Half-Kneeling at Left, His Back Turned, and the Baptist Full-Faced at Center, Looking Up), Giovanni Domenico Tiepolo, ca. 1770–90Giovanni Domenico TiepoloThe Baptism of Christ (with Christ Half-Kneeling at Left, His Back Turned, and the Baptist Full-Faced at Center, Looking Up)ca. 1770–90Metropolitan Museum of Art
Two Stags, One Standing and One Lying, on a Grassy Knoll (with a Base), Giovanni Domenico Tiepolo, after 1770Giovanni Domenico TiepoloTwo Stags, One Standing and One Lying, on a Grassy Knoll (with a Base)after 1770Metropolitan Museum of Art
Hercules and Antaeus (with a ledge Below), Giovanni Domenico Tiepolo, late 18th centuryGiovanni Domenico TiepoloHercules and Antaeus (with a ledge Below)late 18th centuryMetropolitan Museum of Art
Turkish Lancer and Onlookers Approaching a Town, Giovanni Domenico Tiepolo, 1760–70Giovanni Domenico TiepoloTurkish Lancer and Onlookers Approaching a Town1760–70Metropolitan Museum of Art
Centaur Holding Up a Youthful Satyr, Giovanni Domenico Tiepolo, 1727–1804Giovanni Domenico TiepoloCentaur Holding Up a Youthful Satyr1727–1804Metropolitan Museum of Art
The Baptism of Christ (with Saint John, Without his Cross, in Profile to the Right), Giovanni Domenico Tiepolo, ca. 1770–90Giovanni Domenico TiepoloThe Baptism of Christ (with Saint John, Without his Cross, in Profile to the Right)ca. 1770–90Metropolitan Museum of Art
A Stag Lying Down (on a base): The Head of a Crocodile, Giovanni Domenico Tiepolo, after 1770Giovanni Domenico TiepoloA Stag Lying Down (on a base): The Head of a Crocodileafter 1770Metropolitan Museum of Art
The Rest on the Flight into Egypt (with a Truncated Pyramid on the Right), Giovanni Domenico Tiepolo, ca. 1770Giovanni Domenico TiepoloThe Rest on the Flight into Egypt (with a Truncated Pyramid on the Right)ca. 1770Metropolitan Museum of Art
A Crowd of Ancient Warriors, Orientals, and Two Boys, Gathering for a Sacrifice, Giovanni Domenico Tiepolo, ca. 1743Giovanni Domenico TiepoloA Crowd of Ancient Warriors, Orientals, and Two Boys, Gathering for a Sacrificeca. 1743Metropolitan Museum of Art
Frieze of Allegorical Figures, Giovanni Domenico Tiepolo, after 1770Giovanni Domenico TiepoloFrieze of Allegorical Figuresafter 1770Metropolitan Museum of Art
Design for a Classical Chimneypiece with Rams Heads, and Leda and the Swan, Sir William Chambers, 1745–1800William ChambersDesign for a Classical Chimneypiece with Rams Heads, and Leda and the Swan1745–1800Metropolitan Museum of Art
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